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Full-Text Articles in Arts and Humanities
What Qualities Do Parents Value In Their Children ? : A Revision Of Earlier Findings, Caitlin Lantagne
What Qualities Do Parents Value In Their Children ? : A Revision Of Earlier Findings, Caitlin Lantagne
Honors Projects
Using General Social Survey data, examines the qualities that parents have valued in their children since 1986. Offers evidence that, in contrast to trends reported prior to this date, autonomy was no longer increasingly valued by parents during the period from 1986 to 2006 and that the trend away from valuing obedience had also slowed dramatically.
"You're Tearing Me Apart"! Investigating Ideology In The Image Of Teens In The 1950s, Danielle Bouchard
"You're Tearing Me Apart"! Investigating Ideology In The Image Of Teens In The 1950s, Danielle Bouchard
Honors Projects
Using cultural studies as a critical paradigm and ideological analysis as methodology, argues that gender, sexuality, and the nuclear family are core issues treated in two films and one television program from the 1950s featuring American teenagers. Focuses on the classic juvenile delinquent film, Rebel without a Cause, the quintessential clean teen film, Gidget, and the television series, Leave It to Beaver.
'Many Feign As They Are Dead": The Counterfeit Death In Romeo And Juliet And Much Ado About Nothing, Julie Bowman
'Many Feign As They Are Dead": The Counterfeit Death In Romeo And Juliet And Much Ado About Nothing, Julie Bowman
Master's Theses, Dissertations, Graduate Research and Major Papers Overview
Examines the function of the trope of the couterfeit death for two Shakespearean heroines, Juliet in Romeo and Juliet and Hero in Much Ado about Nothing. Using the plays, antecedents, analogues, and cultural materials, argues that the feigned death functions as a strategy for coping with the limitations and strictures of the heroines' cultural environment; it helps them achieve their particular goals, in both cases a desired marriage. Thus, the heroines become active players in the plots, exercising a measure of agency by counterfeiting death, rather than passive victims of the patriarchal culture.