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Articles 1 - 30 of 44
Full-Text Articles in Arts and Humanities
Dear America (American Dream), Luisa Igloria
Dear America (American Dream), Luisa Igloria
English Faculty Publications
No abstract provided.
I Planted The Sun In The Middle Of The Sky Like A Flag: In And Of Etel Adnan’S Arab Apocalypse, Hilary Plum
I Planted The Sun In The Middle Of The Sky Like A Flag: In And Of Etel Adnan’S Arab Apocalypse, Hilary Plum
English Faculty Publications
No abstract provided.
'It's You Who Are. What? / A Hummingbird.' And 'No Longer Was He Young And Raw Though The Error Remained Young And Raw', Mark Anthony Cayanan
'It's You Who Are. What? / A Hummingbird.' And 'No Longer Was He Young And Raw Though The Error Remained Young And Raw', Mark Anthony Cayanan
English Faculty Publications
The two poems belong to a lyric sequence that loosely tracks the emotive trajectory of Thomas Mann's Death in Venice.
As Aschenbach ('Who Setting Out To Voyage Must Have Imagined Which Shores To Avoid'), Mark Anthony Cayanan
As Aschenbach ('Who Setting Out To Voyage Must Have Imagined Which Shores To Avoid'), Mark Anthony Cayanan
English Faculty Publications
The poem is part of a manuscript I am currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum
Poems From 'I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ('My Favorite Saint Tells Me I Complain Too Often About My Soul's Shortcomings' And 'We Own None Of It'), Mark Anthony Cayanan
Poems From 'I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ('My Favorite Saint Tells Me I Complain Too Often About My Soul's Shortcomings' And 'We Own None Of It'), Mark Anthony Cayanan
English Faculty Publications
The poems are part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. The poems contain passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Poem From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Rescue Me After The Gangrenous Limb's Been Cut Off"), Mark Anthony Cayanan
Poem From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Rescue Me After The Gangrenous Limb's Been Cut Off"), Mark Anthony Cayanan
English Faculty Publications
The poem is part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. The poem contains passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Motus Animi Continuus, Mark Anthony Cayanan
Motus Animi Continuus, Mark Anthony Cayanan
English Faculty Publications
The poem part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum.
Outside A Binary System, The Brighter Object Is A Dream, Luisa A. Igloria
Outside A Binary System, The Brighter Object Is A Dream, Luisa A. Igloria
English Faculty Publications
No abstract provided.
Poems From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Canvasbacks Will Swim In The Polluted River," "Meanwhile, Real Life," And "The River Is A Stadium"), Mark Anthony Cayanan
Poems From I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ("Canvasbacks Will Swim In The Polluted River," "Meanwhile, Real Life," And "The River Is A Stadium"), Mark Anthony Cayanan
English Faculty Publications
The three poems are part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. All the poems contain passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.
Six Poems From I Look At My Body And See The Source Of My Shame: ("We've Arranged Our Lives," "My Soul, Steeped In My Pride," "The World Is A Funny House," "My Joy From You Lives Free," "Our Hunger Like A Cockroach," And "Nothing Is Ever Clean In Me"), Mark Anthony Cayanan
English Faculty Publications
Six Poems from I Look at My Body and See the Source of My Shame: ("We've arranged our lives," "My soul, steeped in my pride," "The world is a funny house," "My joy from you lives free," "Our hunger like a cockroach," and "Nothing is ever clean in me")
Poems From "Sentence", Mark Anthony Cayanan
Poems From "Sentence", Mark Anthony Cayanan
English Faculty Publications
The three poems are from a sonnet sequence titled "Sentence."
Foreword To Visual Imagery, Metadata, And Multimodal Literacies Across The Curriculum, Jonas Zdanys
Foreword To Visual Imagery, Metadata, And Multimodal Literacies Across The Curriculum, Jonas Zdanys
English Faculty Publications
As one of those educated to consider the primacy of the word – written and spoken – as the vehicle for creating and transferring knowledge, I am often surprised by the evidence around me that we live in a world inwhich technological devices of variousshapes and sizes have blunted the reliance on the layerings of words to define and engage in favor of various shortcuts to knowledge. Complexity of expression in the textures of language has given way, because of those devices and their applications, to abbreviations, neologisms, emojis, deliberate misspellings, instagrams, tweets, and other avenues of expression that focus …
Prototyping Mina Loy's Alphabet, Margaret Konkol
Prototyping Mina Loy's Alphabet, Margaret Konkol
English Faculty Publications
An important branch of digital humanities involves prototyping the past. This entails approaching material forms of knowledge as sites within which epistemological and ontological problems may be evaluated as physical embodied practices. This essay discusses the interpretive and methodological implications of using 3D printing technologies to prototype the archival diagrams of a proposed but never constructed plastic segmental alphabet letter kit – a game designed by Mina Loy for F.A.O. Schwarz. Although it is intended as a toy for young children, “The Alphabet that Builds Itself,” is also a work of object typography which articulates a theory of language as …
Of Sonnets And Archives: Robert Graves, Laura Riding, And The Erasure Of Modern Poetry, Margaret Konkol
Of Sonnets And Archives: Robert Graves, Laura Riding, And The Erasure Of Modern Poetry, Margaret Konkol
English Faculty Publications
In the nearly eighty years since Laura Riding and Robert Graves ceased their collaborative endeavors there has been much speculation as to the nature and extent of their literary partnership. Graves retold the past to his biographers, constructing Laura Riding as a queen yogi figure wielding an almost sinister influence. In response to these accusations Riding returned fire with volley after volley of “corrective” letters which she sent to Graves’s biographers as well as any magazine or student that she found to be sympathizing with Grave’s account of the creative partnership. At the time of her death in 1991, Riding …
Review Of Rethinking The South English Legendaries, Gregory M. Sadlek
Review Of Rethinking The South English Legendaries, Gregory M. Sadlek
English Faculty Publications
No abstract provided.
Beyond Sacrifice: Milton And The Atonement, Gregory Chaplin
Beyond Sacrifice: Milton And The Atonement, Gregory Chaplin
English Faculty Publications
In Paradise Lost, Milton imagines a cosmos at odds with orthodox theology, making a heretical departure that parallels his reluctance to dwell on the Crucifixion and his Arian Christology. Belief in a plurality of worlds threatens the integrity of the Trinity: it exalts the omnipotence of the creator, while it limits the significance of the redeemer. In effect, it produces a tension best resolved by Milton’s position that the Father and the Son are two distinct beings—the former uncreated, infinite, and immutable and the latter created, finite, and changeable. This distinction enables Milton to fashion a theory of salvation …
Maybe So, Charles Hartman
Maybe So, Charles Hartman
English Faculty Publications
The article presents the poem "Maybe So," by Charles O. Hartman. First Line: We have a little time here; Last Line: every fear we came to love with, and the love.
Yo Yu, And Christopher Reeve's Filipino Nurse (Two Poems), Luisa A. Igloria
Yo Yu, And Christopher Reeve's Filipino Nurse (Two Poems), Luisa A. Igloria
English Faculty Publications
No abstract provided.
'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance
'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance
English Faculty Publications
Olive Senior informs us in 'The Poem as Gardening, the Story as Su-Su: Finding a Literary Voice' that Jamaican elders believe the ground is the place where ancestral wisdom is located and they will explain and validate their warning or advice by saying, 'Grung tell me wud' (36). Jamaican linguist/literary critic/poet/and novelist Velma Pollard has put her ear to the ground of Jamaica and shared many important words of ancestral wisdom with us. This was a natural development for the talented girlchild born into an artistic family in Woodside, Jamaica, a rural community rich in folk traditions: her father was …
The Strange, Charles Hartman
The Strange, Charles Hartman
English Faculty Publications
Presents the poem "The Strange," by Charles O. Hartman. First Line: fungus raised by the night's rain; Last Line: thread cubic miles of humus.
Petting Zoo, Charles Hartman
Petting Zoo, Charles Hartman
English Faculty Publications
Presents the poem "Petting Zoo," by Charles O. Hartman. First Line: Spring: the edges and middles; Last Line: think of it, mammals with wheels.
A Conversation With Velma Pollard, Daryl Cumber Dance
A Conversation With Velma Pollard, Daryl Cumber Dance
English Faculty Publications
Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.
Excerpts From "Morning, Noon, And Night", Charles Hartman
Excerpts From "Morning, Noon, And Night", Charles Hartman
English Faculty Publications
Presents the poems "Syzygy," "Offering," and "Giving," excerpts from "Morning Noon and Night," by Charles O. Hartman.
Smoke, Rénee Olander
What Does That Mean?, Carolyn Rhodes
What Does That Mean?, Carolyn Rhodes
English Faculty Publications
No abstract provided.
Decision, Edith White
Grandma, Matilda Cox
Songs Of A Turning Body, Luisa A. Igloria
Songs Of A Turning Body, Luisa A. Igloria
English Faculty Publications
No abstract provided.
Cover Girl Run For Cover, Rénee Olander
Cover Girl Run For Cover, Rénee Olander
English Faculty Publications
No abstract provided.
Pai Dos Burros, Luisa A. Igloria