History Commons^™

Becoming Human In The Land: An Introduction To The Special Issue Of Heritage: Landscapes, Drew Hubbell

Landscapes: the Journal of the International Centre for Landscape and Language

This introduction to the special issue of Landscapes theorizes the questions suggested by the theme, "Landscape: Heritage." Weaving personal narrative with literary criticism, cultural studies, human geography, and ecology, the essay examines the way humans become human by developing complex relationships with landscapes over time. As landscapes contain the physical traces of human habitation and development, certain narratives of human inhabitants are written and memorialized in and by those landscapes. The monumentalization of specific heritages leads to contests between human groups who require certain heritages to be memorialized, but not others. Greater awareness of one's humanity requires recovery of polyphonic …

Ms-203: Louis A. Parsons Papers (1895-1957), Karen Dupell Drickamer

All Finding Aids

As the collection was created from five different accessions and four donors, over a period of four years and each accession was totally random and jumbled, the processor chose chronological order except when a complete subject file was identified. Parsons made carbon copies of most of his correspondence and wrote often to family, friends, and colleagues about both his personal and his professional life. His letters are filled with personal information, descriptions of life at the College and in the Community, as well as his issues with the administration, making it difficult to separate personal and professional correspondence. Anyone researching …

Our Reconciliationist Pastime: How Baseball Contributed To The Reunification Of White America, Jeffrey L. Lauck

The Gettysburg Compiler: On the Front Lines of History

As early as the 1850s, the game of baseball was being referred to as “our national game.” At a time when the nation was being ripped apart at the seams, it served as a relatively new symbol of national identity. Baseball did not fully reach its unifying potential until after a bloody war that pitched North against South. However, these reconciliationist qualities did not strike at the heart of all Americans. [excerpt]

She Spoke For Those Without A Voice, John M. Rudy

Civil War Era Studies Faculty Publications

Statistically, about 50% of Adams County’s history has been women’s history since the dawn of time. But it can sometimes be painfully difficult to find out about the women of our county and their experiences. And as with most history, it is the troublemakers who stand out in the records. Luckily one of Adams County’s greatest troublemakers, Elsie Singmaster Lewars, is easy to find in the files of the Adams County Historical Society. Mrs. Lewars had the courage to speak for those without a voice. [excerpt]

Another Day In Confederate Gettysburg, Scott Hancock

Africana Studies Faculty Publications

Today the Sons of Confederate Veterans ‘celebrated’ the confederate flag at the Peace Light Memorial on the battlefields of Gettysburg. The same battlefields where some of their ancestors suffered a pivotal defeat, and then kidnapped free Black Americans as they fled south. When I found out the SCV had obtained a permit from the National Park Service, I did likewise so I could stand up there with my homemade sign that connects the confederate flag to some of its most seminal moments in history: fighting for slavery in 1863, fighting for segregation in 1962, and murdering nine black South Carolinians …

An Early Black Cemetery On York Street, Andrew I. Dalton

Student Publications

Many are familiar with William H. Tipton, a well-known local photographer who recorded iconic views of the town, battlefield, and monuments surrounding Gettysburg. What many people may not know is that Tipton built a house in the early 1900s right on top of Gettysburg’s first African-American cemetery. [excerpt]

Gettysburg College Journal Of The Civil War Era 2016

The Gettysburg College Journal of the Civil War Era

No abstract provided.

The Unfinished Work: Slavery Today, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

2.7 million. That’s an estimate for the number of slaves in the world today. The true number is probably higher, even though the United States abolished slavery 150 years ago. Most of today’s slaves go unseen and unaided, victims of an opaque system of exploitation that conspires to keep them oppressed. [excerpt]

Business, Education, And Enjoyment: Stakeholder Interpretations Of The Gettysburg Museum And Visitors Center, Ava M. Muhr

Student Publications

An anthropological study of the Gettysburg Museum and Visitors Center undertaken to understand the ways in which the visitor experience is conditioned by their own personal background, as well as filtered through the carefully constructed historical narrative created by museum historians, National Park Service rangers, and administrators. The Gettysburg Museum and Visitors Center is a site in which multiple stakeholders contend to ensure that their interpretations of the museum’s purpose is being upheld. This paper will examine the ways in which these various stakeholders – primarily NPS rangers, Civil War historians, and history buffs – interpret the catalyst(s) for constructing …

We've Got A Movement Down In Selma: Day 5, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"My people, my people, listen. The battle is in our hands. The battle is in our hands in Mississippi and Alabama and all over the United States.... And so as we go away this afternoon, let us go away more than ever before committed to this struggle and committed to nonviolence. I must admit to you that there are still some difficult days ahead. We are still in for a season of suffering...." [excerpt]

Can't Turn Around, We've Come This Far By Faith: Day 4, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"...today I want to say to the people of America and the nations of the world, that we are not about to turn around. We are on the move now. Yes, we are on the move and no wave of racism can stop us. We are on the move now."

The last time I went to a Catholic Mass was on Easter last year. My head was in a bad place. I felt all alone. Mom was gone. and the landscape of the world looked entirely foreign. Even the Mass itself had changed. New responses replaced old ingrained phrases. My …

The Thunder Of The Marching Men Of Joshua: Day 3, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"Let us march on ballot boxes until the Wallaces of our nation tremble away in silence.... There is nothing wrong with marching in this sense.The Bible tells us that the mighty men of Joshua merely walked about the walled city of Jericho and the barriers to freedom came tumbling down." [excerpt]

Like An Idea Whose Time Has Come: Day 2, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"They told us we wouldn’t get here. And there were those who said that we would get here only over their dead bodies, but all the world today knows that we are here and we are standing before the forces of power in the state of Alabama saying, 'We ain’t goin’ let nobody turn us around.'"

I met Edith today. We were walking down the road and Edith was with us. She didn't say much. She just sort of gurgled, dangling from a sling on her mother's chest. [excerpt]

Walking Through 1965 On An Alabama Highway: Day 1, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"Outside in the backyards I had just passed other youngsters engaged in their game 'State Trooper' in which half the number lined up locked arms, and proceeded to march singing 'We Shall Overcome,' then were set upon and beat down by the others wielding sticks and branches. In situations like these, one must observe the tragedy: that the misdeeds of our immature society are imprinted in the minds of innocent children."

Carl Benkert, Freedom Songs: Selma, Alabama, 1965

We were marching down the road. Seriously. We were marching down a rural Alabama highway. Hundreds of us. Marching. [excerpt …

“Children Of The Damned”: An Indie Band Remembers Andersonville, Heather L. Clancy

The Gettysburg Compiler: On the Front Lines of History

When alternative band Quiet Hounds released Megaphona in 2012, they presented an album peppered with an impressive range of styles, from folksy ballads to pseudo-manic hipster club tunes. The album’s most unexpected choice, though, came in the form of its closing song, “Beacon Sun.” In it, the band’s lead singer carries a mournful melody. A hypnotizing rhythm runs through the track, underscored by the tattoo of a lethargic tambourine. Indeed, the track is more akin to a jazzed-up hymn than anything else, an impression that is not surprising to listeners once they heave themselves out of the indie haze long …

“I Am Always Thinking First Of You:” The Chamberlains In Love And War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

Soldier. Professor. Hero. Braggart. Joshua Lawrence Chamberlain has been called many things by many people. Regardless of whether one loves or despises him, Chamberlain and his role in the American Civil War never fail to evoke intense emotion. While books, movies, and the occasional painting have all immortalized Chamberlain the soldier, rare is the occasion to observe Chamberlain the husband. In honor of Valentine’s Day, I bring you the story of the Chamberlains; a story of romance and rebuttal, of peace and conflict, of injury both physical and emotional and, in the end, a deep, abiding love. [excerpt]

“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

An ongoing and rather controversial debate in the Civil War world is that over the rightful placement of the Confederate battle flag in American memory. Being such a provocative symbol both in terms of history and race relations, its ‘true’ meaning and ‘true’ symbolism are constantly in flux. With recent disputes on the removal of the Confederate flag from Robert E. Lee’s tomb at Washington and Lee University making their way into the mainstream news, the complicated meaning of the rebel symbol and where it belongs in American memory have earned their places at the forefront of the national consciousness. …

We Will Now Rejoin Your Civil War (Already In Progress), John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I celebrated Martin Luther King Jr. Day with a mouse and keyboard. I love diving neck deep in historical documentation for no good reason. Falling down the research hole can be so much fun, particularly when it's looking for one elusive piece of evidence. [excerpt]

Fruit Of A Vile Tree: The Eshelman Family's War, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Frederick Eshelman's father wasn't home. He was in Petersburg, the chilly and treacherous trenches stretching to his right and left as far as the imagination might take them. That's where the danger was. That's where war lived. [excerpt]

Remembrance Day…But Remembering What?, S. Marianne Johnson

The Gettysburg Compiler: On the Front Lines of History

In conversation with other CWI Fellows last week, we began discussing the strangeness of the annual Remembrance Day Parade. Originally conceived as a way to recreate the procession to the cemetery in 1863 to hear the Gettysburg Address at the dedication of the Soldier’s National Cemetery, it seems to have morphed into something different all together. If we are honoring a recommitment to the preservation of Union, why do Confederate reenactors march in the parade? If we are simply celebrating the soldiers of both sides of the Civil War, why does the parade end at the site of the address …

Hidden In Plain Sight: The Coster Avenue Mural, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

The Gettysburg Battlefield has over one thousand monuments dedicated to a host of brave men who fought and gave their lives during the three day engagement in July of 1863. Littered alongside well-traveled roads and points of attraction on the battlefield, most do not go unnoticed. There are a few, however, that do. One of them commemorates Captain Heckman’s Battery K of the 1st Ohio Light Artillery, an oft-passed but unnoticed monument on Gettysburg College’s campus and the focus of one of my previous blog posts . Another cluster of monuments in the vicinity of the Gettysburg College campus and …

Gettysburg: A Town Built On Tourism, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

In my most recent blog posts, I’ve adopted a rather unforgiving stance on the rampant consumerism that pervades the town of Gettysburg. Essentially, I have argued that the borough’s tacky gift shops sell odious little trinkets to gullible tourists and profiteer from the public’s morbid obsession with war and death. But while I firmly believe that this zealous consumerism is a persistent threat to healthy historical engagement, there is another side to the issue that demands to be recognized: Gettysburg kitsch is part of what has made Gettysburg into a town brimming with opportunities to broaden the public’s historical consciousness. …

Lost: Sesquicentennial Sanity. If Found, Please Contact Borough Of Gettysburg., Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

If you were in Gettysburg during the summer of 2013, you surely encountered the ubiquitous 150th Gettysburg logo branded on everything from promotional materials to souvenirs. The latter – tacky at best and irreverent at worst – filled the town to the point of excess, making some of us wonder how many people completely missed the point of the sesquicentennial. Anniversaries exert a powerful force on the American historical psyche, but it is dubious whether Gettysburg’s celebration exerted an appropriate one. The sesquicentennial was a wonderful opportunity to refocus on the events of July 1863, but sadly many businesses in …

The Specter Of Gettysburg, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

The story I am about to tell is entirely true. Several weeks ago, as I departed Musselman Library after a long night of intensive research, a sudden presence roused me from my intellectual exhaustion. I was chilled to the bone as they appeared before me: shadowy figures silhouetted against the dimly lit façade of our beloved administration building. Now, I had, of course, heard of the campus’ hauntings. Tales of the ghostly field hospital in Penn Hall’s basement, the spectral sentry watching from its cupola, and the Blue Boy of Stevens Hall are well known stories throughout our campus community …

The Right To Be Forgotten... From History?, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

Some people seek to leave a legacy. They want to be remembered by others for doing something great, whether it be good or evil. But not everyone is alike in this respect. Others want nothing more than to go quietly about their business. They do not want friends or strangers prying into their lives. They do not want their inner, personal thoughts to be read and judged by those around them. [excerpt]

The Influences Of The Musselman Family, Yifei Zhang

Student Publications

For almost a century, the Musselman family has had huge influences on Adams County, PA. Many of those contributions are unknown by people today. So, based on the research of the Musselman Canning Company and the two Musselman Foundations, this paper is a study of the impacts the Musselman family has had on others and how it has achieved that influence. The main primary sources include the company’s publication, The Processor, the articles on local newspaper, and the collections in the Special Collection in Gettysburg College’s Musselman Library.

A Carriage Ride From Home, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Elias Sheads Jr. worked in his father's shop. They made wagons and coaches, some of the bedrock laborers in Gettysburg's society. In 1860, when census taker Aaron Sheely walked the streets of the borough counting heads and recording in vivid detail what Gettysburg looked like, Elias lived with his mother and father. [excerpt]

One Year On: A Glorious Frightening Fourth, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

When in the Course of human events...

In the mottled shade of Culp's Hill's trees, Dr. Charles Horner read the words of the Declaration of Independence clear and loud. A year earlier, rebel troops surged past his home on Chambersburg Street chasing soldiers flying the flag of the United States crafted by that document. Cannon fire reverberated off of the walls of his home. And this morning, a year on, cannon fire again echoed off his walls. But today it was a salute fired atop Cemetery Hill. America was preserved.

We hold these truths to be self-evident... [excerpt]

One Year On: New Gettysburgians, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

It's been one year since freedom was preserved on a black man's farm. It's been one year since the rebel charge of men from North Carolina and Virginia crashed against Abraham Brien's stone wall and were repelled, since men from South Carolina and Maryland found their best laid plans for independence dashed upon the rocks of Emancipation and American Liberty. [excerpt]

One Year On: Preparing A Somber Holiday, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Newspapers are built by bits and pieces. Type is set all throughout the week, long before the paper in Gettysburg goes to press. July's first edition in 1864 was cobbled together in the last few days of June and the first few days of July. Dropping sorts into the frames must have been agonizing work. It was labor intensive, requiring the meticulous placing of each letter and every space into the plate for every single word. [excerpt]