Open Access. Powered by Scholars. Published by Universities.®

History Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in History

Dr. Jekyll And Mr. Hyde: The Complicated Identity Of The Brussels International Festival Of Fantastic Films, Mila H. Whiteley Apr 2015

Dr. Jekyll And Mr. Hyde: The Complicated Identity Of The Brussels International Festival Of Fantastic Films, Mila H. Whiteley

Student Publications

The Brussels International Festival of Fantastic Films (BIFFF) is a genre festival specializing in thriller, horror, science fiction and fantasy films. Started in 1983, with an initial audience of 32,650 for a festival of 60 films, by its most recent run in April 2015, 64,400 tickets were sold for a showing of 108 films (BIFFF Presentation 4-5; “Festival 2015” 2015). The almost doubling in audience attendance over the course of the BIFFF’s 33 year run emphasizes the manner in which the festival’s identity has become oriented towards a specific and passionate audience. Interestingly, as the festival’s audience engagement has increased, …


Escape Artistry: Elisabeth Bergner And Jewish Disappearance In Der Träumende Mund (Czinner, 1932), Kerry Wallach Feb 2015

Escape Artistry: Elisabeth Bergner And Jewish Disappearance In Der Träumende Mund (Czinner, 1932), Kerry Wallach

German Studies Faculty Publications

The late Weimar film Der träumende Mund culminates in the apparent but unconfirmed suicide of its female protagonist, played by Elisabeth Bergner. Bergner, whose background contributed to the film’s Jewish reception, and who later claimed to have written the film’s screenplay, left Germany and went into exile with director Paul Czinner in 1932. This film and the circumstances of its production and premiere link tragic modes of self-erasure, including the suicides of both many women and many German Jews, to notions of escape, emigration, and reemergence. Its success among Jewish spectators points to its enduring and international appeal.


Maestros De La Manipulación: Titiriteros De La Memoria Histórica En No De Pablo Larraín Y La Niña De Tus Ojos De Fernando Trueba / Master Manipulators: Puppeteers Of Historical Memory In No By Pablo Larraín And The Girl Of Your Dreams By Fernando Trueba, Polly J. Hodge Jan 2015

Maestros De La Manipulación: Titiriteros De La Memoria Histórica En No De Pablo Larraín Y La Niña De Tus Ojos De Fernando Trueba / Master Manipulators: Puppeteers Of Historical Memory In No By Pablo Larraín And The Girl Of Your Dreams By Fernando Trueba, Polly J. Hodge

World Languages and Cultures Faculty Articles and Research

Se exploran dos obras cinematográficas, No de Pablo Larraín y La niña de tus ojos de Fernando Trueba, en función de sus raíces literarias y el concepto de la memoria histórica. Las obras basadas en eventos históricos intensos y violentos tienen la capacidad de retratar la dialéctica entre la memoria y la amnesia histórica. De esta manera se estimula el impulso por desenmascarar los sistemas de poder y dialogar con la sociedad actual. En el proceso, se descubren soluciones alternativas a la violencia para tratar los problemas políticos.