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Full-Text Articles in History
Warlord: The Political And Military Ambitions Of Nazi Germany, William R. Underhill
Warlord: The Political And Military Ambitions Of Nazi Germany, William R. Underhill
Senior Theses
There are so many important stories to consider when thinking about World War II. It is easy to think about the popular aspects of the war: the causes, the major figures, the battles, and, of course, the lasting consequences. Yet there are other, lesser known storylines to consider, ones that have taken a backseat to the more popular narratives of the time. It is commonly understood that Nazi Germany was evil and that they had nothing but ill intentions for the rest of Europe and the world. However, it is vital to understand that Germany’s pre-war intentions are notably different …
Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin
Bodies In Conflict: From Gettysburg To Iraq, Laura E. Bergin
Schmucker Art Catalogs
The exhibition Bodies in Conflict: From Gettysburg to Iraq not only conveys an ambitious geographic and historical range, but also reflects the sensitivity, ambition, and thoughtfulness of its curator, Laura Bergin ’17. In examining how the human figure is represented in prints and photographs of modern war and political conflict, Laura considers how journalistic photographs, artistic interpretations, and other visual documentation of conflict and its aftermath compare between wars and across historical periods. Specific objects include a print and photographs from the Civil War, propaganda posters from World Wars I and II, photographs and a protest poster from the Vietnam …
The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
Master's Theses
Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …
Remembering The Somme: This Watershed Battle Of World War I Still Echoes With Honor, Sacrifice And Horror 100 Years Later, Ian A. Isherwood
Remembering The Somme: This Watershed Battle Of World War I Still Echoes With Honor, Sacrifice And Horror 100 Years Later, Ian A. Isherwood
Civil War Institute Faculty Publications
The Western Front was a cacophonous mixture of men and material. Airplanes buzzed slowly above the thousands of miles of zigzagged trenches carved into the chalky soil. Motorized lorries stalled, started and then plodded behind the lines, bringing up shells, water, tinned beef, bullets and soldier’s rum, etc., everything needed to sustain the armies astride the Somme. [excerpt]