Creative Writing Commons^™

Ships In Houston, Nadia Villafuerte, Julie Ann Ward

Undiscovered Americas

Ships in Houston by Nadia Villafuerte, translated by Julie Ann Ward, is a harrowing and heartrending collection of fifteen stories that bring to life characters who, though they exist independently from one another, inhabit the same world: Mexico’s southern border. Using acute attention to language, such as various dialects and slang, to create a nuanced and varied mood and setting, Villafuerte’s stories track exotic dancers, sex workers, truck drivers, drug dealers, immigration officials, and even a mayor’s daughter to create compelling fictions rooted in the harsh realities of borderlands that many choose to overlook. While the US’s southern border with …

Woman Flytrap, Brianna Jo Hobson

Student Theses and Dissertations

Woman FlyTrap is a short story zine collection that explores the topic of sexual violence through the perpetrator and victim relationship with an explicit lens. Replete with cultural and entomological themes and motifs, Woman Flytrap seeks to remind survivors that we are not alone. In our bodies or in our lives. Neither in the world. There are over a million insects to every human, proving that there is strength in numbers. All five stories in the collection present different abstracts: revenge, transformation, justice, healing, body image, self-harm, mourning, etc. There is also a playlist and a section about the author. …

Treading The Winepress; Or, A Mountain Of Misfortune, Clarissa Minnie Thompson Allen, Gabrielle Brown, Eric Willey, Jean Macdonald

Undiscovered Americas

“Every life hath its chapter of sorrow. No matter how rich the gilding or fair the pages of the volume, Trouble will stamp it with his sable signet.”

So begins the novel Treading the Winepress; or, A Mountain of Misfortune by Clarissa Minnie Thompson Allen, which, had it appeared in book form in 1885–1886 instead of serialized in The Boston Advocate, would have been the second novel published by a black woman in the United States. Instead, Allen has been mostly forgotten by literary history. Now, thanks to the painstaking efforts of editors Gabrielle Brown, Eric Willey, and Jean …

Bryan Thao Worra, Pauline De Leon

Asian American Art Oral History Project

Artist Bio: An award-winning Laotian American writer, I work actively to support Laotian, Hmong and Southeast Asian American artists. I am recognized by the Loft Literary Center, the Minnesota State Arts Board and the National Endowment for the Arts. I also served as a consulting contractor with the Minnesota History Center, the Council on Asian Pacific Minnesotans and the Minnesota Humanities Commission. I am an active professional member of the Horror Writer Association and president of the Science Fiction Poetry Association.

La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela

Présence Francophone: Revue internationale de langue et de littérature

The transformation of the African griot/storyteller into a writer was built on the sacredness of his mission, animated by the flame of engagement, inspired by blackness. However, the irruption of Ouologuem into the literary scene brought about a Copernican revolution of sorts by paving the way for a parodic reversal in the conception of the writer. Indeed, Ouologuem's knowledge of the asperities of the literary system surrounding the African novelist leads him to deconstruct the sacred character of the writer's figure; a desecration that places the figure of the writer and the fictional characters of his novel on the same …

Plantain Stain, Loreli Mojica

Senior Projects Spring 2018

Senior Project submitted to The Division of Languages and Literature of Bard College.

Secrets On Morgan Hill: A Story Of An Unlikely Friendship Amid An Apartheid South, Camille Kleidysz-Ferreira

Master of Arts in American Studies Capstones

Introduction

The Burden of History and Fiction

“How much of the burden of history can fiction bear?” – Margaret Walker

Comprehensive historical research can often become the inspiration for art. The greatest pieces of historical fiction, are a result of years of historic scholarship before the creation of a compelling historical narrative or fiction piece. Through my two-year ethnographic study and collection of oral histories of the black community, surrounding the historic Bethel A.M.E. church in Acworth, Georgia, I was told a story about a friendship between two little girls who remained friends until the end of their lives. What …

South Shore And Everyplace You Don't Belong, Gabe Bump

MFA Program for Poets & Writers Masters Theses Collection

South Shore and Everyplace You Don’t Belong tracks a young man, Claude, raised by his grandmother on Chicago’s South Side. We follow Claude as he experiences tropes familiar to young Chicagoans: segregation, gun violence, gang recruitment, death, police brutality, and crooked politics.

We also follow Claude though universal experiences familiar to all young persons: falling in love, social anxiety, making friends, losing friends, rebellion, and identity crises of all shapes and sizes.

We follow Claude as he experiences America as a young black man.

The Geometry Of Loss: A Novel, Elidio La Torre La Torre

Open Access Theses & Dissertations

In the year 2025, Orlando Aniello, nicknamed “Or,” a Puerto Rican poet with a broken life, becomes a “consciousness in virtual space.” Tricked by a couple of goons that devote most of their duties to bootleg memories for people who lead dull and meaningless lives, Orlando’s personality splits into fragments. As consequence, his actual experiences blend the host’s own recollections, which accidentally upload to Orlando’s brain. If bootleg mnemonic technologies glitch, Orlando does not know who he is anymore. Indeed, Orlando/ Gogo/ Alejandro suffers anterograde memory loss, and the narrator becomes merely a voice without a body. A geometry of …

Diario De Perla Jimenez, Brenda Dorantes

World Languages and Cultures

The aim of this project is to present the effect of the immigration issue in the United States, with a direct focus in San Luis Obispo, and including a spread of intercultural knowledge between the Hispanic and the Caucasian community. Through a fictional short story, the manifestation of these ideas will relate to current events occurring in our society today. These events focus primarily on immigration in California, deportation issues, socioeconomic issues in Mexico, and the cultural barrier seen in Mexican and American cultures; expressed through the main character: a young college student named Perla.

My primary goal in completing …

Six Crosses, Michael C. Vocino

michael c vocino

Brief short story or observation about life in a small southern Italian town.

Six Crosses, Michael C. Vocino

Technical Services Department Faculty Publications

Brief short story or observation about life in a small southern Italian town.

Aimé Césaire : Un Être De Papier Dans Le Roman Antillais Contemporain, Édouard Mokwe

Présence Francophone: Revue internationale de langue et de littérature

This paper aims to scrutinize various aspects in which Aimé Césaire is represented in the Caribbean novel as a personage, on the basis of Théorie et fiction by Milagros Ezquerro. We discover that, because of the great halo and notoriety of the eminent cultural and political figure that he was, Aimé Césaire has been put on stage by several Caribbean novelists. So Césaire has become a literary material, as well as a theme with various patterns.

L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.

Au Seuil Du Chaos : Devoir De Mémoire, Indicible Et Piège Du Devoir Dire, Issac Bazié

Présence Francophone: Revue internationale de langue et de littérature

That literature has not entirely lost its means when faced with great human tragedies is a fact widely debated when it comes to the Holocaust. This text relies on a discussion of the unspeakable in order to reflect on the texts written about Rwanda’s genocide. Reading those texts’ thresholds reveals a tension of writing between history and fiction, “devoir de mémoire” and near resignation of speech.