Arts and Humanities Commons^™

Dust, Mist, Haze, Michael C. Tracy

Theses and Dissertations

This paper explores painting through the ideas of dust, mist, and haze as specific atmospheric metaphors that could be used to describe ontologies of space, time, memory, and history.

Off The Press: Exploring Reproducible War Art, Emily Rose Hankins

Theses and Dissertations

Aspects of modernity, such as the news cycle and ever-changing technologies, have played large roles in the construction of the history of wars through the power of reproducible war art imagery as seen in various public spheres and contexts. These include engravings and photographs of the war in news publications, propaganda posters promoting patriotism, protest posters pleading for peace, and prints and books made by artists for display in galleries. The inundation of these images become ubiquitous with the conflict, and the artists who have a hand in creating these images also have the power to construct and reconstruct histories, …

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.

American Beauty: Nineteenth-Century Landscapes, Katherine Gelshenen Rafferty

Theses and Dissertations

Using Thomas Cole’s 1836 “Essay on American Scenery” as a touchstone, “American Beauty” argues that Cole’s influence on American landscape painting goes well past the second generation of Hudson River artists, to include painters such as George Inness, Alexander Wyant, Edmund Darch Lewis and other late nineteenth-century artists. These artists had different life experiences, different technique and for the most part a different spiritual outlook. Yet the fundamental message of Cole’s essay—that citizens and artists should value American scenery for its pristine wildness—carries through to the end of the century and is evident in their art. Cole’s “Essay” is visionary …

Reflections On A Collection: Revisiting The Uwm Icons Fifty Years Later, Laura Jean Louise Sims

Theses and Dissertations

The University of Wisconsin–Milwaukee Art Collection is home to a sizable donation of Byzantine and post-medieval icons and liturgical objects. Central to this thesis exhibition catalogue are the thirty-two Greek and Russian icons from this collection and their history with collector Charles Bolles Bolles-Rogers. Reflections on a Collection: Revisiting the UWM Icons Collection Fifty Years Later contextualizes the history of icon collecting in the United States and examines the collecting history of these icons.

By first focusing on icon collecting and scholarship in Greece and Russia towards the end of the nineteenth and into the twentieth centuries, this catalogue traces …