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Full-Text Articles in History

The Woman Behind The Whitney, Breanna Epp Mar 2022

The Woman Behind The Whitney, Breanna Epp

Honors Theses

Gertrude Vanderbilt Whitney was the founder of the Whitney Museum of American Art, as well as a prominent sculptor and patron to artists in the early 1900s. Her art collection was the largest of American art at the time, and she led the nation into an appreciation of its own native art. Native in this context specifically means any art that was made in America, not strictly art made by the indigenous people of the Americas. Tackling her entire life, from growing up in the Vanderbilt family to her death, I provide an overview of her interactions with the art …


Artistic Syncretism In Latin America: From Olmec To Spanish Colonialism, Nicole Timm Mar 2019

Artistic Syncretism In Latin America: From Olmec To Spanish Colonialism, Nicole Timm

Honors Theses

The purpose of this paper is to provide a historic and systematic review of colonial Latin American art. The first half will focus on the ancient arts created by the ancient civilizations that sculpted culture in Latin America centuries before the Spanish were aware another continent existed. The latter portion of the paper will look to the post-colonial period. It will begin by delving into the influence of European artistic styles blending with Latin American culture and style of painting and vice versa. The final goal of this paper is to uncover the syncretism that took place across Latin America …


Defining Authentic: The Relationship Between Native Art And Federal Indian Policy, 1879-1961, Aurora Kenworthy Feb 2019

Defining Authentic: The Relationship Between Native Art And Federal Indian Policy, 1879-1961, Aurora Kenworthy

Honors Theses

Between 1879 and 1961, non-Native perceptions of what constituted authentic Native art shifted. These changing perceptions were influenced by, and then in turn influenced, federal policy and legislation. While non-Native individuals and groups worked to improve conditions for Native communities and to protect “authentic” Native art forms, Native reformers also attempted to enact change to help Native communities and Native artists exercised control over their own art and identity.