History Commons^™

Natural Law And Radical Autonomy In Antebellum American Literature, Andrew Urban

Theses and Dissertations

This dissertation examines the tension and conflict between conceptions of the natural law and the ideal of radical autonomy in the work of the antebellum American writers Ralph Waldo Emerson, Edgar Allan Poe, and Herman Melville. This tension and conflict was brought to the fore by the modernization of American society in the antebellum period. Modernization is here understood as the social process through which increasing recognition is given to individual autonomy, elevating the individual self, as the creator of meaning and value, above the standard provided by nature, including human nature, according to which one ought to live. This …

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

Historical Dissidence: The Temporalities And Radical Possibilities Of American Comics, Jeremy M. Carnes

Theses and Dissertations

Formal criticism of comics has often focused on the importance of sequence and the filling of gutters with causative logics. Practitioner-theorists like Will Eisner and Scott McCloud have focused on “sequentiality” and “closure” to conceive of how readers connect the disparate panels of a given comic. More contemporary scholars of the form have followed Eisner and McCloud, foregrounding the causative logics that create narrative progression in the comics form. Yet, these approaches implicitly rely on dominant, western logics of temporality in the construction of narrative in comics.

This project considers how comics form actually relies on various temporalities and thus …

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

The Jeremiad In American Science Fiction Literature, 1890-1970, Matthew Schneider

Theses and Dissertations

Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. But most interlocutors still work with the jeremiad primarily in American studies or in terms of national discourse. Rooted in the legacy of Puritan rhetoric, the …

The Prodigal Daughter: An Edition Of An Anonymous Text, Paige Deans

Theses and Dissertations

The Prodigal Daughter (1736) is a poem that, on the surface, appears to be an approachable text that was likely geared towards a children’s audience during New England’s first Great Awakening, within the approachable format of a chapbook. However, when explored further, The Prodigal Daughter reveals a complicated textual history during a time of theological and social revival in New England. This thesis considers the historical context of The Prodigal Daughter’s narrative, as well as the poem’s publication history. The text’s transmission is carefully examined and encapsulated in this edition—giving the reader a transcription that is the result of …

Good Game, Greyory Blake

Theses and Dissertations

This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of these concepts are contextualized within the exponential growth of new technologies. That is to say, all of these semiotic …

Exorcising Power, John Jarzemsky

Theses and Dissertations

This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …

The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes

Theses and Dissertations

This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …

The Meadow: A Novel, Scott Albert Winkler

Theses and Dissertations

ABSTRACT

THE MEADOW: A NOVEL

by

Scott A. Winkler

The University of Wisconsin-Milwaukee, 2015

Under the Supervision of Professor George Clark

The Meadow considers the question of how all Americans, both civilians and military personnel alike, are affected by the United States’ military actions. Set during the Vietnam era, The Meadow tells the story of Walt Neumann, who is torn between his dream of going to college and his father’s insistence that his sons serve their nation as he did in World War II. Circumstance unexpectedly enables Walt to pursue his dream, but he also comes to realize the source …

All Play And No Work: The Protestant Work Ethic And The Comic Plays Of The Federal Theatre Project, Paul Gagliardi

Theses and Dissertations

Given the massive unemployment of the era, the subject of work dominated the politics and culture of the Great Depression. In particular, most government programs of the New Deal sought to provide jobs or reinforce long-standing American views of working. These aims were reflected by the Federal Theatre Project (FTP), which was charged with providing jobs to unemployed theatre workers and uplifting the spirits of audiences. But the FTP also strove to challenge its audiences by staging overtly political theatre. In this context, many comic plays -which have long been ignored by scholars of the FTP - actually challenged work …

The Non-National Subject: Ambivalent "Americans" In Contemporary Narratives By Women Writers In The Us, Dalia Gomaa

Theses and Dissertations

This study argues that the notion of Americanness is constructed nationally within the U.S. geographic space, as well as transnationally outside that space. The transnational perception of the U.S. nation-space and Americanness makes possible ambivalent positionings which I call non-national and through its lens I examine migrant narratives by Arab-American, Chicana, Indian-American, Pakistani-American, and Cuban-American women writers. I explain in my study that the non-national subject does not merely occupy a liminal space between home-country and host-country but rather reconfigures the implications of the "foreign" and the "domestic"; "home" and "abroad" within that interstitial space. I also argue that the …