East Asian Languages and Societies Commons^™

Cyborg Feminism And Toxic Colonialism In Chen Qiufan’S Waste Tide, Yuan Yuan

CLCWeb: Comparative Literature and Culture

The article probes into the interrelationships among cyborg technology, sexual violence, and toxic colonialism represented in the Chinese SF novel Waste Tide by Chen Qiufan. It applies methodologies in posthumanism and ecofeminism and situates the text in the Chinese as well as a global context. It intends to provide a non-Western perspective to understand cyborg feminism by associating the Chinese historical reality with trans-species thinking. It argues that the SF author Chen Qiufan is critical about the anthropogenic body modifications which may challenge the process of female resistance and resilience in the face of gender and colonial oppression. By doing …

In Memoriam Gwangju: Transnational Memoryscapes Of Gwangju And Buenos Aires In The Works Of Han Kang And Im Heung-Soon, Heewon Chung

CLCWeb: Comparative Literature and Culture

Currently acclaimed as the first Asian female author who won the Nobel Prize in literature, Korean writer Han Kang has persistently struggled with memoryscapes and traumascapes. Han’s collection of poems Winter Beyond the Mirror delineates the poetic “I”’s experiences of visiting Argentina and describes how she senses the interconnectedness between Gwangju and Buenos Aires. Korean artist-filmmaker Im Heung-soon’s recent film Good Light, Good Air addresses the same issue, and actually Im and Han have shared a mutual concern about it since Han’s novel Human Acts. This essay defines Winter Beyond the Mirror and Good Light, Good Air, coupled …

Research And Reflections On Southeast Asian American Education And Advancement, Wayne E. Wright, Vikrant Chap, Phitsamay S. Uy, Chhany Sak-Humphry, Vichet Chhuon, Bryan Thao Worra

Purdue University Press Books

This book is in commemoration of the twentieth anniversary of the Journal of Southeast Asian American Education and Advancement (JSAAEA) and the fiftieth anniversary of Southeast Asian American refugee resettlement in the United States. Pivotal research articles, reviews, and creative works from past issues of JSAAEA have been selected for this volume to document the history and experiences of Cambodian, Laotian, Hmong, and Vietnamese Americans since initial refugee resettlement began in the United States in 1975, as well as the experiences of more recent Southeast Asian immigrant and refugee groups. Reviews of academic books, novels, memoirs, children’s books, and motion …

Efficacy Of The Pedagogical, Cultural, And Advocacy Programming At Purdue University Asian American And Asian Resource And Cultural Center, Michael Kuczajda

The Journal of Purdue Undergraduate Research

No abstract provided.

Westernization Or Localization? The (Mis)Reading Of “The Tragic” In Modern Chinese Literary Discourse, Tian Gu

CLCWeb: Comparative Literature and Culture

This paper examines the features and causal factors in constructing an idea of the tragic in modern Chinese literary discourse. It attempts at revisiting and reproducing the realities of misreading and variation upon modern Chinese introduction of the term “tragedy” (beiju) at different socio-historical periods, and has observed the interplay between two trends, namely, Westernization and localization, through the negotiation of “the tragic” into modern Chinese literary practice. These two trends have been integrated by a political and pragmatic perspective, which dominates the formation of a modern Chinese literary discourse on “the tragic”. This perspective offers both possibility …

Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You

CLCWeb: Comparative Literature and Culture

As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999­–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …

Ecopoetry As Method: Reading Gary Snyder As A Cultural Mediator Between China And The World, Winnie L M Yee

CLCWeb: Comparative Literature and Culture

Ecocriticism is a field that is inherently cross-cultural, and poetry is an art form that creates bonds across cultural communities. This paper focuses on Gary Snyder, a prominent poet in his own right, who is famous for his translation of the works by Chinese poet Han Shan. His attraction to Chinese classical poetry and Eastern civilization offers an alternative to the Western developmental paradigm, and the ecopoetry he espouses is pertinent to today’s environmental debates. His references to nature do not function merely as reminders that nature should be respected but as an impetus to reflect on the coexistence of …

The Animal In The Wild In Hwang Sun-Mi’S The Hen Who Dreamed She Could Fly, Sarah Yoon

CLCWeb: Comparative Literature and Culture

Hwang Sun-mi’s The Hen Who Dreamed She Could Fly has become a contemporary classic children’s story in Korea since its original publication in 2000. Since then, the story has been translated and redesigned with new illustrations in almost thirty different countries (Y. Kim). The Hen Who Dreamed She Could Fly centers on a hen that raises a duckling as her “baby,” with the story drawing upon a rich reservoir of cultural associations between humans and nature in East Asian traditions. In this story, the hen leaves the human-dominated barnyard, based on profit, exploitation, and competition, for a reconnection with moral …

Female Bonding And Marginality In Shang Wanyun’S Novella “Xialihe” (1978), Antonio Paoliello

CLCWeb: Comparative Literature and Culture

This article explores the representation of homosociality between two marginalized female characters in “Xialihe” (夏麗赫) (1978), a novella by Sinophone Malaysian writer Shang Wanyun (商晚) (1952-1995). Although some scholars have suggested that the writer’s preoccupation with the intimate world of women started only in the 1980s, I argue that “Xialihe” already highlights issues such as female intimacy and women’s social marginalization. The text represents, therefore, a link between her earlier nativist production and her later more feminist approach. Additionally, I contend that, writing from a marginal position at the periphery of Malaysia’s national literary system and from a doubly-conservative environment …

Writing Gender In Early Modern Chinese Women's Tanci Fiction, Li Guo

Purdue University Press Book Previews

Women’s tanci, or “plucking rhymes,” are chantefable narratives written by upper-class educated women from seventeenth-century to early twentieth-century China. Writing Gender in Early Modern Chinese Women's Tanci Fiction offers a timely study on early modern Chinese women’s representations of gender, nation, and political activism in their tanci works before and after the Taiping Rebellion (1850 to 1864), as well as their depictions of warfare and social unrest.

Women tanci authors’ redefinition of female exemplarity within the Confucian orthodox discourses of virtue, talent, chastity, and political integrity could be bourgeoning expressions of female exceptionalism and could have foreshadowed protofeminist ideals …

Review Of The Journey To The West, Vol. 1, Translated And Edited By Anthony C. Yu, Radovan Škultéty

CLCWeb: Comparative Literature and Culture

This is a critical review of volume 1 of the 2012 revised translation of the classical Chinese vernacular novel Xiyou ji (The Journey to the West) by the late Dr. Anthony Yu (1938 - 2015), former Professor Emeritus in Humanities and in the Divinity School at The University of Chicago. It represents the first of four volumes of a thorough overhaul of the first edition, published originally from 1977 to 1983; this complete edition in 4 volumes and almost 1,900 pages (including extensive introduction, endnotes and index) appeared simultaneously on December 17, 2012. It is a result of …

Problems With Perceptual And Cognitive Idiosyncrasies In Li Wenjun’S Translation Of The Benjy Section Of Faulkner's The Sound And The Fury, Aaron L. Moore

CLCWeb: Comparative Literature and Culture

In his article “Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner’s The Sound and the Fury,” Aaron Lee Moore conducts a close explication of a 2014 English-Chinese edition of part of The Sound and the Fury. Li Wenjun’s translation of the Benjy section of The Sound and the Fury is certainly admirable in its graceful rendering of Faulkner’s complex, idiosyncratic prose style into accessible Chinese—and particularly laudable in its meticulous tracking of the a-chronological sequence of Benjy’s stream of consciousness narrative. However, problems arise in the translation due to an …

The Forest, The Trees, The Bark, The Pith: An Intensive Look At The Circulation Rates Of Primary Texts In Ten Major Literature Areas At The University Of Oregon Libraries, Jeff D. Staiger

Charleston Library Conference

This poster looks at the circulation rate for literary primary texts, which constitute a unique area of collecting in academic libraries: while they do not in most cases meet immediate research needs, it is assumed that libraries ought to acquire them, for reasons including future research needs, preservation of the cultural record, and the ability of members of the intellectual community to stay current, those these remain primarily tacit. The circulation trends of contemporary literary works in ten areas of literature (English, American, German, French, Italian, Spanish, Latin American, Chinese, Japanese, and Russian) over the past twenty years at the …

Writing, Rewriting, And Miswriting: Eileen Chang’S Late Style Against The Grain, Lina Qu

CLCWeb: Comparative Literature and Culture

In her article “Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain,” Lina Qu reconstructs Eileen Chang as a Saidian late figure and formulates the poetics and politics of lateness immanent in her late self-writing. Drawing from Said’s theorization, Qu argues that Chang’s late style emerges and matures in rewriting her memories into numerous autobiographical accounts. The exposé of her dysfunctional family and turbulent life metonymically constitutes a counter narrative that disenchants Chinese modernity. In contrast to the dominant modalities of evolution and revolution, her involutionary discourse embodies a Deleuzian paradigm of artistic creativity and historical development. Qu …

Farmer, Priest, And Poet: Knowledge Transmission And Wisdom In Works And Days And Gelimu, Duoduo Xu

CLCWeb: Comparative Literature and Culture

This paper aims at a comparison between a classic poem from ancient Greek literature, the Works and Days by Hesiod, and ancestral records of hemerology from Daba Culture, entitled Gelimu, collected during my fieldwork in South-West China. Both traditions use constellations to mark important dates throughout the year, providing similar instructions on how to deal with daily work in the fields. Moreover, their mnemonic strategies and formulaic verses reflect their origins from oral traditions passed down from generation to generation. Starting from these basic similarities, the author analyzed the roles of Daba priests, the calendars authors, and Hesiod, the …

Eating And Suffering In Han Kang’S The Vegetarian, Won-Chung Kim

CLCWeb: Comparative Literature and Culture

In his article “Eating and Suffering in Han Kang’s The Vegetarian” Won-Chung Kim examines how Han investigates suffering through the topic of food and eating. Kim shows that The Vegetarian is a work that thoroughly investigates both what constitutes suffering and what role carno-phallogocentric thinking can play in such suffering: suffering becomes in the novel a psychological, physical, and spiritual effect of dietary resistance to male-dominated Korean society. After offering a working definition of sufferings, Kim argues how the suffering caused by Yeong-hye’s refusal to follow the reigning norms of the meat eating, patriarchal society disintegrates the intactness of …

Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim

CLCWeb: Comparative Literature and Culture

In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of the latter …

Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird

CLCWeb: Comparative Literature and Culture

In their article "Final Words, Final Shots: Kurosawa, Bortko, and the Conclusion of Dostoevsky’s Idiot" Robert O. Efird and Saera Yoon discuss film adaptations of Dostoevsky’s novel. Both in his homeland and abroad, the major works of Fyodor Dostoevsky have largely made for disappointing film adaptations. This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel Idiot, with particular attention to the concluding scenes. Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different reasons, …

The Disenchantment Of History And The Tragic Consciousness Of Chinese Postmodernity, Alberto Castelli

CLCWeb: Comparative Literature and Culture

Magic Realism brings fantastic events into the frame of the narration. Yet it cannot quite be defined. At the very start of the process of definition, there is a question: Magic Realism is a mode of narration, or rather a post-colonial movement rising sociological issues alternative to the logic of power? The paper parallels and juxtaposes Latin American Magic Realism and the literary experience of Chinese literary Avant-garde in the 80s, similar apocalyptic thematic, but different narrative structures. Relating to the fictional universe of Can Xue and Yu Hua, the aim is to illuminate an exclusive mode to narrate history: …

Revisiting 'Seventeen–Year Literature' (1949-1966) In China From A Neocolonial Perspective, Tian Zhang

CLCWeb: Comparative Literature and Culture

In her article "Revisiting Seventeen–Year Literature' (1949-1966) in China from a Neo­colonial Perspective" Tian Zhang surveys the "Seventeen-Year Literature" (1949-1966) from a neocolo­nial perspective. It reviews the internal and external factors of anxiety faced by Chinese during the period of seventeen years since the establishment of the People's Republic of China in 1949. The sev­enteen years witnessed a stress on and flourishing of the proletarian socialist literature of the people, by the people and for the people. The seventeen-year literature, on its way to smashing the old system, represents the trend of Chinese literature of the time and the extension …

The Colonized Masculinity And Cultural Politics Of Seediq Bale, Chin-Ju Lin

CLCWeb: Comparative Literature and Culture

In her article, “The Colonized Masculinity and Cultural Politics of Seediq Bale,” Chin-ju Lin discusses a Taiwanese blockbuster movie, a postcolonial historiography and a form of life-writing, which delineates the last Indigenous insurrection against Japanese colonialism. This article explores the cultural representations in Seediq Bale. Fighting back as a colonized man for pride and dignity is portrayed as means to restore their masculine identity. The headhunting tradition is remembered, romanticized, praised highly as heroic and even strengthened in an inaccurate way to promote individualistic masculinity and to forge a new national identity in postcolonial Taiwan. Nevertheless, the stereotypical …

Maoist Aesthetics In Western Left-Wing Thought, Jun Zeng, Siying Duan

CLCWeb: Comparative Literature and Culture

In their article “Maoist Aesthetics in Western Left-wing Thought,” Jun Zeng and Siying Duan discuss a terrain of knowledge called “Maoist aesthetics,” which is the creative misreading of Mao’s “On Contradiction,” the theory and practice of “Cultural Revolution” and other revolutionary literature and arts of Mao’s time by Western Left intellectuals. Scholars and academic communities inspired by Maoism include Bertolt Brecht, Herbert Marcuse, Jean-Paul Sartre, Simone de Beauvoir, Louis Pierre Althusser, the Chinese period of Tel Quel, Fredric Jameson, Arif Dirlik, and Contemporary Radical Left intellectuals such as Alain Badiou and Slavoj Zizek. Comparative study of the mutual influence of …

Traveling Theory: Fredric Jameson’S Interpretations Of The Cultural Revolution And Maoism, Xian Wang

CLCWeb: Comparative Literature and Culture

In her article, "Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism," Xian Wang discusses how Fredric Jameson transformed or “transcoded” the Chinese Cultural Revolution into his notion of cultural revolution, regarding it as a radical means to achieve decolonization and national liberation. The Chinese Cultural Revolution therefore became a model for cultural revolution in different parts of the world, and an alternative vision of modernity. Jameson also associates Maoism and the Cultural Revolution with Antonio Gramsci’s concept of subalternity, and considers cultural revolution as an ideological revolution for the oppressed classes. Taking Maoism as a traveling theory, …

The “Althusser-Mao” Problematic And The Reconstruction Of Historical Materialism: Maoism, China And Althusser On Ideology, Fang Yan

CLCWeb: Comparative Literature and Culture

In her article “The ‘Althusser-Mao’ Problematic and the Reconstruction of Historical Materialism: Maoism, China and Althusser on Ideology,” Fang Yan analyses the “Althusser-Mao” problematic which was first brought up by Liu Kang, outlining how Mao’s ideas contributed to the formation of Althusser’s theory of ideology. The paper is divided into three parts: first, how Mao influenced Althusser’s propositions of the primacy of relations of production and reciprocal action of the superstructure; secondly, how Mao influenced Althusser’s notions of ideological practice, Ideological State Apparatuses and ideological class struggle; and finally, how Althusser drew on Mao in the formation of the concept …

From The "Other" To The "Master Narrative": The Chinese Journey Of The Frankfurt School, Guohua Zhu, Xiangchun Meng

CLCWeb: Comparative Literature and Culture

In their article, "From the 'Other' to the 'Master Narrative': The Chinese Journey of the Frankfurt School," Guohua Zhu and Xiangchun Meng discuss the Chinese reception of Frankfurt School and the Maoist historical context. Chinese scholars take the narrow view of the Frankfurt School theories as a depoliticized instrument to explain Chinese practice, particularly in the realm of mass culture. Furthermore, the Frankfurt School has encountered the powerful political and ideological legacy of Maoism, which not only dictates instrumentalist view, but also predisposes to a nationalistic attitude that pits Chinese exceptionalism against universalism, including the Frankfurt School and other western …

Introduction: Rethinking Critical Theory And Maoism, Kang Liu

CLCWeb: Comparative Literature and Culture

In his article, "Rethinking Critical Theory and Maoism," Kang Liu reviews the existing literature in English on the relationship of Critical Theory and Maoism and discusses the need to explore and reconstruct a genealogy of Critical Theory and Maoism within the global context of political, ideological, and intellectual currents and trends. The special issue will focus on three clusters of issues: first, the western invention of Maoism as a universal theory of revolution; second, the reception of Critical Theory in China and its relationship to Maoism; and third, the relevance of Maoism and Critical Theory today. Liu raises the question …

China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts

CLCWeb: Comparative Literature and Culture

In his article "China and the Politics of Cross–Cultural Representation in Interwar European Fiction" Carles Prado-Fonts analyzes Joan Crespi's La ciutat de la por (The City of Fear, 1930) to illustrate the varied representations of China in interwar Europe. In the 1920s and 1930s, a plurality of views on China and the Chinese people became widespread across different parts of Europe, mainly shaped by English, French, and German representations. Contradictory images of China coexisted in literature, thought, and popular culture. Crespi's work exemplifies these contradictions: China appears as both an attainable reality and an unreachable fantasy, two tropes that prevailed …

Teaching Languages Online: Innovations And Challenges, Mayu Miyamoto, Natsumi Suzuki, Atsushi Fukada, Yuhan Huang, Siyan Hou, Wei Hong

Purdue Linguistics, Literature, and Second Language Studies Conference

Language professionals long resisted teaching online mainly because it was unthinkable to teach speaking in the online environment. Recent advances in technology, however, have made it conceivable. This chapter presents the design and implementation of online courses in Japanese and Chinese recently developed and being offered at Purdue University. We will highlight not only technologies involved, but also pedagogical innovations that helped resolve difficult issues. The efficacy of online teaching will also be touched upon. Reactions from enrolled students and the instructors that have taught the courses will also be shared.

The Evaluation Of Implicit And Explicit Instruction In Chinese Refusals: A Case Of A Japanese Learner, Bo Zhan

Purdue Linguistics, Literature, and Second Language Studies Conference

No abstract provided.

Toma Y Daca: Transculturación Y Presencia De Escritores Chino-Latinoamericanos, Huei Lan Yen

Purdue Studies in Romance Literatures

En la segunda mitad del siglo XIX, decenas de miles de trabajadores chinos emigraron a Cuba, Perú, México y Panamá en busca de una vida mejor. En los países donde residieron, los chinos y sus descendientes optaron por asimilarse contribuyendo de manera significativa al desarrollo económico de la sociedad de acogida mediante su participación laboral en la agricultura, el transporte y otras industrias. Asimismo, en el ámbito literario, artístico, religioso y político también aportaron al devenir cultural de estos países.

En Toma y daca: Transculturación y presencia de escritores chino-latinoamericanos, uno de los primeros estudios de la tradición literaria …