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Full-Text Articles in History
The Sharpeville Massacre, Violence, And The Struggles Of The African National Congress, 1960-1990, Reese W. Hollister
The Sharpeville Massacre, Violence, And The Struggles Of The African National Congress, 1960-1990, Reese W. Hollister
Armstrong Undergraduate Journal of History
During the long process of decolonization in South Africa, the Sharpeville Massacre was a turning point for the African National Congress' decision to begin using violence for the internal resistance to apartheid. Nelson Mandela and the ANC reacted to the Sharpeville Massacre by shifting their methods to incorporate the practicality of anti-colonial violence. In his 1964 "I Am Prepared to Die" speech, Mandela acknowledged that peaceful resistance was met with brutal force, and this could not go on. The ANC continued its strong non-violent resistance while also developing a military wing and conducting sabotage. This essay brings into question the …
Review Of Colonial Africa: 1884-1994, Brittany Merritt
Review Of Colonial Africa: 1884-1994, Brittany Merritt
The Journal of Social Encounters
No abstract provided.
‘Could The Subaltern Speak?’ Patriarchy And Gender-Based Violence In Ben Okri’S Dangerous Love, Francis Etsè Awitor
‘Could The Subaltern Speak?’ Patriarchy And Gender-Based Violence In Ben Okri’S Dangerous Love, Francis Etsè Awitor
Journal of Gender, Ethnic, and Cross-Cultural Studies
In a patriarchal society, women are, on the most part, the least representative in socio-political and economic spheres. They are frequently considered as second-class citizens, and live in the shadow of their male counterparts. They are portrayed as commodities, objects that satisfy men’s needs while being used as sex toys, cooks, servants, housewives and housemaids. They face various forms of violence and abuse as far as they are seen as sub-humans. In a society trapped in a web of traditional, cultural and religious beliefs, women’s plights and sufferings are often overlooked and ignored. By utilizing a feminist lens, the violation …
Calixte Beyala Ou La Réécriture De La Littérature Coloniale Française, Frieda Ekotto
Calixte Beyala Ou La Réécriture De La Littérature Coloniale Française, Frieda Ekotto
Présence Francophone: Revue internationale de langue et de littérature
This article shows how Calixthe Beyala, in Le petit prince de Belleville (1992) and Maman a un amant (1993), presents the character of the child as producer of sociopolitical and historical discourse. By using the child as narrator, Beyala rewrites the colonial literature of the interwar period extending from Francis Carco to Mac Orlan from a less noble perspective. As producer of certain racist discourses, the child is singled out as the one who represents life and assures the future of the community.
Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé
Images De Femmes: Une H/Histoire De La France En Algérie À Travers Les Carnets D’Orient De Jacques Ferrandez, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
My article analyses the representation of women in the Carnets d’Orient, a graphic novel series that tells the (hi)story of Algeria since its colonial conquest by the French army until its independence in 1962. I argue that the representation of women in the series varies not only according to the periods represented in the work, but also and more importantly according to the evolution that took place in the author himself while working on the series. the essay is organized in three parts according to three historical periods. The first period is that of the colonial conquest of Algeria (1830-1872) …
Raharimanana : « Le Viol Des Douceurs », Patricia Célérier
Raharimanana : « Le Viol Des Douceurs », Patricia Célérier
Présence Francophone: Revue internationale de langue et de littérature
constant and paradoxical paradigm, violence is at the core of the Malagasy writer, Jean-Luc Raharimanana’s work. What are its representations, its modulations and functions in his shortstories, his novel, Nour, 1947, and his narrative, L’arbre anthropophage ? His poetic elaboration of violence puts his production at the juncture of postmodern and committed literatures and gives it a singular value in the world of postcolonial literature.
Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua
Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua
Présence Francophone: Revue internationale de langue et de littérature
Using the central figures of Um Nyobe and Patrice Lumumba, this paper aims to show that postcolonial mythology is a confrontation of two tendencies: on one hand, the colonial and postcolonial States, whose efforts tend to rub out history and its great faces, and on the other, artists and thinkers from Africa or abroad who want to establish the memory and the deeds of the missing as a source of inspiration for the present and next generation.