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Full-Text Articles in Arts and Humanities
Faith In The Humanities, Karen Swallow Prior
Faith In The Humanities, Karen Swallow Prior
Karen Swallow Prior
No abstract provided.
“The Given Note” Traditional Music, Crisis And The Poetry Of Seamus Heaney, Seán Crosson Dr.
“The Given Note” Traditional Music, Crisis And The Poetry Of Seamus Heaney, Seán Crosson Dr.
Seán Crosson
This paper proposes that at a time when Northern Ireland increasingly descended into civil strife and crisis, Seamus Heaney looked to landscape, and to a lesser but comparable, extent traditional music, to articulate a distinctive voice, beyond the claims of tradition and community, ‘to use the first person singular’ as he has remarked, ‘to mean me and my lifetime’. Indeed, Heaney has faced a crisis of identity that has preoccupied Irish poets since at least the time of Yeats, a crisis brought on by the discontinuity in the Irish literary tradition, by an unresolved postcolonial condition and a struggle between …
Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.
Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.
Seán Crosson
This article examines the depiction of intolerance in Irish film just before and during the Celtic Tiger period itself, usually associated with the years 1995–2007. In particular, the paper is concerned with exploring how Irish filmmakers sought to identify the roots of contemporary racism through an exploration of intolerance in Ireland’s past and towards long-resident minorities within Irish society, including the Traveller community and homosexuals. Films considered in this analysis include Korea (Cathal Black, 1995), A Man of No Importance (Suri Krishnama, 1995), Broken Harvest (Maurice O’Callaghan, 1995), The Last of the High Kings (David Keating, 1996), The Last Bus …
"The ‘Sea Of Orality": An Introduction To Orality And Modern Irish Culture’, Seán Crosson Dr., Nessa Cronin, John Eastlake
"The ‘Sea Of Orality": An Introduction To Orality And Modern Irish Culture’, Seán Crosson Dr., Nessa Cronin, John Eastlake
Seán Crosson
[Introduction to the collection Anáil an Bhéil Bheo: Orality and Modern Irish Culture (Cambridge Scholars Publishing, 2009)] While the connections between oral and textual traditions in Ireland have been the focus of much scholarly work in the past, less consideration has been paid to the theoretical concept of “orality” and the corresponding significance of oral texts in modern Irish culture and society. The present collection of essays seeks to explore the relationships between such interrelated islands, and to highlight the connections between orality and textuality that, at different times and for different reasons, have not been recognised, foregrounded or integrated …
Gaelic Games And “The Movies”, Seán Crosson Dr.
Gaelic Games And “The Movies”, Seán Crosson Dr.
Seán Crosson
From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were exhibited in both actualities and newsreel, even if many of these, particularly between the wars, would emerge from foreign companies, often with a strong British bias. However, it is difficult to definitively identify a distinct genre of Irish sports film per se – outside of documentary - and indeed few Irish fiction films that feature sport at all, and still less that feature gaelic games. However, …