Creative Writing Commons^™

The Language Of Breathing, Brian Wallace Baker

Masters Theses & Specialist Projects

The Language of Breathing is an eclectic collection of 18 creative nonfiction essays that capture moments from the author’s life and attempt to give them meaning through narrative and metaphor. They deal with relationships, nature, faith, and often rely on background research to pair art, mythology, current events, and science with personal experience.

Gritting Teeth: A Memoir Of Unhealthy Love, Samantha L. Day

Masters Theses & Specialist Projects

Originally intended to be modeled after Eula Biss’s creative nonfiction essay “The Balloonists”—which tackles the subject of marriage via fragmented prose poems— “Gritting Teeth: A Memoir of Unhealthy Love” is a piece that has taken on a subject and form of its own. A memoirist like Vivian Gornick might not claim the writer’s piece, as it hesitates to offer a “story” in places. A memoirist like Sue William Silverman might not claim the piece, as it hesitates to be courageous at times. But this collage of song lyrics, research snippets, and even Craigslist postings works in conjunction with fragments from …

Folklore, Poetry, And Identity: A Study Of The Archetypes In The Poetry Of Leslie Silko, Kate Grenier

Masters Theses & Specialist Projects

This paper is a study of folklore in literature; specifically, it is the study of the folklore in the poetry of Leslie Marmon Silko, a Laguna Pueblo women, and a half-breed. Her family situation, its place in the community, and its oral tradition are briefly noted, and the basic works of folklore in literature scholars are cited; therefore, the groundwork is established on which to examine the specific elements of folklore in the poems from Silko’s books, Laguna Woman and Ceremony.

Taking a Jungian approach to the archetypes in these poems, three subsequent chapters deal with three separate item of …

Twentieth Century Negro Poets, Sheila Higgins

Masters Theses & Specialist Projects

According to Matthew Arnold an open mind is one of the chief essentials for true literary criticism. One is impressed by the truthfulness of this statement when he seeks to evaluate Negro poetry.

The term, Negro poetry, has several interpretations. In its most general sense, the one in which it is used in this paper, it means poetry written by Negroes on any subject. In a more restricted sense it refers to poetry that contains allusions, rhythms, sentiments and idioms more or less peculiar to the Negro. In its narrowest meaning it refers to poetry of racial protest and self-exhortation. …