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Full-Text Articles in Creative Writing

Passage, Unité Nationale Et Écriture Du Mythe Dans Falagountou De Yamba Élie Ouédraogo, Alain Joseph Sissao Dec 2017

Passage, Unité Nationale Et Écriture Du Mythe Dans Falagountou De Yamba Élie Ouédraogo, Alain Joseph Sissao

Présence Francophone: Revue internationale de langue et de littérature

The metaphor of national unity through the passages of the eponymous hero Falagountou Yamba Elie Ouédraogo: myth of unity or unity of the myth? Yamba Elie Ouédraogo brushed a gargantuan romantic mural in her latest novel Falagountou. Falagountou appears in many ways like a quest for the Grail of identities to form identity. These passages of the hero mythical half-man, half-Hercules – like the epic of Gilgamesh – crosses different regions of Burkina Faso who report a culmination of the intermediate time, in-between, to apprehend modalities that govern the construction of crises, utopias, individual projections. In this, the novelist is …


Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir Jun 2017

Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir

Présence Francophone: Revue internationale de langue et de littérature

Postcolonial city is at the heart of maghrebian fictions so that it can be approached as a fundamental element of its particular poetics. In their novels Triptyque de Rabat and Le chien d’Ulysse, Khatibi and Bachi respectively link space as an explicative matrix of the national present and even of what goes beyond characters consciousness. This fact helps to understand the way history figures as a virtual paradigm coming down to space, sometimes threw separate facts, and being part of the personal perception of reality. The concept of reality itself becomes problematic regarding this endless past, we mean the impact …


Essai De Typologie Des Familles Éclatées Dans L’Oeuvre Romanesque De Calixthe Beyala, Clémentine Mansiantima Nzimbu Dec 2016

Essai De Typologie Des Familles Éclatées Dans L’Oeuvre Romanesque De Calixthe Beyala, Clémentine Mansiantima Nzimbu

Présence Francophone: Revue internationale de langue et de littérature

In Calixthe Beyala’s novels, the narrators are in search of their own identity due to traumas experienced in broken families. The expression broken or shattered family (famille éclatée) is used in a broad way, pertaining to principles and responsibilities of marriage, particularly with children. The abandonment of a spouse, regardless of the motive, wounds the family unit. This study uses eight novels to examine the various configurations of families in which the place of biological parents is called into question. This study also shows that abandoned children, in the works of Beyala, cope with the absence of a parent.


Écriture(S) De La Nature Au Québec : Un Champ À Défricher, Mariève Isabel Jun 2015

Écriture(S) De La Nature Au Québec : Un Champ À Défricher, Mariève Isabel

Présence Francophone: Revue internationale de langue et de littérature

Are there literary works oriented toward the questions of nature and environment in Quebec’s literature? If so, under which forms does this corpus present itself? This article will explore different types of nature writing in Quebec, including examples from travel literature, agrarian novel, natural history, regionalism, and environmental literature. After reflecting on the presence of ecocriticism in Quebec, various works will be presented in order to show that nature writing in Quebec is rich and varied, and that there is potential for a québécois ecocriticism.


L’Empreinte Du Renard De Moussa Konaté Et Les Transformations Africaines Du Polar, Alexie Tcheuyap Dec 2013

L’Empreinte Du Renard De Moussa Konaté Et Les Transformations Africaines Du Polar, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Within sub-Saharan Africa, Moussa Konaté is undoubtedly the contemporary writer dedicated to producing the most original crime fiction. In L’empreinte du renard, he offers a fundamental subversion of the genre that breaks with conventional thought on crime narratives. Moreover, the subversion of the canon accompanies a subversion of political structures by which the end of the story accompanies the end of the postcolonial state as it is known, and often caricatured: the State of corruption. As a result, such intrigue also becomes that of governmentability.


Archéologie Du Cachot, Lydie Moudileno Dec 2013

Archéologie Du Cachot, Lydie Moudileno

Présence Francophone: Revue internationale de langue et de littérature

This essay examines the relationship between writing, memory and prison, as it is deployed in Patrick Chamoiseau’s tenth novel Un dimanche au cachot (2007). In this text, the inscription of the writer within the space of a small prison located on a Martinican plantation, serves Chamoiseau’s larger project to survey the Caribbean territory in order to unveil memorial traces. As it exhumes the ruins of an old disciplinary prison cell, this archeological move triggers a series of crucial transformations: in Un dimanche au cachot, prison writing reclaims a new glissantian “Lieu”, while making room for a therapeutic way of dealing …


Du Chaâba À La Banlieue : Espaces Et Négation De L’Autre Chez Azouz Begag Et Thomté Ryam, Lise Mba Ekani Jun 2013

Du Chaâba À La Banlieue : Espaces Et Négation De L’Autre Chez Azouz Begag Et Thomté Ryam, Lise Mba Ekani

Présence Francophone: Revue internationale de langue et de littérature

This article concerns itself with the representations of space in the novels of Azouz Begag and Thomté Ryam. The author observes that from the chaâba to the banlieue, one can assert that the distribution of space suggests the exclusion and the negation of France’s postcolonial other. Ultimately, the article contends that if Beur fiction was pivotal in shedding light on injustice, the banlieue novel blends aesthetics and politics to call for a different France, one in which assimilation and difference can be transcended.


Entre Expatriation Et Apatridie : Les Romans De Gaston-Paul Effa Et Henri Lopes, Yves Abel Feze Jun 2013

Entre Expatriation Et Apatridie : Les Romans De Gaston-Paul Effa Et Henri Lopes, Yves Abel Feze

Présence Francophone: Revue internationale de langue et de littérature

The stories of exile and return from exile of novelists Gaston-Paul Effa and Henri Lopes give themselves to read on how to register a double “desappartenance” and focuses in the heart of their narratives the figure of a now be stateless, alien to itself and to the Other. We propose, therefore, to study the reconstruction of identity as it is the result of emigration and return on the homeland. This leads thus to the conclusion that the stateless defies the nation in order to situate itself and his stories in a transnational space.


Violence, Altérité De L’Intérieur Et Citoyenneté De Seconde Zone, Hervé Tchumkam Jun 2013

Violence, Altérité De L’Intérieur Et Citoyenneté De Seconde Zone, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

This article proposes an examination of violence in the French banlieues where riots erupted in the fall of 2005. Building on the observation that violence seems to have become the main determiner for banlieues inhabitants in the media and political discourses, the author scrutinizes Mohamed Razane’s Dit Violent (2006) in order to understand the status of young banlieue dwellers as outsiders within who are caught between second-class citizenship and exclusion from the French public political sphere. It is the contention of the author that the public construction of an enemy within imply shadows a socio-political reality, which is the invisibility …


Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang Jun 2013

Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang

Présence Francophone: Revue internationale de langue et de littérature

This article examines the writings of female authors from the French suburbs, whose novels feature female protagonists born in immigrant families and engaged in a quest to redefine self. The novels explore the generational differences between these characters and the impact of the quest for self on mother-daughter relations. Their analysis brings light to the authors’ attempt at conjuring the stereotypes generally attached to the banlieue and to immigrant women. I argue that through the evocation of non-hegemonic visions, these novels present the banlieues as dynamic spaces allowing for a new discursive practice of identity and citizenship.


Résonances Politiques Du Cahier D’Un Retour Au Pays Natal, Entre Hier, Aujourd’Hui Et Demain, Jérôme Roger Dec 2011

Résonances Politiques Du Cahier D’Un Retour Au Pays Natal, Entre Hier, Aujourd’Hui Et Demain, Jérôme Roger

Présence Francophone: Revue internationale de langue et de littérature

The article shows that the Return to my Native Land by Aimé Césaire, facing the French literary standards, is a poem by the strangeness that rout and bother to any form of falsification of history, in any situation of ideological mystification, as well as any attempt at annexation heritage. Misunderstanding of reception in France among the most famous poets in the 1950s are a particularly significant example and invite you to reread the poem of Césaire as the tragedy of a timeless voice, open to our common future.


Je E(S)T L’Autre, Nadia Duchêne Jun 2010

Je E(S)T L’Autre, Nadia Duchêne

Présence Francophone: Revue internationale de langue et de littérature

Immigration and otherness represent core concerns in contemporary society and, as such, give rise to debate and discussion in many disciplines. the question of otherness also arises as a recurrent and key subject in the field of literature. Tahar Ben Jelloun’s novel Partir is replete with the ambivalence of otherness: attraction/aversion; difference/similarity; lack/exile; native/foreigner; close/distant; normal/deviant and as such provides a laboratory where the expression of otherness in discourse can be dissected. We will examine the perception and the issue of otherness in the novel as well as the strength of its representations.


Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé Jun 2009

Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

My essay analyzes Karima Berger’s first novel, L’enfant des deux mondes (1989). The author who has been living in France for more than 25 years tells the story of a Muslim Arab girl (herself ?) educated in the French school system of pre-independent Algeria. In this study, I examine linguistic, cultural and religious issues raised by the novel in an effort to identify the factors that keep the protagonist imprisoned in a permanent state of being in-between-two-worlds without fully belonging to any of them.


Idéal Romantique Et Projet Social Dans C’Est Vole Que Je Vole De Nicole Cage-Florentiny, Hanétha Vété-Congolo Dec 2008

Idéal Romantique Et Projet Social Dans C’Est Vole Que Je Vole De Nicole Cage-Florentiny, Hanétha Vété-Congolo

Présence Francophone: Revue internationale de langue et de littérature

In this novel, first published in 1998 and then in 2006, martinican female writer Nicole Cage-Florentiny portrays a young woman, Malaïka, who seeks refuge in madness to escape the turmoil of her life. She is under the yoke of harsh living conditions including societal conformism which, according to Fanon, provokes the « existential deviation » (1953 : 31) of the individual. Despite all, Malaïka advocates a society that would integrate all its members and promote equality. C’est vole que je vole aims at brushing Martinique’s ability to display a sound socialization. The author aims at offering a criticism of her …


Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër Dec 2008

Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër

Présence Francophone: Revue internationale de langue et de littérature

From the 1980s, writers in the francophone diaspora have examined the post-colonial African identity and its portrayal, according a special place to stereotyping. Thus, they denounce not only its tyrannical hold, but also the devastating effect of stereotyping on individuals and societies. Paradoxically, they show how stereotyping can offer to the post-colonial subject a means of manipulating identity features, therefore, of avoiding predetermination. In its study of, mainly, Biyaoula’s L’impasse, this article also proposes to show how the stereotypes, going beyond the limits of theory, is reborn within he body, becoming a veritable enclosure for forgery of identity.


Topographie Idéale Pour Une Agression Caractérisée : Roman De L’Émigration, De La Ville Ou De L’Écriture?, Charles Bonn Jun 2007

Topographie Idéale Pour Une Agression Caractérisée : Roman De L’Émigration, De La Ville Ou De L’Écriture?, Charles Bonn

Présence Francophone: Revue internationale de langue et de littérature

Published in 1975 after a wave of anti-Algerian racist attacks in France, this novel is first and foremost a statement of urban space, whose labyrinthian subway lines merge with those of writing, and participate in the drawing of spatiality. But this writing, which disconcerts the documentary expectation of the readers, betrays that expectation : instead of describing the daily life of the emigrant, it seizes his marginalization in order to represent itself, both as a victim who is sacrificed like the hero without name of the novel and as the ridiculous object of a narcissistic and ludic utterance.


Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio Jun 2006

Faire Taire Les Silences Du Corps Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

From the middle passage to modern day red light districts, from human zoos to the “compassionate” forum of the TV screen, the display of the black body has long formed the narrative thread of a monologue uttered by a West pleased with the sound of its own voice. The staging of the black body can be said to have rendered black voices silent, and this study sets out to break this silence.


L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah Jun 2004

L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah

Présence Francophone: Revue internationale de langue et de littérature

In their capacity as moralists and committed intellectuals, African Francophone writers such as C.C. Sow, N.N. Ndjekery, M.S. Keita, F. Couao-Zotti, Ahmadou Kourouma, Nimrod and E. Dongala portray various images of refugees and internally displaced persons in their works. This depiction is driven by the perceived need to humanize these displaced members of society by establishing moral/affective bridges between unfortunate members of society and readers. It is also sustained by the desire to reduce the damage caused by wars and natural disasters, as well as the need to reveal the plural identities of humans to the world.


Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio Jun 2003

Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

The objectives of self-determination displayed by the Cameroon cultural and political agents look identical. However the present communication, that examines the reception of the works of Mongo Beti and René Philombe in Cameroon and its implications on the relationship between the writers and the dominating political order, reveals that the harmony is only a concealment. In fact, the political order conceives the institution of its own discourse exclusively either in terms of exclusion all nonconformist speech or in terms of its dominance.


Black Thing (1971), College Of The Holy Cross Feb 1971

Black Thing (1971), College Of The Holy Cross

Student Publications

This is the second issue of a journal produced by Black students at the College of the Holy Cross." The works included in this issue use creative writing and art to express reflections on being Black, race, racism, racial relations, history, politics, religion and social issues in the United States.


Black Thing (1970), College Of The Holy Cross Dec 1970

Black Thing (1970), College Of The Holy Cross

Student Publications

This is the first issue of a journal produced by Black students at the College of the Holy Cross in order to address the need for a better understanding of the "Black Aesthetic." The works included in this issue use creative writing and art to express reflections on being Black, race, racism, racial relations, history, politics, religion and social issues in the United States.

This inaugural issue includes letters of endorsement from Rev. John E. Brooks, S.J, (President of the College) and Gilbert L. Taylor (Director of Human Relations at the College).