History Commons^™

Original, Nicole Donisi, Skyler Hayes, Ash Horn, Naomi Likayi, Trudy Chin, Fahad Al-Meraikhi, Matt Davidson, Wolfgang Schildmeyer, Nicola Cheadle, Melissa Delzio, Olivia Ridgley, Portland Design History

Student Work

This magazine showcases some of the people, brands and organizations of significance from Portland’s design scene with a focus on the 1960s & 1970s.

Noah’S Ark And Burning Sodom: Woodcuts In The Psu Codex Fasciculus Temporum, Amber L. Shrewsbury

Fasciculus Temporum

Early printed books were illustrated by means of woodcut block illustrations. These illustrations frequently depicted well-known biblical events or stories and cities, and the woodcuts were frequently reused, sometimes within the same edition.

The focus of this paper is two woodcut illustrations in PSU’s 1490 edition of Werner Rolewinck’s Fasciculus temporum: Noah’s Ark and the destruction of Sodom. Comparisons are made between these two illustrations and relevant woodcuts in other editions of the Fasciculus temporum, as well as those found in a 1493 edition of the Nuremberg Chronicle by Hartmann Schedel.

Drach, Prüss, And The Fifteenth-Century Book Trade, Jonathan Taylor

Extra-Textual Elements

The development of the moveable-type press in the mid-fifteenth century led to the rise of a new industry, the manufacture and trade of printed books. Before this, written works existed as handwritten manuscripts individually produced by scribes.

The printing press allowed works such as the Malleus maleficarum and Fasciculus temporum contained within Portland State University’s codex to be produced in a significantly more efficient manner. The printers of the two volumes contained in the codex, Peter Drach and Johann Prüss, successfully avoided the pitfalls facing early printers to become successful in their trade, and may have actively cooperated in the …

The Link Between Artemisia Gentileschi’S Biography And Her Artistic Oeuvre, Emma Komers

Young Historians Conference

Up until the era of Modern Art, the artistic community excluded women and dismissed their work as inferior. One exception to this trend is the 17th-century Italian artist, Artemisia Gentileschi, whose work demonstrated her ability to use scenes depicting familiar stories as a way to express her personal struggles as a woman. Drawing upon historical interpretations of her art, popular stories at the time, and the artwork itself, this paper demonstrates the use of art as a tool to communicate social injustice.

Expressionist Art And Drama Before, During, And After The Weimar Republic, Shane Michael Kennedy

Dissertations and Theses

Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist.

This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressionism began much earlier than scholars believe and …

A View To Women’S Networks In The Arts In Portland: Building And Engaging An Audience For The Artist Rosemarie Beck, Jenna Barganski

Lyric Truth: Rosemarie Beck

Essay on building an audience for the Rosemarie Beck art exhibit and multidisciplinary symposium.

Historicizing Subjectivities: Antigone, Rosemarie Beck And A Lesbian New Yorker, Jamie P. Ross

Lyric Truth: Rosemarie Beck

Presentation examines Rosemarie Beck's development, as a woman and artist as part of the larger social/body politic of the time. Her sense of self as an individual, her individual acts, whether or not she participated in consciousness raising sessions and equal rights marches, perhaps are not as important as her historicized experiences; the creation of her subjectivity.

A Painter And Her Poet: Rosemarie Beck And Marcia Nardi, Patricia A. Schechter

Lyric Truth: Rosemarie Beck

Presentation focuses on the relationship between Rosemarie Beck (1923-2003) and the poet Marcia Nardi (1901-1990).

"Lyric Truth" Exhibit Catalogue, Sue Taylor, Nora Beck, Prudence F. Roberts, Patricia A. Schechter, Namita Gupta Wiggers

Lyric Truth: Rosemarie Beck

Catalogue published in connection with the exhibition "Lyric Truth: Paintings, Drawings, and Embroideries by Rosemarie Beck".

Some Neglected Aspects Of The Rococo: Berkeley, Vico, And Rococo Style, Bennett Gilbert

Dissertations and Theses

The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically unified, but nevertheless its tremendous productivity and appeal throughout Occidental culture has proven difficult to explain. Having no contemporary theoretical literature, the Rococo is commonly taken to have been a final and degenerate form of the Baroque era or an extravagance arising from the supposed careless frivolity of the elites, including the intellectuals of the Enlightenment. Neither approach adequately accounts for Rococo style.

Naming the Rococo raises profound issues for understanding the relations between conception and production in historical terms. Against the many difficulties …