Open Access. Powered by Scholars. Published by Universities.®

History Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in History

Thinking With Things: Reimagining The Object Lesson As A Feminist Pedagogical Device In The Humanities Classroom, Krista Grensavitch Aug 2019

Thinking With Things: Reimagining The Object Lesson As A Feminist Pedagogical Device In The Humanities Classroom, Krista Grensavitch

Theses and Dissertations

In this dissertation, I continue nascent discussions of incorporating material culture in humanities classrooms in higher education. Primarily, this conversation stems from the material turn in the discipline of history, and in the humanities, more generally. It responds to calls that students in higher education must acquire the modes of thinking particular to practitioners within their discipline. My contribution sits at the intersection of material culture theory, feminist pedagogy, and the scholarship of teaching and learning (SoTL), and is a work of feminist praxis.

I centralize my own teaching practice and draw extensively from my experiences developing curricula and facilitating …


All The Small Things, Talia E. Levitt Jun 2019

All The Small Things, Talia E. Levitt

Theses and Dissertations

My paintings engage with the history of the still life as a marginalized and antiacademic genre. Rather than fool viewers into believing that there are real objects in front of them, as is the historical intention of trompe l’oeil, I use realistic rendering to emphasize the painting and painter.


A Spectacle And Nothing Strange, Taylor Z. King Jan 2019

A Spectacle And Nothing Strange, Taylor Z. King

Theses and Dissertations

Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …