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Articles 1 - 6 of 6
Full-Text Articles in History
Dévirilisation De Personnages Et Humanisme Chez Calixthe Beyala, A. Mia Elise Adjoumani
Dévirilisation De Personnages Et Humanisme Chez Calixthe Beyala, A. Mia Elise Adjoumani
Présence Francophone: Revue internationale de langue et de littérature
This article shows how Beyala questions the traditional status of the male figure by the emphasis of an emasculate male type. This last one does not illustrate the feminists ideals attributed to the author. He is rather placed in the center of humanists questions relegated into the background by his counterparts for the profit of their “androcentriques” concerns. Beyala so creates a man symbolically close to the androgyne who reveals her inhalation to a world managed in a egalitarian way by the man and the woman because of the human nature of the stakes to be defended.
De Stock À Albin Michel : Beyala Et L’Édition, Bernard De Meyer
De Stock À Albin Michel : Beyala Et L’Édition, Bernard De Meyer
Présence Francophone: Revue internationale de langue et de littérature
Beyala has remained faithful to the publisher Albin Michel for her fictional work since the publication of Le petit prince de Belleville in 1992, but her four fi rst novels had three different publishers. A study of her relationship with the publishing world during this period shows her desire for recognition on the Parisian literary scene, which was ready to take up the challenge by publishing the novel of an unknown African woman writer. A careful analysis of paratextual elements, in particular the titrology, and of the contents of the novels reveals that Calixthe Beyala enters into a direct conversation …
Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé
Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
My article analyses the representation of women in the Carnets d’Orient, a graphic novel series that tells the (hi)story of Algeria since its colonial conquest by the French army until its independence in 1962. I argue that the representation of women in the series varies not only according to the periods represented in the work, but also and more importantly according to the evolution that took place in the author himself while working on the series. the essay is organized in three parts according to three historical periods. The first period is that of the colonial conquest of Algeria (1830-1872) …
Mémoire Du Duel Dans À La Recherche Du Temps Perdu, Yan Hamel
Mémoire Du Duel Dans À La Recherche Du Temps Perdu, Yan Hamel
Présence Francophone: Revue internationale de langue et de littérature
This paper analyses the duel as a central motive in Marcel Proust’s novel À la recherche du temps perdu. In the novels cycle, it appears that the occasions the men have to fight or to watch a duel help to understand why that violent practice increased during the last decade before the second World War. The practice seems to be monstrous morally and socially.
Le Festin De Chessex Ou Comment Apprêter La Littérature Suisse, Marie-Hélène Larochelle, Jean-Pierre Thomas
Le Festin De Chessex Ou Comment Apprêter La Littérature Suisse, Marie-Hélène Larochelle, Jean-Pierre Thomas
Présence Francophone: Revue internationale de langue et de littérature
This paper focuses on the definition of the monster as presented in Jacques Chessex’s novel L’ogre. the authors observe how the monstrous figure modifies the Swiss literary heritage, and try to understand how it brings a mythological tradition up to date.
Je E(S)T L’Autre, Nadia Duchêne
Je E(S)T L’Autre, Nadia Duchêne
Présence Francophone: Revue internationale de langue et de littérature
Immigration and otherness represent core concerns in contemporary society and, as such, give rise to debate and discussion in many disciplines. the question of otherness also arises as a recurrent and key subject in the field of literature. Tahar Ben Jelloun’s novel Partir is replete with the ambivalence of otherness: attraction/aversion; difference/similarity; lack/exile; native/foreigner; close/distant; normal/deviant and as such provides a laboratory where the expression of otherness in discourse can be dissected. We will examine the perception and the issue of otherness in the novel as well as the strength of its representations.