History Commons^™

Deportation, Genocide, And Memorial Politics: Remembrance And Memory In Postwar France, 1943-2015, Rachel Williams

Electronic Theses and Dissertations, 2020-

This thesis examines how the remembrance of deportation from France during the Second World War impacted the creation of two memorials in Paris in the postwar years. The two memorials, located just over 500 meters apart in the center of Paris and inaugurated within seven years of one another, physically embody each of these narratives. The Tomb of the Unknown Jewish Martyr, created by the Contemporary Jewish Documentation Center (CDJC) in 1956, represents the narrative of Jewish persecution and genocide throughout Europe during the Second World War. Expanded in 2005, the Tomb is now known as the Shoah Memorial and …

Communism's Futures: Intelligentsia Imaginations In The Writings Of The Strugatsky Brothers, Elizabeth Tammaro

Electronic Theses and Dissertations

Arkady and Boris Strugatsky were the most popular science fiction writing duo in Soviet Russia from the 1960s through the 1980s. Examining their imaginative fictional worlds against the background of wider changes in the Soviet Union allows scholars to gain insights in the world of the Soviet intelligentsia, the educated bearers of culture. As members of this group, the Strugatskys expressed the hopes, frustrations and fears, of their peers, vindicating their intellectual and emotional life. I support the argument that the Brothers occupied a middle ground between conformity and dissident, dubbed the "lost" intelligentsia by Lloyd Churchward. I demonstrate this …

To Be Magic: The Art Of Ana Mendieta Through An Ecofeminist Lens, Elizabeth Ann Baker

Honors Undergraduate Theses

Ana Mendieta was a Cuban-born American artist whose unique body of work incorporated performance, activism, Earth art, installation, and the Afro-Cuban practices of Santería. She began her career at the University of Iowa, were she initially received her degree in painting in 1969. It was not until 1972 that Mendieta shifted radically to performance art.

Though she was raised Catholic, she developed an interest in the rituals involved with Santería, a culturally predominant Cuban religion, and it deeply influenced her work in her choice of materials and settings. Santería is one of the major faith-based lifestyles of Cuba …