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Creative Writing Commons

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Full-Text Articles in Creative Writing

Ricky & Grams, Berthold Brock Albin Aug 2020

Ricky & Grams, Berthold Brock Albin

UNLV Theses, Dissertations, Professional Papers, and Capstones

When his wife kicks him out of the house, Richard (Ricky) goes to live at his parents’ house where, it turns out, his pistol of a grandmother (Grams), is house-sitting. Ricky is incensed and imagines he will have to take care of her and clean her dentures. She is incensed and wants to be left alone to her debauchery. But the tables turn and ultimately Grams and the other women in his life help Ricky get back on his feet and find direction and love and Ricky helps Grams rethink her priorities.


Witness: The Modern Writer As Witness, Alex Berge, Andrew Bertaina, Andrew Collard, Miranda Dennis, Andrea Eberly, Emily Greenberg, Day Heisinger-Nixon, Sarah Helen, L.A. Johnson, Anne Liu Kellor, Mary Kuryla, Emmy Newman, Lara Palmqvist, Mary Lane Potter, David Lerner Schwartz, Michelle Sharpe, Nina Sudhakar, Kristina Ten, Eric Tran, Pamela Yenser Apr 2020

Witness: The Modern Writer As Witness, Alex Berge, Andrew Bertaina, Andrew Collard, Miranda Dennis, Andrea Eberly, Emily Greenberg, Day Heisinger-Nixon, Sarah Helen, L.A. Johnson, Anne Liu Kellor, Mary Kuryla, Emmy Newman, Lara Palmqvist, Mary Lane Potter, David Lerner Schwartz, Michelle Sharpe, Nina Sudhakar, Kristina Ten, Eric Tran, Pamela Yenser

Witness Magazine

Editor's Note [Excerpt] Magic can mean many different things, especially for writers. Magic can be an illusion, a sleight of hand designed to trick onlookers into believing the impossible. Or magic can be a supernatural force in a world of harsh reality, a set of beliefs that sits just outside the realms of organized religion and advanced technology. Wizards and demons, Las Vegas entertainers and houngans --they all practice a kind of sorcery. For poets and prose writers, though, magic affords an opportunity for us to stretch the limitations of the physical world in search of new themes, settings, and …


Pitiless Cruelty: Cynicism, Capitalism, And Gambling In The Writing Of Mario Puzo, David Schwartz Jan 2020

Pitiless Cruelty: Cynicism, Capitalism, And Gambling In The Writing Of Mario Puzo, David Schwartz

Executive Vice President & Provost Faculty Publications

The Godfather made him a wealthy man, but Mario Puzo’s long years as a struggling writer and childhood in New York City’s Hell’s Kitchen conditioned him to treat money—and those who made a great deal of it—with suspicion. This paper explores how Puzo’s cynical views of capitalism were buttressed by his experiences as a self-described “mildly degenerate” gambling, and how they are expressed in both his fiction and non-fiction.