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Creative Writing Commons

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Articles 1 - 8 of 8

Full-Text Articles in Creative Writing

Linda Grace Hoyer Updike: Woman, Author, And Mother, Leslie Hoffman Jul 2001

Linda Grace Hoyer Updike: Woman, Author, And Mother, Leslie Hoffman

Library Summer Fellows

Linda Grace Hoyer was a brilliant individual. She graduated from Ursinus College at the age of nineteen, received a master's from Cornell University, and after many years of diligent work, published two novels and a myriad of short stories. She lived an unusual life: reflective, feminine in her thought processes, but nevertheless somewhat stubborn in a time when women were meant to fill a subordinate role. I have found through my research that Hoyer's brilliance did not lie in her intellect and writing alone. In fact, as demonstrated by her literature's autobiographical nature, her brilliance as a writer seemed to …


Et Cetera, Marshall University Apr 2001

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.


Itch, Thomas Demarchi Mar 2001

Itch, Thomas Demarchi

FIU Electronic Theses and Dissertations

ITCH is a collection of short fiction that explores the ways people give and receive love. The love explored is not limited merely to romance; the deep bond of friendship, the strained relationships between family members, and the quest for mending broken connections are also explored. The stories' protagonists are male, range in age from seven to mid-forties, and hail from different backgrounds: there is a fireman, a biologist/medical student, an adjunct English professor, a computer programmer, a drug addict, an attorney, a prepubescent thief.

Simple and straightforward, the plots predominantly linear, these stories present situations where ordinary people attempt …


We Are Not Friends, Fred G. Leebron Jan 2001

We Are Not Friends, Fred G. Leebron

English Faculty Publications

There is something about the way the phone rings that lets you know it's Them - a kind of glitter in the chime, a certain je ne sais quoi to the cadence, which seems to skip a beat as if it can't believe that They are calling. You pick up, heart throbbing, getting ready to move your mouth, a sly frisson of sweat striking your palms.

"They asked me to call," Their assistant says. "They want you at the house next Thursday. And then you'll all go somewhere. A plane will be involved. You'll want to bring a passport. Until …


The Watermark: A Journal Of The Arts - Vol. 09 - 2001-2002, University Of Massachusetts Boston Jan 2001

The Watermark: A Journal Of The Arts - Vol. 09 - 2001-2002, University Of Massachusetts Boston

The Watermark: A Journal of the Arts (1993-ongoing)

No abstract provided.


Great Expectations, Elisabeth Rose Gruner Jan 2001

Great Expectations, Elisabeth Rose Gruner

English Faculty Publications

Great Expectations was the penultimate novel completed by the most popular novelist of Victorian England, Charles Dickens. Born in Kent, England, in 1812 to a family of modest means but great pretensions, Dickens’s early life was marked by both humiliation and ambition. Dickens never forgot the period of financial crisis during his childhood, when following his father’s bankruptcy, he was taken out of school and forced to work in a shoe-polish warehouse. While the episode was relatively brief, it marked Dickens’s later life in many ways: in the development of his own ambitions, in his sympathy for the poor and …


The Shop Windows Were Full Of Sparkling Chains: Consumer Desire And Woolf’S Night And Day, Elizabeth Outka Jan 2001

The Shop Windows Were Full Of Sparkling Chains: Consumer Desire And Woolf’S Night And Day, Elizabeth Outka

English Faculty Publications

“You know the horror of buying clothes” (L2 232), wrote Virginia Woolf to her sister in 1918. This statement takes us to the heart of early critical assumptions about Woolf and consumerism. Following good modernist principles, the argument ran, Woolf’s art was naturally above shopping, distinct from and even a reaction against consumer culture. More recently, critics such as Jennifer Wicke, Rachel Bowlby, and Reginald Abbott have unsettled this separation and have started to consider the complex relations among consumption, the market, and Woolf’s writing. Most of this attention, however, has focused either on selected essays or on Mrs. Dalloway …


Zephyrus, Western Kentucky University Jan 2001

Zephyrus, Western Kentucky University

Student Creative Writing

No abstract provided.