Creative Writing Commons^™

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Artemisia In The Metro, Emily A. Francisco

Student Publications

The “art poem” is an intriguing form of poetry. In writing about something that is inherently visual, a poet must remold a work of art into new material, drawing upon the work’s elements of form such as color, line, use of light, contrast, and composition to make his or her own reflective statement, beyond simply describing the artwork’s own content. In my poetry I aim to take this model of the “art poem,” and, through extended experimentation with this idea of ekphrasis (writing about art in a poetic context), intend to suggest a more intimate connection between art and language. …

Penny Dreadful Commission Comics No. 5, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." All comics were student-submitted, and the publication was entirely student-run. This is issue No. 5 from May 1, 1989.

Penny Dreadful Commission Comics No. 4, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." All comics were student-submitted, and the publication was entirely student-run. This is issue No. 4 dated April 1, 1989.

Penny Dreadful Commission Comics No. 3, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." The issue of March 1, 1989 has a cover that parodies Time magazine.

Penny Dreadful Commission Comics No. 2, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." This is issue No. 2 dated February 1, 1989.

Penny Dreadful Commission Comics No. 1, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization at RISD that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." All comics were student-submitted, and the publication was entirely student-run. This is issue No. 1 dated January 1, 1989.

Warm Journal: Special Issue On Competition Volume 1 Issue 3, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

WARM’s focus in this issue is on competition and its impacts on personal and professional life. Within this issue is a conversation between the women on the WARM Journal Committee entitled “Dividing the Pie” which discusses women and societal images. There were compositions on competition, artwork, and poems followed by a calendar of events. Also found is information on WARM Exhibitions and a piece about Jaci Schacht’s work authored by Fran Addington. This issue concludes with reviews of local displays, an open letter to Sam Sachs, and details about WARM members and membership.

Warm Journal Volume 1 Issue 2, 1972-2021 Women's Art Registry Of Minnesota

WARM Journal

This issue contains two interviews, one with Pat Olson about her graphic design work and life as an artist, and one with B.J. Shigaki about her life and being the director of the Rochester Art Center. There is a collection of poetry by Jill Breckenridge-Haldeman, and a review of Obstacle Race by Germaine Greer, a book on women’s “fine art” from the Middle Ages to the mid-20th century. Also included in the issue were submissions of artistry with descriptions from members of WARM.

Warm Journal Volume 1 Issue 1, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

The main articles of this issue concern Julia Barkley’s trip to China, Taiwan, and Japan, an interview with Sally Brown, an art instructor in the Twin Cities, and a review of the Women’s Art Weekend by Roseanne Sullivan. Barkley’s travelogue, although it contains language dated by modern standards, is an insightful exposé of what life was like for female artists in East Asia at the start of the 1980s. Brown’s interview provides a window into the development of women’s artistry in the 1960s. The Women’s Art Weekend documented women speaking about their struggles against racism and sexism at MCAD, and …

Warm Newsletter 1978 January-March, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

WARM provides a newsletter for January-March of 1978. Its contents include meetings, announcements, openings, and membership information. The coordinator provides congratulations to grant winners, grants given for Women Invite Women and Visiting Artist Program, and thanks for work on grant proposals. Readers are given information about membership fees, the annual meeting, and an invitation to the open discussion during the annual meeting. Article 1: Membership amendment (includes levels of membership) to the by-laws of WARM has been revised and clarified within this newsletter. The letter concludes with upcoming events of Joan Snyder and Marcia Tucker, a Wild Rice television date, …

Multi-Directional Ideas In The Duality Of A Living Work, Orlando Jimenez

All Master's Theses

This paper presents a series of ideas underlying the philosophy behind the creation of the author's works. The paper deals with the creator-viewer relationship, and the distinction that is commonly accepted as existing between the perception of the two, ascribing more value on the perception of one over that of the other. The conclusions were reached after acute observation of occurrences of everyday as a source of esthetic experience and after lengthy discussions with people involved in the creative process.