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Uncovering Emotional Contamination: Five Sites Of Trauma, Abigail Zola
Uncovering Emotional Contamination: Five Sites Of Trauma, Abigail Zola
Masters Theses
“Emotional contamination,” describes residual feelings associated with a space where a negative or tragic event occurred to an individual or group either personally, historically, or politically. Emotional contamination affects people’s associations with place and informs their willingness to spend time in them. This project considers a set of design principles rooted in uncovering and acknowledging the lifespan of a site, and considers how this acknowledgment can exist as an urban system rather than an individual architectural artifact. My thesis work analyzes five case studies in Berlin where political and economic factors determined the result of intervention, and how these sites …
Salzburg's Baroque Architecture: A Historical Analysis And Poetic Response, Rebecca Malzer
Salzburg's Baroque Architecture: A Historical Analysis And Poetic Response, Rebecca Malzer
Honors Projects
Salzburg, Austria is a city full of history. During the Baroque era from about the mid sixteenth century to the end of the eighteenth century, the Prince-Archbishops of Salzburg designed and modeled the city with Rome, Italy in mind. Their loyalty to the Holy Roman Empire and with the Reformation in full swing, these Italian influences helped to build a pro-Roman Catholic style throughout the city. The Prince-Archbishops and their architects demonstrated Salzburg’s loyalty to Rome through the structures of Schloss Mirabell, Schloss Hellbrunn, and the Franziskannerkirche. In addition, these structures make for great inspiration for creative work, to which …
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Publications and Research
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …