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Full-Text Articles in History

Our Souls Are Already Cared For: Indigenous Reactions To Religious Colonialism In Seventeenth-Century New England, New France, And New Mexico, Gail Coughlin Jul 2020

Our Souls Are Already Cared For: Indigenous Reactions To Religious Colonialism In Seventeenth-Century New England, New France, And New Mexico, Gail Coughlin

Masters Theses

This thesis takes a comparative approach in examining the reactions of residents of three seventeenth-century Christian missions: Natick in New England, Kahnawake in New France, and Ohkay Owingeh, New Mexico in New Spain, to religious colonialism. Particular attention is paid to their religious beliefs and participation in colonial warfare. This thesis argues that missions in New England, New France, and New Mexico were spaces of Indigenous culture and autonomy, not due to differing colonial practices of colonizing empires, but due to the actions, beliefs, and worldviews of Indigenous residents of missions. Indigenous peoples, no matter which European powers they interacted …


Time Machine Research And Approach, Tarek Bouraque May 2020

Time Machine Research And Approach, Tarek Bouraque

Theses and Dissertations

Time Machine is a hybrid documentary that explores the logics of enslavement, colonialism, eurocentrism and their interconnectedness in our globalized world. Mustapha Azemmouri, born in 1502, undertakes a journey to the 21st century to recount his own story of enslavement and exploration, and reflects on a collective puzzle of 500 years of hidden history.


The Poetry Of History: Irish National Imagination Through Mythology And Materiality, Ryan Fay May 2020

The Poetry Of History: Irish National Imagination Through Mythology And Materiality, Ryan Fay

English Honors Theses

The thesis culminates in the twentieth century and yet it begins with the Ulster Cycle, a period of Irish mythological history that occurred around the first century common era. Indeed, since the time frame was before the arrival of the Gaels, Normans, or Christianity, the extent of this mythology’s relevance today is whatever extent it is conceptualized as “Irish.” As such, the first chapter locks onto an aspect that could feasibly transcend time and resonate with modern Irish society: gender. Of course, the epistemological dynamics of gender[1] in the first-century common era are vastly different than the twentieth century …


Invisible Armies: French Colonial Soldiers During World War I And Their Absence From History, Molly Anderson May 2020

Invisible Armies: French Colonial Soldiers During World War I And Their Absence From History, Molly Anderson

Arts & Sciences Undergraduate Showcase

World War I is an incredibly significant event in world history and continues to loom large in French memory today. Unfortunately, memory is often unreliable and as a result, people, places, and events can easily be forgotten, as is the case with French colonial soldiers during World War I. Colonial soldiers, particularly those from French West Africa, suffered a great deal because of their forced involvement in the conflict. Despite the major disruption the war had on their lives, however, the ways French media at the time chose to depict these soldiers was based almost exclusively on stereotypes and mockery. …


(Re)Visions Of The Outre-Mer: Looking At The Male Gaze In Jacques Feyder’S Le Grand Jeu (1934), Barry Nevin Jan 2020

(Re)Visions Of The Outre-Mer: Looking At The Male Gaze In Jacques Feyder’S Le Grand Jeu (1934), Barry Nevin

Articles

Cinéma colonial is regarded by certain scholars as a highly conventionalised and commercialised film practice that grants spectators a sense of control over the potentially threatening colonial Other, and Belgian director Jacques Feyder has been subject to particularly harsh criticism in this regard. This article argues that Feyder’s Le Grand Jeu (1934), which depicts a young legionnaire’s relationship with a cabaret singer who bears an uncanny resemblance to a previous lover who jilted him in Paris, challenges dominant tendencies in portrayals of gender and colonialism in French cinema of the 1930s. Drawing on the relationship between Laura Mulvey’s theorisation of …