History Commons^™

Studying The Binding Of Portland State’S Codex To Localize Production, Allison Kirkpatrick

Extra-Textual Elements

This paper examines Portland State’s 1490 codex as a material object by studying the stamp designs on its covers to determine where and when it may have been bound.

Four stamp designs are discernible, and these were compared to rubbings of stamp designs from fifteenth- and sixteenth-century incunable bindings in the Einbanddatenbank and Scott Husby Database. The findings from this study point to Erfurt, Germany, and more specifically the workshop of Nicolaus von Havelberg (active 1477–1506), as the probable binding site.

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …

Watermarks In The Psu Codex Fasciculus Temporum And The Paper Trade, Christian Graham

Extra-Textual Elements

Medieval watermarks were introduced into early printed works during the production process of the paper. It is not known exactly when or why they came into common use, but they did come to identify specific paper suppliers.

As the number of paper suppliers grew enormously in concert with the growth of popularity of printed books, identifying the watermarks of specific producers can provide the modern scholar with valuable information about an early printed work, including dating editions and providing insight into trading relationships and connections between paper-makers and printers.

This paper examines some of the watermarks present in the PSU’s …

The Frontispiece Woodcut In The Fasciculus Temporum In Portland State University’S Codex, Amanda Bonilla

Extra-Textual Elements

The frontispiece image in the PSU codex is in the tradition of ‘the education of the prince,’ a popular choice for early printed works, particularly historical chronicles and similar manuscripts related to ancient times.

A portal with columns provides an entrance into the book, and also encloses and protects its contents. This shape, echoing the triumphal arches of classical antiquity, was a popular motif in renaissance publishing. Along with the king’s crown worn on top of a turban-like head wrap, the columns and arches suggest a connection to classical antiquity. Although most images do not reference an artist, making it …

Watermarks In The Psu Malleus Maleficarum, Laura Lindenthal

Extra-Textual Elements

This paper seeks to connect the watermarks found in PSU’s codex to the printer (or printers) of the included texts, the Malleus maleficarum and the Fasciculus temporum. Specifically, this essay considers three watermarks found on the paper of the Malleus maleficarum, one of which, an ox-head with staff, occurs on a blank page between the Malleus and the Fasciculus temporum, which precedes it in the codex. These watermarks and their common variations are described and their inclusion in several watermark databases is discussed. The three marks found in the Malleus maleficarum may be directly connected to the printer, …