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Full-Text Articles in Creative Writing
Intensa: Writings In English And Spanish From A Feminist Immigrant, Nubia Sarahi Reyna Melendez
Intensa: Writings In English And Spanish From A Feminist Immigrant, Nubia Sarahi Reyna Melendez
Theses and Dissertations
INTENSA: WRITINGS IN ENGLISH AND SPANISH FROM A MEXICAN FEMINIST is a bilingual work written in hybrid literature. The writings, in both English and Spanish, are free prose poetry and tell the story of its narrator through a feminist and immigrant point of view coming from a overwhelmingly majority catholic country, religion that does not view men and women as equals. The thesis details the narrator's life through a feminist point of view as well as her relationship with her mother, her personal relationships, what it means to be an immigrant and what it is like for her, and many …
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
Theses and Dissertations
The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …
Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv
Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv
Theses and Dissertations
In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …