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Full-Text Articles in History
A Religious Interpretation Of The American Civil War As Evidenced By Biblical Language In Songs And Hymns, Alyson J. Punzi
A Religious Interpretation Of The American Civil War As Evidenced By Biblical Language In Songs And Hymns, Alyson J. Punzi
Channels: Where Disciplines Meet
Both Union and Confederate soldiers claimed the same moral confidence about being on the right side of the American Civil War. Significant studies have evaluated the religiosity of the Civil War, but the religious content of songs and hymns, namely their use of biblical language has not been studied for the insight into a religious interpretation of the war they provide. Because the moral claims appear in songs and hymns and utilize biblical language to interpret the conflict, their role in the war, and the expected outcome, this research is important to provide a full understanding of religion’s role in …
Cartel Practices And Policies In The World War Ii Era, Caleb Yoken
Cartel Practices And Policies In The World War Ii Era, Caleb Yoken
Honors Theses
The goal of this thesis is to examine cartels in the World War II era: how and why they operated, why they existed, and any assistance they may or may not have received from their respective governments. This thesis, in particular, will focus on three countries, the United States, Germany, and Britain. Cartels are typically defined through the lens of monopolized business activity that can deal with anything from petroleum and steel to pharmaceuticals, and take actions to restrict output and raise prices to eliminate their competition. The research finds that cartels that operated in Europe during this era were …
Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux
Just A Buncha Clowns: Comedic-Anarchy And Racialized Performance In Black Vaudeville, The Chop Suey Circuit, And Las Carpas, Michael Shane Breaux
Dissertations, Theses, and Capstone Projects
While the practice of white musical variety clowns embodying stereotypes of African, Chinese, and Mexican Americans has been widely documented and theorized in scholarship on US American popular performance, it has been done largely in segregated studies that maintain the idea that racial impersonations in musical variety is a privilege of white performers. For instance, no study exists that focuses on more than one stereotype at a time, and the performer’s body is always either white or of the same “color” as the type being played. In addition, very little has been written about the tours and circuits run by …