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Full-Text Articles in Creative Writing
A Comparison Of Jane Austen's Early And Late Characterization, Janet R. Moore
A Comparison Of Jane Austen's Early And Late Characterization, Janet R. Moore
Loma Linda University Electronic Theses, Dissertations & Projects
The purpose of this thesis is to compare an early well-developed heroine, Elizabeth Bennet in Pride and Prejudice, with a late well-developed heroine, Anne Elliot in Persuasion, in Jane Austen's novels to see if there are any changes in characterization and techniques of characterization and to evaluate these techniques.
In Chapter One, I have shown that throughout the nineteenth century from the time of publication, critics commented on Jane Austen's ability to create realistic characters. Not until the twentieth century, however, was Jane Austen's work evaluated critically. Twentieth century critics agree that she was a master at character …
Three Studies In Characterization, Diana A. Kohler
Three Studies In Characterization, Diana A. Kohler
Loma Linda University Electronic Theses, Dissertations & Projects
THE WOMEN OF BEN JONSON IN EPICOENE AND BARTHOLOMEW FAIR. This paper compares and contrasts the method variations that cause the women of Epicoene to be less interesting and more stereotyped than those of Bartholomew Fair.
Basically, in the women of Epicoene, Jonson used character types exclusively. The women were all "masculine," and remained that type throughout the play. In Bartholomew Fair, Jonson created versatility in the characters by including more information on the women through rhetorical "places," particularly the consilium or reason behind their actions. The multiplied places in the women in Bartholomew Fair, the changes in the …
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Photograph [River], Jerry N. Uelsmann
Drawing [Woman], Jim Kronlage
Free!, Volume 1, Issue 2, May 1973 [Download Entire Issue]
Free!, Volume 1, Issue 2, May 1973 [Download Entire Issue]
Free!
No abstract provided.
Cartoon [Free], Dick Klemensen
Love Poem: Diana, Barb Vaske
Photograph [Car], John Seddon
How Came The Tower Clock?, Cindi Haring
Transcript Incident, Roy R. Behrens
Photograph [Room], Dave Richmann
Heartfelt With A Camera, Mike Messenger
Photograph [Oven], Gail Vanous
The Two A.M. Players, Thomas A. Linn
Can Farr Stay Out?, Steve Calahan
Graffiti, Diane Olson
Photograph [Dandelion], Jerry N. Uelsmann
Poem, Candida Maurer
Drawing [Parable], Edward Kuhrt
Abortive, T. R. Tomkins
Three Parables, Roger Lasley
Photograph [Girl], Mike Morrison
Photograph [Door], John Seddon
Photograph [Hands], Jerry N. Uelsmann
Photograph [Sun/Clouds], John Seddon
Directing Deathbed, John Walter
Nirvana Through Sex And Magic, James B. Robinson
Photograph [Leaves], Dave Richmann
Instant Sculpture!, Beverly Kubik