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Creative Writing Commons

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English Language and Literature

2016

UNLV Theses, Dissertations, Professional Papers, and Capstones

Articles 1 - 3 of 3

Full-Text Articles in Creative Writing

The Skinny House, Leo August Jilk Aug 2016

The Skinny House, Leo August Jilk

UNLV Theses, Dissertations, Professional Papers, and Capstones

The title of my thesis is The Skinny House, a phrase which might indicate: 1) The body of a human or other animal, 2) A coffin or grave, and 3) A residence in Mamaroneck, New York built of recycled materials (e.g. railroad ties and a chicken coop) by an African-American carpenter named Nathan T. Seely in 1932. Seely and his brother ran a business that thrived for several years prior to the Great Depression, catering specifically to Southern blacks moving north. While only a few pages of my thesis are directly concerned with the Mamaroneck residence and its social implications, …


Heaven On Their Minds, Rebecca Kate Robison May 2016

Heaven On Their Minds, Rebecca Kate Robison

UNLV Theses, Dissertations, Professional Papers, and Capstones

Heaven on Their Minds is a novel written from the first-person perspective of teenage

protagonist Melody O’Malley. The plot details Melody’s attempt, along with two close friends, to undermine their conservative Christian theater camp’s summer production of Godspell via the edgier songs and theology of Jesus Christ Superstar. Though ostensibly a satire of the Evangelical Christian community, Melody’s insecurities are the true heart of the novel--her fraught relationship with her best friends, her concerns about her post-high school future, and her ill-advised crush on the most prominent RFC (Robot for Christ) in the camp, a crush that has terrible consequences …


Tearing Up The Tallgrass, Brett Salsbury May 2016

Tearing Up The Tallgrass, Brett Salsbury

UNLV Theses, Dissertations, Professional Papers, and Capstones

This creative thesis project is a culmination of the Master of Fine Arts in Creative Writing degree at UNLV. The thesis—currently titled Tearing up the Tallgrass—was composed entirely during my graduate semesters at UNLV. As a book of poetry, it explores the dynamics of humans in nature, white privilege, objectivity, fact- and myth-making, and artistic practice. Written under the supervision of Claudia Keelan (committee chair) and Donald Revell (committee member), my committee further includes P. Jane Hafen (English) and Pierre Lienard (Anthropology). Their disparate subject and genre interests are meant to diversify the feedback received during this project’s composition. Some …