Arts and Humanities Commons^™

Masculinity In American Movie-Musical Films, Christopher Sparks

Spring Showcase for Research and Creative Inquiry

My presentation explores the relation between American masculinity and film musicals. I demonstrate how the dominance of the musical at the box office in the middle of the 20^th century reflects historical events and technological change. Drawing on both scholarly and popular criticism, I show how the images of masculinity that Americans once encountered on the silver screen have transformed as musicals became marginal to popular culture in the United States. My research considers both classic 20^th century musicals, such as Wizard of Oz (1939) and 42^nd Street (1933), and more recent experiments with the genre, including …

Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer

CLCWeb: Comparative Literature and Culture

In her comparative study “Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon,” Reema Binghadeer considers the work of the African American poet Yusef Komunyakaa (b. 1941) and the (Arab) Iraqi poet Sinan Antoon (b. 1967) through the lens of trauma theory of some notable theorists including; Freud, Cathy Caruth, Jean Laplanche, Roger Luckhurst, and Shoshana Felman—have negotiated in this field. The article explores the literary manifestations of trauma in two distinct historical periods and geographical settings to show the specificities of each prototype and how the historical-cultural significance and textual meanings of trauma have intertwined …

Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright

Journal of Religion & Film

Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …

The Rise Of An Eco-Spiritual Imaginary: Ecology And Spirituality As Decolonial Protest In Contemporary Multi-Ethnic American Literature, Andrew Michael Spencer

English Theses and Dissertations

The Rise of an Eco-Spiritual Imaginary reveals a shared ecological aesthetic among contemporary U.S. ethnic writers whose novels communicate a decolonial spiritual reverence for the earth. This shared narrative focus challenges white settler colonial mythologies of manifest destiny and American exceptionalism to instantiate new ways of imagining community across socially constructed boundaries of time, space, nation, race, and species. The eco-spiritual imaginary—by which I mean a shared reverence for the ecological interconnection between all living beings—articulates a common biological origin and sacredness of all life that transcends racial difference while remaining grounded in local ethnicities and bioregions. The novelists representing …

The Diary Of Lucy Breckenridge, Lucy Breckenridge

Lucy Breckenridge Diary

This work, the compiled diary of Lucy Breckenridge, was researched by her great-granddaughter, Jerrelene (Hill) Williamson of Spokane, WA. She built upon the work of Lucy’s daughter, Mary Hunt, who gathered the original diary materials. This work is available by permission of the Williamson family.

Lucy Breckenridge was born slavery 1855 in Abemarle, Virginia. She married Henry James Breckinridge in 1871. The family moved to Roslyn , Washington in 1888. The family later moved to Spokane in 1899. Henry died in 1907 and Lucy began her diary about 1919.

The Personal Must Always Be Political: A History Of Survivors' Narratives In Anti-Sexual Violence Zines, Jeannine Colby Fortin

Honors Papers

This thesis constructs a history of the changing role of survivors’ narratives in anti-sexual violence zines from the 1990s to the early 2020s. I argue that zines are a window to the changing politics of the American anti-sexual violence movement. Through this lens, I find that the role of survivors’ narratives in zines has complexly changed and ultimately diminished over time. I examine how and posit why this change occurred in zines and the anti-sexual violence movement. Among other reasons, I find that both have followed the traditional arc of social movements, which chronologically involves emergence, coalescence, institutionalization, and decline. …

African American History Since Emancipation, Laurie Woodard

Open Educational Resources

This syllabus is designed for a lecture course on Post-Emancipation African American history.