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Articles 1 - 30 of 134
Full-Text Articles in Creative Writing
Through Critique And Beyond: Speculative Fiction As A Tool Of Critical Pedagogy, Syd Thorne
Through Critique And Beyond: Speculative Fiction As A Tool Of Critical Pedagogy, Syd Thorne
Master's Projects and Capstones
This field projects centers around the issue of hopelessness among teachers and students and examines the genre of speculative fiction as a potential tool for cultivating critical hope in the classroom and as an asset to critical pedagogy. Utopian pedagogy and critical pedagogy make up the theoretical framework of this research and project development. The research explores the use of speculative fiction in three areas: activism and identity, student engagement, and utopian performance. The review of the literature demonstrates that the use of speculative fiction in the classroom has the potential to engage students in conversations about social justice and …
Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond
Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond
Symposium of Student Scholars
In award-winning films, themes surrounding race and ethnicity are typically avoided unless regarded in a historical context. Though, Jordan Peele’s Get Out(2017) breaks these barriers by taking a satirical approach to comment on modern racial issues and stigmas that are prevalent in American society. Furthermore, the film pushes society to finally see and understand the anxiety and racial trauma that African Americans continue to experience. The hidden symbols and messages throughout the screenplay further add to the film’s theme by metaphorically expressing that racism can be covert. With the intention to analyze these symbolic elements, I will break down …
Mija, Iris Brito-Stevens
Diversity In Native American Literature, Sarah E. Guistwite
Diversity In Native American Literature, Sarah E. Guistwite
Student Publications
Native American literature, and Native American culture as a whole, has often been portrayed through the lens of a single story. It is assumed that Native American authors are all the same, and that their works are all the same as well. During the Native American Renaissance period, Native American authors wrote works that fought back against this idea. Their writings are diverse, and show a depth of culture that is often presumed to be nonexistent. Two authors, N. Scott Momaday and Elizabeth Cook- Lynn, demonstrate this diversity through their goals in writing, reasons for writing, and forms of writing. …
Why Intersectionality In Fiction Matters, Grace L. Dillon
Why Intersectionality In Fiction Matters, Grace L. Dillon
Indigenous Nations Studies Faculty Publications and Presentations
In lieu of an abstract, here is an excerpt:
Indigenous peoples often say that from maewizhah, or time immemorial, we have gazed upon ae-iko-dawo-dunnauk-mishi-geezhik and created stories that are maumikaud-kummik. In other words, throughout our histories, Native peoples have looked to the heavens, pondered the universe, and composed fantastical tales that, translated literally, are “out of this world.”
This is the very definition of speculative fiction.
To us, storytellers are artists and medicine people who provide mishkiki: medicine, healing, and sometimes even solidarity — or, as we say in Anishinaabemowin, inauwinidiwin, which means collectively becoming a …
The Postcolonial Condition In Tayeb Salih's Season Of Migration To The North, Rachida Yassine
The Postcolonial Condition In Tayeb Salih's Season Of Migration To The North, Rachida Yassine
Dirassat
Tayeb Salih's Season of Migration to the North Disacounter-narrative written in 1969 at the early phase of African 'Decolonization'. This narrative re-writes Conrad's Heart of Darkness –and other ethnocentric representations of Europe's Other such as Shakespeare's Cali ban and Othello-from an Arab/African perspective. In his Culture and Imperialism, Said considers Salih's novel an example of the postcolonial native writers' reclamation of the fictive to poi of colonial culture "on the very same territory once ruled by a consciousness that assumed the subordination of a designated inferior. Saree Makdisee makes a similar point in his essay," The Empire Renarrated: Season of …
La Voie De La Plume, Sylvie Kande, Aly Ndiaye
La Voie De La Plume, Sylvie Kande, Aly Ndiaye
The Goose
Cette conversation entre Aly Ndiaye alias Webster, artiste hip-hop et conférencier sénégalo-québécois, et Sylvie Kandé, écrivaine franco-sénégalaise établie à New York, s’est déroulée par correspondance de septembre à octobre 2020. Ils ont aussi décidé de se lancer un défi d’écriture.
Losing Count: A Re-Collection, By Numbers, Kim D. Hester Williams
Losing Count: A Re-Collection, By Numbers, Kim D. Hester Williams
The Goose
Poetry by Kim D. Hester Williams
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Dissertations, Theses, and Capstone Projects
This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …
About The Creators, Eden Railsback, Juan Vergara
About The Creators, Eden Railsback, Juan Vergara
Underground Anthology
No abstract provided.
Leche Flan, Malia Weingarten
About The Editors, Eden Railsback, Juan Vergara
About The Editors, Eden Railsback, Juan Vergara
Underground Anthology
No abstract provided.
About The Authors, Eden Railsback, Juan Vergara
About The Authors, Eden Railsback, Juan Vergara
Underground Anthology
No abstract provided.
La Sobremesa, Shania Raylin Hernandez
On-Ramp, M. Alexander, Pamela Arciniega
Our Friend Maya Angelou, Ibrahim Ua
The Truth About Stories, Elizabeth Chan-Diaz
The Truth About Stories, Elizabeth Chan-Diaz
Underground Anthology
No abstract provided.
Penultimate, Ibrahim Ua
Fated To The Seas, Alyiah Marie Gonzales
Our Message From Death Row, Ibrahim Ua
Coqui, Alessandro Zanghi
Coqui, Alessandro Zanghi
Underground Anthology
I'm writing about this night I had an asthma attack back home over winter break. I awoke in the middle of the night unable to breathe so I went to my bathroom to sit in the shower and breathe in the humid air to help open up my lungs. While I was sitting there the humidity and water reminded me of Puerto Rico (Borinquen in Taino) and my memories of the island and thoughts of my ancestral connection to the land gave me comfort. The idea that I could travel there just by simply turning on the faucet and sitting …
Brown Eyes, Ibrahim Ua
Contributors, Eden Railsback, Juan Vergara, Shanae Aurora Martinez
Contributors, Eden Railsback, Juan Vergara, Shanae Aurora Martinez
Underground Anthology
No abstract provided.
Underground Anthology Title, Eden Railsback, Juan Vergara, Shanae Aurora Martinez
Underground Anthology Title, Eden Railsback, Juan Vergara, Shanae Aurora Martinez
Underground Anthology
No abstract provided.
Why Courageous Cuentos?
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Artist Statements And Artwork
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
My Mother’S Roots Are From La Tierra De Huizaches, I Carry Her Roots Within Me, Selina Diaz Sumano
My Mother’S Roots Are From La Tierra De Huizaches, I Carry Her Roots Within Me, Selina Diaz Sumano
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Mí Gran Tatara Abuelo, Johanna Bonilla
Mí Gran Tatara Abuelo, Johanna Bonilla
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.
Dreaming Of The Future, Emanuel Velasco
Dreaming Of The Future, Emanuel Velasco
CouRaGeouS Cuentos: A Journal of Counternarratives
No abstract provided.