History Commons^™

Walking In A Burnt Hole, Sophia Friedman

Student Scholar Symposium Abstracts and Posters

Holocaust stems from the Greek word “burnt hole,” but when the word Holocaust is mentioned today it refers to the rise of Nazi Germany in 1933 until the fall in 1945 (Skloot). More specifically, the Holocaust refers to the 11 million persecutions through concentration camps. The Holocaust is widely studied for various reasons, but the biggest reason is that “’we are seekers of understanding in the territory defined by those events” (Skloot 9). Through written work, such as poetry and plays, the Holocaust is brought to life in a more realistic way.

Through art we are able to connect to …

On The Origin And Future Of Poetry: Notes Towards An Investigation, Carlos Aguasaco

Publications and Research

An exploration on the historical and material conditions that allowed the emergence of metaphors and poetry alongside language. This article analyzes the historical relation between poetry and technology across history. It discusses the so-called ontological crisis of poetry and opens the conversation on its future.

Blowin’ Against The Wind, Prose/Poem 7/17/2014, Charles Kay Smith

Charles Kay Smith

Thoughts on Science, Contemporary Poetry and Human Nature.

De La Inseguridad A La Estabilidad: Como Pablo Neruda Utiliza El Amor Y La Poesia Para Superar El Exilio, Marissa Peck

Honors Theses

This thesis explores exile and its effects on the lives of those who experience it. Pablo Neruda, the great Chilean poet of the 20th century, lived in exile for three years, during which he continued to write and publish his poetry. The negative and positive consequences of exile, such as the loss of identity and the experience of traveling and knowing others, respectively, can be seen clearly in the poetry of Neruda during and after his exile. Exile has a great effect on the personal life of the exiled and this logically is expressed in the exile’s work, especially for …

Artemisia In The Metro, Emily A. Francisco

Student Publications

The “art poem” is an intriguing form of poetry. In writing about something that is inherently visual, a poet must remold a work of art into new material, drawing upon the work’s elements of form such as color, line, use of light, contrast, and composition to make his or her own reflective statement, beyond simply describing the artwork’s own content. In my poetry I aim to take this model of the “art poem,” and, through extended experimentation with this idea of ekphrasis (writing about art in a poetic context), intend to suggest a more intimate connection between art and language. …