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Articles 1 - 6 of 6
Full-Text Articles in Creative Writing
I, Discomfort Woman: A Fugue In F Minor, Seo-Young J. Chu
I, Discomfort Woman: A Fugue In F Minor, Seo-Young J. Chu
Publications and Research
No abstract provided.
Translator Of Soliloquies: Fugues In The Key Of Dissociation, Seo-Young J. Chu
Translator Of Soliloquies: Fugues In The Key Of Dissociation, Seo-Young J. Chu
Publications and Research
- Chu, Seo-Young. “Translator of Soliloquies: Fugues in the Key of Dissociation” (chapbook). Black Warrior Review 46.2, Spring 2020.
"Free Indirect Suicide: An Unfinished Fugue In H Minor", Seo-Young J. Chu
"Free Indirect Suicide: An Unfinished Fugue In H Minor", Seo-Young J. Chu
Publications and Research
In this lyric essay/work of creative nonfiction (listed among “Notable Essays & Literary Nonfiction” in Best American Essays 2020), Seo-Young Chu uses poetry, autotheory, and creative nonfiction to explore the generational trauma/postmemory han she inherited from her parents and the importance of destigmatizing mental illness through dialogue.
A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu
A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu
Publications and Research
"A Refuge for Jae-in Doe: Fugues in the Key of English Major"
- Author(s):
- Seo-Young Chu (see profile)
- Date:
- 2017
- Subject(s):
- Feminism, Creative nonfiction, Asian American literature, Sonnets, Social justice, Trauma
- Item Type:
- Essay
- Tag(s):
- #MeToo, Stanford, women in academia, early american
- Permanent URL:
- http://dx.doi.org/10.17613/cp82-8f39
As Close As You'll Ever Be, Seamus O'Scanlain
As Close As You'll Ever Be, Seamus O'Scanlain
Publications and Research
Short story collection featuring Victor McGowan - set in Galway, Belfast, Boston and New York. Irish crime fiction noir collection.
Science-Fictional North Korea: A Defective History, Seo-Young J. Chu
Science-Fictional North Korea: A Defective History, Seo-Young J. Chu
Publications and Research
- Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …