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Full-Text Articles in Creative Writing

Ua68/6 Newsletter #6, Wku English Dec 1981

Ua68/6 Newsletter #6, Wku English

WKU Archives Records

Newsletter created by WKU English Department regarding faculty activities, Zephyrus, alumni and book recommendations.


Ua68/6 Newsletter #4, Wku English Nov 1981

Ua68/6 Newsletter #4, Wku English

WKU Archives Records

Newsletter created by the WKU English Department regarding faculty activities, awards and a poem Surprise! Surprise!


Et Cetera, Marshall University Apr 1981

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.


Contemporary Appalachian Poetry: Sources And Directions, George Ella Lyon Jan 1981

Contemporary Appalachian Poetry: Sources And Directions, George Ella Lyon

The Kentucky Review

No abstract provided.


Ua68/6/1 Zephyrus, Western Kentucky University Jan 1981

Ua68/6/1 Zephyrus, Western Kentucky University

Student Creative Writing

The fine arts magazine of Western Kentucky University at Bowling Green.


Parnassus 1981 Jan 1981

Parnassus 1981

Parnassus

The 1981 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


Index: Wood Jan 1981

Index: Wood

Rampike

No abstract provided.


Cover: Wood, Karl Jirgens Jan 1981

Cover: Wood, Karl Jirgens

Rampike

No abstract provided.


1. 2/3: Wood Jan 1981

1. 2/3: Wood

Rampike

Rampike Vol. 1 #'s 2 & 3 (Wood – double issue): Mike Ford, Christopher Brady, Dennis Oppenheim, Peter Gnass, Bill Vazan, John Grube, Tom Dean, Louise Nevelson, Louis Stokes, Clark Blaise, George Bowering, Frank Davey, bill bissett, Opal Nations, Ernest J. Oswald, Keith Carter, Noel Harding, Steve McCaffery, David Sharpe, Junebug Clark, Ed Niedzielski, Karl Jirgens, Brian Johnston, Steve Linn, Stephen Hogbin, Don McLeay, Stompin’ Tom Connors, Edith Van Beek, Gord Peteran, John Oughton, Colette Whiten, Lorne Fromer, Howard Hughes, Black Rubber, Eldon Garnet, Joachim Voss, Villia Jefremovas, Harold Jakonen, Terrence McCubbin, Alexis Wallrich.


Geometries And Words - Linguistics And Philosophy - A Model Of The Composing Process, Dorothy Augustine Jan 1981

Geometries And Words - Linguistics And Philosophy - A Model Of The Composing Process, Dorothy Augustine

English Faculty Articles and Research

Dorothy Augustine writes about composing a piece for philosophy.


The Endlessly Elaborating Poem: A Comparative Study Of Walt Whitman, Wallace Stevens, And The American Experimental, Long Narrative Poem, Paul Freidinger Jan 1981

The Endlessly Elaborating Poem: A Comparative Study Of Walt Whitman, Wallace Stevens, And The American Experimental, Long Narrative Poem, Paul Freidinger

Masters Theses

Up to the middle of the nineteenth century, British and American poetry was expected to employ rigid metrical and rhythmical patterns. Any verse that did not conform was considered devoid of aesthetic merit. In addition, some critics, Edgar Allan Poe being one of those, argued that there was no place for a long poem in poetry. Walt Whitman and Wallace Stevens, two proponents of the long narrative poem, both wrote in free verse and, thus, directly confronted these traditional theories.

This study demonstrates that the verse of Whitman and Stevens constitutes a new approach to poetic style and structure. A …


From Ritual To Resurrection: The Exploratory Poetic Of Seamus Heaney, Susan L. Morris Jan 1981

From Ritual To Resurrection: The Exploratory Poetic Of Seamus Heaney, Susan L. Morris

Masters Theses

Heaney's poetry has grown and changed since the publication of his first collection of poetry, Death of a Naturalist. This paper is an attempt to present the development of Heaney's exploratory poetic which was created through his use of language and image, allowing him metaphorical vehicles for the examination of oppositions.

Heaney began his poetic exploration, or "dig," with the collections Death of a Naturalist and Door Into the Dark. The poetry presents nature images which represent Heaney's search into the unknown, the dark places. These images symbolize a searching for the imagination and for the purpose of …