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Full-Text Articles in History
“O Freunde, Nicht Diese Töne!" First World War Beethoven Reception As Precedent For The Nazi "Cult Of Art", David B. Dennis
“O Freunde, Nicht Diese Töne!" First World War Beethoven Reception As Precedent For The Nazi "Cult Of Art", David B. Dennis
David B. Dennis
No abstract provided.
Review Essay On Recent Literature About Music And German Politics, David B. Dennis
Review Essay On Recent Literature About Music And German Politics, David B. Dennis
David B. Dennis
No abstract provided.
Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis
Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis
David B. Dennis
No abstract provided.
Review Of Pamela M. Potter, Most German Of The Arts: Musicology And Society From The Weimar Republic To The End Of Hitler’S Reich (New Haven And London: Yale University Press, 1998), David B. Dennis
David B. Dennis
No abstract provided.
Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis
Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis
David B. Dennis
No abstract provided.
Johannes Brahms's Requiem Eines Unpolitischen, David B. Dennis
Johannes Brahms's Requiem Eines Unpolitischen, David B. Dennis
David B. Dennis
No abstract provided.
Review Of Jonathan Petropoulos, Art As Politics In The Third Reich (Chapel Hill: North Carolina U.P., 1996), David B. Dennis
Review Of Jonathan Petropoulos, Art As Politics In The Third Reich (Chapel Hill: North Carolina U.P., 1996), David B. Dennis
David B. Dennis
No abstract provided.
Hard Times; Hard Duties; Hard Hearts; The Volksgemeinschaft As An Indicator Of Identity Shift, Kaitlin Hampshire
Hard Times; Hard Duties; Hard Hearts; The Volksgemeinschaft As An Indicator Of Identity Shift, Kaitlin Hampshire
Masters Theses, 2010-2019
How can one nation define an ideal community? The Reich’s Propaganda Ministry of Nazi Germany knew. No cultivation of community, or Volksgemeinschaft in the case of Nazi Germany, is complete without the use of propaganda. Nazi propaganda posters played several different roles in the formation of the community, such as maintaining the military, as well as labor forces not in the military, perpetuating anti-Soviet and anti-Jew feelings, creating the Führer myth, and gaining the support of Germany’s youth. All of the messages displayed in the posters identified the values of the members of the ‘National Community’ or Volksgemeinschaft.
Propaganda posters …