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Articles 1 - 29 of 29
Full-Text Articles in Creative Writing
Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff
Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff
English Creative Writing Theses
Here is a memoir of my paternal line through the lens of my Great-Grandmother and myself. A reclamation of the land I hail from and a connection to a history previously felt distant, this examination of race and gender explicitly focused on the African American Southern female experience; I try to make sense of the juxtaposing positions in our lives. The culture built from its creation through Tennessee personified. Here, I integrate history and theory with lyrics and prose to experience the eighty-one years of progress brought between our births and the lingering anxiety of slavery. My great-grandmother, Hazel Irene …
Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv
Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv
Theses and Dissertations
In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …
The Sunday Night Black & White 4, Sunday Night Bombers
The Sunday Night Black & White 4, Sunday Night Bombers
The Sunday Night Bombers
A zine featuring black and white art and short form narrative.
Shale Play: Poems And Photographs From The Fracking Fields By Julia Spicher Kasdorf And Steven Rubin, Kelly Shepherd
Shale Play: Poems And Photographs From The Fracking Fields By Julia Spicher Kasdorf And Steven Rubin, Kelly Shepherd
The Goose
Review of Julia Spicher Kasdorf and Steven Rubin's Shale Play: Poems and Photographs from the Fracking Fields
The Sunday Night Black & White 8, Sunday Night Bombers
The Sunday Night Black & White 8, Sunday Night Bombers
The Sunday Night Bombers
A compilation zine featuring black and white art and short form narrative.
The Sunday Night Black & White 5, Sunday Night Bombers
The Sunday Night Black & White 5, Sunday Night Bombers
The Sunday Night Bombers
A compilation zine featuring black and white art and short form narrative.
The Sunday Night Black & White 6, Sunday Night Bombers
The Sunday Night Black & White 6, Sunday Night Bombers
The Sunday Night Bombers
A compilation zine featuring black and white art and short form narrative.
The Sunday Night Black & White 7, Sunday Night Bombers
The Sunday Night Black & White 7, Sunday Night Bombers
The Sunday Night Bombers
A compilation zine featuring black and white art and short form narrative.
The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore
The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore
Master's Theses
This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …
The Sunday Night Black & White 1, Sunday Night Bombers
The Sunday Night Black & White 1, Sunday Night Bombers
The Sunday Night Bombers
A compilation zine featuring black and white art and short form narrative.
The Sunday Night Black & White 2, Sunday Night Bombers
The Sunday Night Black & White 2, Sunday Night Bombers
The Sunday Night Bombers
A compilation zine featuring black and white art and short form narrative.
The Sunday Night Black & White 3, Sunday Night Bombers
The Sunday Night Black & White 3, Sunday Night Bombers
The Sunday Night Bombers
A compilation zine featuring black and white art and short form narrative.
Fall 2017, Vantage Point
Eiffel Tower, Rikki Larson
Vatican, Michael White
Switzerland, Michael White
Coliseum, Michael White
The Bridge, Jennifer Jensen
Beyond The Bend, Jennifer Jensen
Hawaiian Palm Tree, Talaria Haast
Zeus, Talaria Haast
Ice, Talaria Haast
Autumn, Talaria Haast
Chinese Clothes, Lauren Dare
China, Alexis Mcbride
The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey
The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey
The Goose
'The Rooster and the Lemon' is a collaborative work of critical-creative writing and photography between artists-writers Luis Mario Guerra and Connie Michele Morey. The text and image is a part of a larger body of work that emerged from a trip to Havana in December 2013 and is still in the process of unfolding through additional visual forms. The prose and photographs question the im/possibility of stasis and taxonomical containment in an ecological continuum where the processes of death and life and interdependent and imperceptibly entangled.
Shopping Cart Pastorals And A Nature Poem, Gary Barwin
Shopping Cart Pastorals And A Nature Poem, Gary Barwin
The Goose
Poetry by Gary Barwin
In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard
In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard
English - All Scholarship
In Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation is a photographic essay completed by Eunice Blanchard in 1947 as an English Term Paper at Syracuse University in Syracuse, NY. Blanchard tells the story of Tennyson's poem through original photography.
Acknowledgements:
Arthur W. Brown, Instructor in English; C. Wesley Brewster, Instructor in Photography; D.M. Norton, Assistant to Mr. Brewster; Photography Models: Janet Clark, Betty Sanders, Aubrey Vaughn Woolsey. Jr.
This is the original work of Eunice Blanchard, under CCBY 4.0. It is an open-access work, copyrighted and licensed by the author for re-use.