History Commons^™

A Digitalização 3d Das Cerâmicas Da Coleção Valentin Calderón Como Ferramenta Para A Preservaço, Mara Lúcia Carrett De Vasconcelos, Robert Z. Selden Jr.

CRHR: Archaeology

Valentin Calderón figura como um dos pioneiros da arqueologia no Nordeste do Brasil. Membro do Programa Nacional de Pesquisas Arqueológicas entre as décadas de 1960 e 70, foi responsável pelos levantamentos sistemáticos nos sítios arqueológicos do estado da Bahia e identificou a tradição cerâmica Aratu. Calderón foi também o idealizador do Museu de Arqueologia e Etnologia da Universidade Federal da Bahia (MAE/UFBA), que hoje salvaguarda sua coleção arqueológica e seu arquivo pessoal. Em uma parceria realizada com pesquisadores do Center for Regional Heritage Research da Stephen F. Austin University, Texas, EUA, os artefatos cerâmicos da coleção Valentin Calderón foram digitalizados …

Dreamcatcher From Mao's Last Revolution: My Venture Into Creative Social Documentary Video, Christopher Shea Howard

Student Publications

Dreamcatcher From Mao’s Last Revolution is a filmmaking venture into creative social documentary production undertaken by this filmmaker as his own experimental departure from narrative feature film production and the fiction genre. This thesis report not only describes aspects of this film production that are specific to the methodology of documentary film production, but also describes the film’s cinematic expression of memory and the filmmaker’s telling of the story. Some cinematic and conceptual aspects of the story are related to the film’s influences, specifically to those theoretical concepts and techniques employed by documentary filmmaker, Werner Herzog.

The documentary story is …

Advances In Documentation, Digital Curation, Virtual Exhibition, And A Test Of 3d Geometric Morhpometrics: A Case Study Of The Vanderpool Vessels From The Ancestral Caddo Territory, Robert Z. Selden Jr., Timothy K. Perttula, Michael J. O'Brien

CRHR: Archaeology

Three-dimensional (3D) digital scanning of archaeological materials is typically used as a tool for artifact documentation. With the permission of the Caddo Nation of Oklahoma, 3D documentation of Caddo funerary vessels from the Vanderpool site (41SM77) was conducted with the initial goal of ensuring that these data would be publicly available for future research long after the vessels were repatriated. A digital infrastructure was created to archive and disseminate the resultant 3D datasets, ensuring that they would be accessible by both researchers and the general public (CRHR 2014a). However, 3D imagery can be used for much more than documentation. To …

Design Of A Comprehensive Geographic Information System For The Administration Of El Camino Real De Los Tejas National Historic Trail, Jeffrey M. Williams

Faculty Publications

Stephen F. Austin State University’s Arthur Temple College of Forestry and Agriculture’s (ATCOFA) Geographic Information Systems (GIS) Laboratory were engaged by the National Park Service (NPS) National Trails System-Intermountain Region to provide GIS services supporting the NPS’s development of a Comprehensive Management Plan for El Camino Real de los Tejas National Historic Trail (ELTE). The scope of work was completed under an agreement with the Gulf Coast Cooperative Ecosystem Studies Unit sponsored by the Texas AgriLife Research Program at Texas A&M University. ATCOFA assisted the NPS in the coordination of local landowner and other local stakeholder contacts, conducted archival research …

Deep East Texas Grave Markers: Types, Styles, And Motifs, Nancy Adgent, Perky Beisel, George Avery

Faculty Publications

Grave markers are often the only physical evidence of a person’s existence and offer opportunities for even ordinary people to ‘speak’ from the grave. Sometimes the deceased selects the marker or leaves instructions for its composition.

In modern times, the grieving family typically chooses the type, style, motif, and inscription according to commercial availability, aesthetic appeal, and budgetary constraints. A cemetery visitor will likely have no idea of the actual circumstances that caused a particular marker to have its shape, design, and decorative elements.

Like other possessions, markers are subject to fashion trends and since the advent of mass production …

Deep East Texas Grave Markers: Types, Styles, And Motifs, Nancy Adgent, Perky Beisel, George Avery

CRHR Publications

Grave markers are often the only physical evidence of a person’s existence and offer opportunities for even ordinary people to ‘speak’ from the grave. Sometimes the deceased selects the marker or leaves instructions for its composition.

In modern times, the grieving family typically chooses the type, style, motif, and inscription according to commercial availability, aesthetic appeal, and budgetary constraints. A cemetery visitor will likely have no idea of the actual circumstances that caused a particular marker to have its shape, design, and decorative elements.

Like other possessions, markers are subject to fashion trends and since the advent of mass production …

Deep East Texas Grave Markers: Types, Styles, And Motifs, Nancy Adgent, Perky Beisel, George Avery

Faculty Publications

Grave markers are often the only physical evidence of a person’s existence and offer opportunities for even ordinary people to ‘speak’ from the grave. Sometimes the deceased selects the marker or leaves instructions for its composition.

In modern times, the grieving family typically chooses the type, style, motif, and inscription according to commercial availability, aesthetic appeal, and budgetary constraints. A cemetery visitor will likely have no idea of the actual circumstances that caused a particular marker to have its shape, design, and decorative elements.

Like other possessions, markers are subject to fashion trends and since the advent of mass production …

Deep East Texas Grave Markers: Types, Styles, And Motifs, Nancy Adgent, Perky Beisel, George Avery

CRHR: Archaeology

Grave markers are often the only physical evidence of a person’s existence and offer opportunities for even ordinary people to ‘speak’ from the grave. Sometimes the deceased selects the marker or leaves instructions for its composition.

In modern times, the grieving family typically chooses the type, style, motif, and inscription according to commercial availability, aesthetic appeal, and budgetary constraints. A cemetery visitor will likely have no idea of the actual circumstances that caused a particular marker to have its shape, design, and decorative elements.

Like other possessions, markers are subject to fashion trends and since the advent of mass production …