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Articles 1 - 7 of 7

Full-Text Articles in Creative Writing

Baptism, Mark Melloan May 2005

Baptism, Mark Melloan

Masters Theses & Specialist Projects

One of my favorite movie characters said he'd worn lots of shoes, meaning he'd been a great many places and done a great many things. Well, I've never been to war or run across America or founded a shrimp company or shook the President's hand or returned kickoffs for the University of Alabama. But I did grow up in a church, come of age, and stay there, which is perhaps as interesting. I am now a husband, worship leader, singer-songwriter, and college writing instructor, struggling to capture fragments of who I was before I was any of these things, and …


The Underground House: A Body Memoir, Aubrey Videtto May 2005

The Underground House: A Body Memoir, Aubrey Videtto

Masters Theses & Specialist Projects

The creative non-fiction genre, in particular memoir and travel writing, is in a state of constant evolution. Furthermore, as we progress further into postmodern times, writing (both fiction and non-fiction, as well as poetry and drama) becomes more and more confessional and fragmented. These two facts make it difficult to classify the following memoir. It is both travel narrative and memoir on the body, but perhaps none of the traditional writers in either of these camps would claim my piece. Nevertheless, I call it a body memoir, and under essay it should be filed. In three sections (plus an introduction …


Buried Alive: Hard Science Fiction Since The Golden Age, Bonny Mcdonald May 2005

Buried Alive: Hard Science Fiction Since The Golden Age, Bonny Mcdonald

Masters Theses & Specialist Projects

A substantial body of science fiction authors, critics and fans appreciate the literary attention the New Wave of the '60s and '70s brought to the genre of science fiction, but regret the seemingly lasting move away from the hard science classics of the '50s and before. They argue that "the hard stuff' is at the very heart of sf and that its future—still on the path set by the New Wave—is ostensibly a dead end. Many important critics along with hundreds of sf fan websites display this fatalistic concern, asking over and over "Is hard science fiction dead?" The answer …


Ua68/6/1 Cherry Hall Bulletin, Wku English Apr 2005

Ua68/6/1 Cherry Hall Bulletin, Wku English

WKU Archives Records

Newsletter created by the English Department. This issue highlights the Robert Penn Warren Centennial, Kentucky Writers Conference and Book Fest, faculty achievements and student activities.


"That Could Happen": Nature Writing, The Nature Fakers, And A Rhetoric Of Assent, David Thomas Sumner Jan 2005

"That Could Happen": Nature Writing, The Nature Fakers, And A Rhetoric Of Assent, David Thomas Sumner

Faculty Publications

Much has been made about the relationship between nature writing and science. The foundation of the genre is empirical observation of the more-than-human world. That’s not the whole of it, however. Because of the pairing of empiricism and other human experience, readers come to the genre with certain assumptions: they assume the text will tell them something independently verifiable about the object world--something they could see, hear, or touch if they were in the same location at the same time. They assume they are reading nonfiction, and for most readers, that distinction is important. Readers also come to nature writing …


Zephyrus, Western Kentucky University Jan 2005

Zephyrus, Western Kentucky University

Student Creative Writing

No abstract provided.


Short Fiction By Women In The Victorian Literature Survey, Elisabeth Rose Gruner Jan 2005

Short Fiction By Women In The Victorian Literature Survey, Elisabeth Rose Gruner

English Faculty Publications

The first time I taught a Victorian Literature survey, fresh out of a curriculum integration workshop in graduate school, I taught ten authors: five male and five female. One student evaluation after the course was over complained that despite the promise of “great” Victorian writers, half of those on the syllabus were women. While this did take place in the dark ages of the early nineties, I still find myself, as I design my syllabi, caught in the familiar conundrum as to what to teach, what to cut, and why. In my case, it seems simple: The Victorian period is …