History Commons^™

In Penn’S Woods: Intersections Between The Moravians, Indigenous Americans, And Nature, 1741-1760, Jane J. Chang

Masters Theses

The Moravian presence among Native American communities during the early colonial period (1741-1760) provides a valuable glimpse into the intermingling of European and indigenous cultures along with an environmental epistemology. Cross-cultural and knowledge exchanges were not uni-directional by any means. Moravians negotiated with indigenous Americans and their natural landscapes to construct syncretic space not only in their missionary efforts, but also the establishment of settlements. Integral in this shared space was the role of Moravian women, who played a crucial role in fostering intimate bonds with their indigenous Sisters. In this study, I examine Moravian hymns, architectural plans, and diaries …

A Performance Of Disease And Its Cures: Lovesickness In Medieval Iberia, Lillian B. Sanders

Masters Theses

In the context of late medieval Iberia, lovesickness as a real disease was both treatable and threatening to one’s lived experience. Different forms of lovesick cures, from both learned and vernacular healers, arose from the Galenic regime of the humoral body. Cures such as charms, mixtures, and verbal expressions helped heal lovesick patients, as is shown in the archive through sources like remedy books and literary texts depicting lovesick affliction. Much of the current scholarship on lovesickness focuses on medieval medicine through the archive. Through the lens of performance studies, I argue that medieval Iberians enacted cures on lovesick patients …

“Wir Streiken!”: Music And Political Activism In Cold War Germany, John Tyler Patty

Masters Theses

Using print media such as band biographies, books, and journals that address youth, popular culture, and music in the German context, this thesis analyzes how music and musicians influenced political protest movements in West Germany during the Cold War and how, in turn, protest movements fostered the career of musicians. The relationship between music and social change in Germany throughout the Cold War is complicated and contains many aspects. This thesis focuses mainly on the effect American and British music had on divided Germany and examines how these influences helped shape the cultural climate in which political protests emerged. It …

Sisters, Objects Of Desire, Or Barbarians: German Nurses In The First World War, Jennifer Sue Montgomery

Masters Theses

This is a study of German nurses during the First World War that examines the differing perceptions and representations of them that appeared during the war, focusing on those of British and American nurses and German soldiers that were at odds with the ideal image of nurses. I trace British and American nurses’ opinions using nursing and medical journals and investigate the complex relationship between German nurses and soldiers using soldiers’ newspapers as a main source base. I argue that representations and perceptions of German nurses that contrasted with the ideal image of a nurse are crucial to understanding the …

Blurring The Boundaries: Images Of Androgyny In Germany At The Fin De Siecle, Daniel James Casanova

Masters Theses

The following study inquires into the emergence and development of a positive, nonnormative homosexual identity in German social discourses regarding androgyny and same-sex desire during the Wilhelmine period. Literary works, medical journals, homosexual journals, and visual art in the late-nineteenth century reflect a growing interest in androgynous bodies throughout Germany’s developing homosexual community. Such primary media provide the evidence for this study. Of particular interest are the works and theories of homosexuals themselves with an emphasis on their organizational journals (such as The Own and The Annual Book of Intermediate Sexualities) and photographs. This project examines the dissemination and …

Die Zukunft Gehoert Dem Ingeniuer: Herman Soergel's Attempt To Engineer Europe's Salvation, Ryan Bartlett Linger

Masters Theses

Herman Sörgel devised a plan, beginning in 1927, to usher in a new era of peace and prosperity for the whole of Europe. Atlantropa was his answer to the perceived threats that the European people faced from international competition, overpopulation, and lack of resources. The plan would have resulted in the lowering of the Mediterranean Sea and the ultimate creation of one continent comprised of the former Europe and Africa. Though the plan was never implemented, it poses a fascinating model through which historians may reconsider the time period between the end of the First and Second World Wars.

This …

Spuren Visionärer Multikulturalität: Fantasie Und Wirklichkeit In Campes "Robinson Der Jüngere": Auf Dem Weg Vom Kolonialismus Zum Kosmopolitismus., Claus Huxdorff

Masters Theses

This thesis aims to investigate the traces of multicultural implications in Joachim Heinrich Campe’s Robinson der Jüngere 1779/80. On one level, Campe’s adaptation of Defoe’s Robinson Crusoe appears to awaken or sustain potential colonial fantasies among its German readers. However, Campe’s Robinson der Jüngere does not follow colonial conventions, such as exhibited in Defoe, but instead depicts a society based much more on the concept of a common humanity shared by Europeans and Caribbean natives alike. It conceives of cooperation and exchange as a mutual gain for both parties. Robinson’s island functions as a kind of social testing ground offering …

Modernity, Capitalism, And War: Toward A Sociology Of War In The Nineteenth Century, 1815-1914, Eric Royal Lybeck

Masters Theses

The academic discipline of Sociology has rarely broached the subject of war and its recursive relationship with society. This paper addresses three major approaches in several disciplines that can be deemed ‘economically deterministic’: Marxist, Liberal, and Realist. These approaches can be useful for certain questions, but also leave out, or cloud other non-economic variables in understanding war – notably culture and military variables themselves. By using Karl Polanyi’s thesis regarding the “Myth of the Hundred Years’ Peace” (1815-1914) as a foil, the historical case of war in the nineteenth century is used to highlight the nature of war in European …

Defining Socialism Through The Familiar: East German Representation Of Hungary In The 1950s And 1960s, Kathryn Campbell Julian

Masters Theses

This study analyzes East German representations of Hungary in cultural texts to investigate the emergence of a German socialist identity in the 1950s and 1960s. I further contend that post-1945 self- and collective identity in the German Democratic Republic (GDR) was complex and formulated by official, intellectual, and mass perceptions. By examining East German iconography of Hungary it becomes clear that socialist identity in the early years of the dictatorship relied on traditional expressions of society as well as ideology. Hungary provided East Germans with a practical model for socialist friendship. Though the GDR was a state that ostensibly celebrated …

A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti

Masters Theses

Generally speaking, scholarship in the field of Germanistik has taken an interest in Friedrich Schlegel’s early publication, “Vom aesthetischen Werte der griechischen Komoedie” (1794), either because of its perceived influence on German Romantic Comedy [(Catholy 1982), (Kluge 1980), (Holl 1923), (Japp 1999)], or else because of its relevance as an example of Schlegel's still inchoate aesthetic philosophy [(Dierkes 1980), (Behrens 1984), (Schanze 1966), (Michel 1982), (Dannenberg 1993), (Mennemeier 1971)]. As a theory of comedy in its own right, Schlegel’s essay has garnered little attention, in part because of its supposed inapplicability to comedic praxis and at times utopian implications, in …

The Bayeux Tapestry: Norman And English Perspectives Intertwined, Maria Dajcar

Masters Theses

The purpose of this thesis was to examine the Bayeux Tapestry, commissioned by the victorious Normans after the Norman Conquest of 1066, in order to determine which, if any, of its scenes bore English influence. The primary sources analyzed were, among others, Ordericus Vitalis, William of Poitiers, William of Jumieges, the Anglo-Saxon Chronicle, and the Bayeux Tapestry itself. The secondary sources included monographs by David J. Bernstein, Wolfgang Grape, Frank Stenton, and Ian Walker.

While the majority of the Tapestry scenes adhere to the interpretation of the Conquest that was popularized by Norman chroniclers, several elements, such as the …