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Analysis Of Artifacts And Storage Organization: Clinton Lock 2, Hannah Curtis Jan 2022

Analysis Of Artifacts And Storage Organization: Clinton Lock 2, Hannah Curtis

Williams Honors College, Honors Research Projects

For this project, we are hoping to address the potential problems and help refine future work between the storage in the Cummings Center and the Anthropology Department. Some of the research questions that we have are: What is in the Cummings Center from the Anthropology Department? What type of techniques is the most beneficial in storing archaeological material? How are the items stored in the Cummings Center? Is this method of storage going to protect or damage the artifact? Do we still need to keep this material, returned to its original owner, or can it be deaccessioned? We plan to …


Photo Synthesis: The Expatriate Family Album As Historiography, Kamayani Sharma Ms Jun 2017

Photo Synthesis: The Expatriate Family Album As Historiography, Kamayani Sharma Ms

Proceedings from the Document Academy

I want to look at the expatriate family album as a site of history-writing.

Through an examination of three photographs from my childhood in West Asia, I try to think about the idea of historical space and time through the visual narratives available to me of my own family.

This essay will be an exploration of the way in which nostalgia for a personal past gets imbricated within the shared experience of a bygone cultural moment.

I am interested in how an encounter with visual material from private archives initiates memory work and how these traces from the past can …


Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman Jan 2015

Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman

Williams Honors College, Honors Research Projects

This article looks at the way Italian Baroque painter, Michelangelo Merisi da Caravaggio broke from the artistic conventions of the Renaissance and Mannerist styles in his religious paintings to create an entirely new style that reflected the needs of the post-Tridentine Catholic Church. Caravaggio pushed painting throughout Europe in a new direction, away from the idealization of the Renaissance and the artistic extremes of Mannerism, by popularizing realism in art. Caravaggio’s unique style is examined through comparisons of his paintings, The Conversion of Paul, c.1601 and The Martyrdom of Saint Peter, c.1601 in the Roman basilica, Santa Maria del Popolo …