Arts and Humanities Commons^™

Rockin’ Rover On The Rainbow Road, Michael Kolta, Lawrence Burgee, Ying Yuan

Transformations

This paper presents a progressive series of age-appropriate lesson plans for grades K-12 that all use the same interdisciplinary activity to educate students about Science, Technology, Engineering, Art, and Mathematics (STEAM) simultaneously. Technology from Texas Instruments (TI) was employed including a TI Nspire graphing calculator that can run Python programs, a TI Innovator Hub, and a TI Rover. The TI Rover is a small, robotic car that has sensors and is controlled by the calculator via the Hub hardware interface. A Python program was developed that uses the color sensor in the Rover to detect the color on colored paper …

Weight Of The World, Makenna Durfee

AWE (A Woman’s Experience)

No abstract provided.

The Miscarriage, Madi Mykal

AWE (A Woman’s Experience)

No abstract provided.

Midnight Stroll, Emma Wilson

AWE (A Woman’s Experience)

No abstract provided.

Abused And Confused, Marilyn Quach

AWE (A Woman’s Experience)

No abstract provided.

Belly Blessins’, Drew Rigby

AWE (A Woman’s Experience)

No abstract provided.

To Have A Sister, Crystal Gonzalez Callison

AWE (A Woman’s Experience)

No abstract provided.

The First Thirteen Years, Crystal Gonzalez Callison

AWE (A Woman’s Experience)

No abstract provided.

The Dynamics Of Vincent Van Gogh, Monica Morales Hernandez

Journal of Humanistic Mathematics

This article explores the interplay between Vincent van Gogh’s distinctive artistic style and principles of fluid dynamics, particularly through metaphorical comparisons. Van Gogh’s swirling, turbulent brushstrokes in works such as The Starry Night and Wheatfield with Crows evoke the chaotic and dynamic behaviors found in fluid motion, like vortices and turbulence. Although there is no documented scientific influence from fluid dynamics on van Gogh’s art, the parallels between his emotive, flowing techniques and the mathematical principles governing fluid behavior offer a unique lens to appreciate both his artistic innovation and the science of fluid dynamics.

Art In Laparoscopy: A Fun Way Of Training In Minimally Invasive Surgery, Michael Dennis I. Dela Paz

DLSU Arts Congress Conference Proceedings

Paramount to the safety and efficiency of any surgical procedures warrants the enhancement of skills of the surgeon whether in training or practice. In minimally invasive surgery, one should inherently have excellent depth perception, consistent hand-eye coordination, and skillful use of the dominant and non-dominant hands to be able to perform operations with precision, efficiency, and safety. For most surgeons, sustaining or even improving these laparoscopic surgical skills through traditional drills would sometimes reach a point that it seems to be monotonous, and repetitive. Breaking away from the traditional skills will make the training and honing of minimally invasive surgical …

Chalcolithic Burial Sites At Ma‘Abarot And Tel Ifshar (Pp. 45–63), Yosef Porath

'Atiqot

The two burial sites are located in the Sharon plain, south and north of Naḥal Alexander. The kidney-shaped cave at Ma‘abarot was hewn in the kurkar sandstone. All the burials in the cave were secondary. Of the 63 burials identified, 42 were placed in three types of ceramic vessels—house-shaped ossuaries, chest-shaped ossuaries and large domestic kraters—and 21, in ‘bone heaps’. The finds consisted of pottery vessels typical of the Chalcolithic period, e.g., V-shaped bowls and fenestrated bowls and bottles, and a flake from a flint digging tool. At Tel Ifshar, two burial places were discovered, both damaged by infrastructure work. …

A Chalcolithic Burial Cave At Eṭ-Ṭaiyiba (Pp. 1–44), Eli Yannai, Yosef Porath

'Atiqot

The cave, hewn in soft limestone, is of an irregular oval shape, with high margins that served as benches. A minimum of 38 ossuaries were found in the cave, some open and box-shaped, others closed and house-shaped; ossuary jars and kraters were also found. The ossuaries were decorated with plastic ornamentation, depicting pegs, noses, eyes and rope decoration, as well as painted ornamentation in various patterns, e.g., triangles, lines and arches. Funerary goods included only pottery vessels characteristic of the Chalcolithic period: V-shaped bowls, cornets, amphoriskoi, fenestrated pedestal bowls and cylindrical stands. It seems that the people buried in the …

Art From My Culture Alternative Project: Zine, Yan Yang

Open Educational Resources

An assignment where students created Zines to teach the class about an object of significance from their culture.

Art History Zine, Estelle Artus

Open Educational Resources

Open Assignment

The Things That Keep Me Up At Night, Kaitlyn Grace Wilson

Masters Theses

This creative nonfiction manuscript is a collection of reflective personal essays centered on ordinary experiences, curiosities, anxieties, and observations that gradually expand into larger questions about identity, memory, adulthood, faith, and human behavior. Rather than relying on dramatic plot or chronological structure, the essays move associatively through thought, humor, research, and reflection. Subjects throughout the manuscript range from fireworks, sourdough starter, dreams, and Facebook Marketplace to art history, floating the Chattahoochee River, weddings, music performances, and irrational fears. Through these seemingly small topics, the manuscript explores the emotional weight and philosophical questions hidden within everyday life.

Much of the project …

Mediating More-Than-Human Care: Art, Design And Climate Governance, Liesbeth Huybrechts, Jaz Hee-Jeong Choi, Rachel Elisabeth Clarke, Louise Mazet, Kana Ohashi

DRS Biennial Conference Series

Art is increasingly mobilised in climate governance and policy, yet often instrumentalised for predefined human agendas of data visualisation, awareness raising, and science communication. This paper explores design research’s role as a mediator of more radical art-driven participation that cultivates more-than-human care ecologies: relational configurations that redistribute sensing, accountability, and decision-making across human and other-than-human actors. Drawing on theories of care and affective politics, we examine how design research can support art-driven participation through a critical literature review. Three illustrative case studies addressing sustainable transitions on an interregional level, urban air pollution, and disaster recovery demonstrate a move from anthropocentric …

Queer/Cuir Methodological Approaches In Activist Design And Art Research In Contemporary Brazil., Guilherme Altmayer

DRS Biennial Conference Series

This article explores the methodological approaches developed within the Tropicuir research project, an investigation of activist queer art and design practices in Brazil, started in the 2010s. Through a combination of activist research, sentimental cartography, and collaborative curatorial practice, the study examines how aesthetic-political actions function as strategies of micropolitical resistance, collective memory, and worldmaking. Drawing from fieldwork in exhibitions curation, archival practices, art auctions and activist networks, the research articulates a methodological framework that blurs the boundaries between design and art, embracing embodied, affective, and relational modes of inquiry. By engaging concepts such as anthropophagy, micropolitics, and localized knowledge, …

Cut And Cultivate: Process And Practice, Kailey Atkinson

Master of Fine Arts in Visual Arts

Using a candy-coated, flower-ridden, bright palette and maximalist sense of composition, my artwork builds community through narrative collage, photography, painting, sculpture, poetry, and social practice. Through a feminist lens, these bright works explore body image, gender roles, and social issues. Obsessively collecting and repurposing an archive of vintage imagery, my work draws parallels between traditional and contemporary topics through the language of collage and redaction.  My nascent social practice has led me to engage with narratives outside my own experience and offer my process as a healing modality to other women.

In a tumultuous political climate where art can serve …

Arts On The Point: Boston's First Public Sculpture Park, Isabella Slonka

Honors College Theses

Led by the conviction that “a public campus needs public art,” Professor Paul Tucker founded UMass Boston’s Arts on the Point (AoP) sculpture park in 1997. Large-scale works by world-class contemporary artists including Sol LeWitt, Dennis Oppenheim, Luis Jiménez, Sheila Pepe, and Mark di Suvero were made accessible to students, served as teaching aids and attracted those outside of UMB to Columbia Point. AoP’s use of long term loans made the landscape itself a rotating gallery.

Consideration of the “personality” of the campus was essential in the selection of works. Site visits with artists were conducted to ensure that their …

Ever-Present: Exposing The Complex Emotions We Try To Hide, Madison Porter

Honors Projects

Through large brushstrokes and bold colors, my paintings are a culmination of who I am and how I see myself in the world. To explore my sense of self, I learned to process my insecurities through intentional compositional choices and experimental color palettes. This series is as authentic as I can be, depicting raw, emotional figurative work, following in the footsteps of my modern artist predecessors.

Collecting Meaning: A Study On Collecting As An Artmaking Practice, Johanna Young

Masters Theses

This thesis explores how we practice creativity and construct narratives through the act of building collections. It examines collecting as both an innate creative impulse and a learned process. Using arts-based research and narrative inquiry, the study considers how our collecting habits reflect the ways we process information and express personal artistic interests. Drawing from personal experiences, this thesis mines the idea of the subconscious through the artistic lens of collecting.

Useful Useless Object, Jisu Han Jung

Masters Theses

If spicy ramyun is spicy for others but not for me, is it still spicy

ramyun? This question begins Useful Useless Object, my investigation

into furniture as a site where function, perception, and value are

constantly negotiated rather than fixed. From this question, I

explore how meaning is shaped by the unstable relationship between

object and user. In furniture, usefulness is often treated as an

objective standard, measured by comfort, efficiency, or practicality.

However, this project argues that usefulness is never universal;

it is subjective, relational, and dependent on individual experience,

expectation, and desire.

Through making objects that sit between …

In The Wake Of Sound: On Field Recording, Materiality, And Reparative Listening, Ivy Fu

Dartmouth College Master’s Theses

This thesis develops a practice of field recording, spatial audio composition, and soft-circuit installation grounded in what I call reparative listening: a slow, materially attentive form of attention oriented toward what dominant recording apparatuses suppress, discard, or fail to register. Across five major projects—Fable Upon Ununified Grounds (2023), Cocoon (2024), Tether (2025), Hide & Seek (2026), and Frequency Commons (2026)—I treat sound not as an extractable output but as a relational event shaped by site, body, material, and signal loss. The work draws together Jane Bennett's vibrant materialism, Eve Kosofsky Sedgwick's theory of definitional crisis and the open secret, Zhuangzi's …

[De/Re]Construct: On The Communion Of Nature And The Divine, Rhiannon E. Kuns

Honors Projects

Closely intertwined with my personal journey of faith and spirituality, [De/Re]construct has been a place to consider questions that repeat over and over. Each time I ask, I get a different answer. These questions are not new, but the idea that I can change my answer is. This project has been the place to map my thoughts, feelings, and beliefs using the familiar. The trees, the colors and the places are known to me; so is my creative process, the planning, sketching, and painting. I am using the regular to grapple with the unanswerable.

[De/Re]construct has evolved drastically since I …

Synecdoche: Archiving Violence In Schools, Jillian Whitney

Art Theses and Dissertations

K-12 Educators often find themselves thrust into a swamp of politics they never asked to enter. It is in this swamp that educators strive to meet students’ social, emotional, and educational needs. However, issues such as school shootings, racism, and gender inequality all make it difficult for schools to be what they should be: an equalizing, safe place where children can learn. These problems weaken the school system and harm public interest while leading to teacher burnout.

Synecdoche: Archiving Violence in Schools is a body of paintings and experimental artist books that responds to the everyday experiences of the educators …

What Is Mine, Yours And Ours: Bodily Metaphor And Neuropsychology, Alicia K.E Parham

Art Theses and Dissertations

Mapping the landscape of the brain has taken human lifetimes to navigate, both structurally to understand how our biological functions interact and functionally as our thoughts and emotions shape our existence. Neurological stimulus and response inform our reality, shape our thinking, and affect our bodies in profound physiological ways. Our nervous system acts as a bridge from what we experience physically to what we feel emotionally, through the sending of electrical signals to all parts of our body.

My art practice explores the interactions of neuroscience with outside stimuli. It is rooted in the personal: learning that a neurological condition …

Quiero Ver Dónde Dejé Mi Ombligo (I Want To See Where I Left My Belly Button), Karina Ramirez

Art Theses and Dissertations

My MFA thesis investigates the emotional and material bonds between the places I have visited and those I call home through painting. Family histories, cultural inheritances, and personal memories connect me to each location, transforming landscapes into repositories of lived experiences. Through careful observation and the gathering of materials influenced by local architecture, landscapes, and changing atmospheres, my work aims to understand how places are felt, remembered, and carried through time.

My work centers around places I have lived and visited, including Los Angeles, California, USA; Dallas, Texas, USA; and San Juan del Río Durango, Mexico. Throughout my life, I …

A Methodological Dismantling: Manet’S Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

Maa': An Analysis From The May Weber Ethnographic Study Collection, Claire T. Chilla

Department of Anthropology

Research of a maa’ textile within the May Weber Ethnographic Study Collection (MWESC) from Central Sulawesi, Indonesia. Report discusses different knowledge systems including technical and physical as well as cosmological and spiritual from the Toraja people. Also analyses affects of colonialism, trade, spirituality, tourism, and funerary practices.

The Mind Behind The Art: A Process Of Creative Intention, Dana Chorley

Student Projects

My capstone captures the different processes behind creative visual development through the creation of conceptual art and character design. The layout of this kind of work begins with a cognitive construction of an idea, usually a narrative to be told that must be done so through visual means, as understanding an idea of the bigger picture of a project helps enlighten pathways of how to approach the beginning creation phases. Next comes the research process, from searching up history that might pertain to their project or simply finding guidelines or references to help structure the design. My process here took …