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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
An Evaluation Of Sustainability In Consumption: The Behaviors Behind Purchase, Care, And Disposal Of Apparel, Ana La Rosa
An Evaluation Of Sustainability In Consumption: The Behaviors Behind Purchase, Care, And Disposal Of Apparel, Ana La Rosa
Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research
Fashion trend cycles have become increasingly fast-paced and unsustainable due to competition and consumer demand in the apparel sector. Despite having sustainable apparel choices available, consumers seem reluctant to adopt sustainable changes in their consumption habits due in part to the market allure of rapid turnover of goods, better known as ‘Fast Fashion’. Paired with aggressive marketing campaigns that encourage increased consumption beyond need, the apparel industry keeps expanding at alarming rates around the world. Although it has been identified that consumers increasingly care about the unethical behaviors in the industry that negatively impact the environment, this feeling does not …
Buying A Better World: Students As Conscious Consumers, Sean Murray
Buying A Better World: Students As Conscious Consumers, Sean Murray
Journal of Vincentian Social Action
Conscious consumer movements have given people opportunities to “vote with their dollars” – that is, buy from companies with values matching their own, and forgo products from businesses with questionable policies and practices. After providing brief context about consumerism and conscious consumption, I focus on a Conscious Consumer Project that I teach in my First Year Writing courses at St. John’s University. Excerpts of student writing emphasizing labor issues, as well as student reflections on the project, are shared as I discuss possibilities for revising and improving the assignment. The possibilities discussed include increasing opportunities for students to do academic …
Nuclear Families For The Nuclear Age: Disney's Part In Creating Gender Roles In The 1950s, Carlee T. Litt
Nuclear Families For The Nuclear Age: Disney's Part In Creating Gender Roles In The 1950s, Carlee T. Litt
History
The 1950s was a revolutionary period for American youth culture. The Walt Disney Company played an important role in forming and conveying a new image and set of ideals associated with childhood. My paper examines the Disney Company’s messages about growing up, in particular, the gendered expectations surrounding love that revolutionized the way Americans viewed family life. For both ideological and business reasons, Disney promoted an idealized concept of the nuclear family to children. My paper pays close attention to the conversation occurring between Disney and the American public by analyzing both 1950s Disney storylines, disseminated in multiple mediums such …
Useful Beauty: Tiffany Favrile, Carnival Glass, And Consumerism At The Turn Of The Twentieth Century, Chelsea Grayburn
Useful Beauty: Tiffany Favrile, Carnival Glass, And Consumerism At The Turn Of The Twentieth Century, Chelsea Grayburn
Theses and Dissertations
Commercial markets within the United States were changing rapidly in the nineteenth century as improved transportation and efficient methods of mass production made goods available to a wider portion of the population than ever before. The glass market was one of many that changed drastically from the opening of the nineteenth century and on into the early twentieth century. Iridescent art glass, whether cheap pressed glass or expensive blown glass, provides a small window into how advertising and purchasing habits changed and why. The burgeoning middle class was looking for new ways to proclaim respectability and enhance their living space. …
Consumer Capitalist Christmas: How Participation In Christmas Frames Us As Religious Subjects, Shelby Burroughs
Consumer Capitalist Christmas: How Participation In Christmas Frames Us As Religious Subjects, Shelby Burroughs
Religion: Student Scholarship & Creative Works
Christmas seems to start earlier and earlier every year. It starts with the music that plays on the radio, then retail stores begin to drape their shelves with red and green streamers, followed by Christmas movies running on every other channel. Every December, Christmas feels almost inescapable. The holiday manages to find its way into every facet of public life in the United States. Christians and non-Christians alike find themselves exchanging gifts with friends and loved ones on the 25th of December every year. Christmas is able to be so pervasive because of how unassuming it is. You participate in …
It’S Garfield’S World, We Just Live In It: An Exploration Of Garfield The Cat As Icon, Money Maker, And Beast, Iris B. Engel
It’S Garfield’S World, We Just Live In It: An Exploration Of Garfield The Cat As Icon, Money Maker, And Beast, Iris B. Engel
Senior Projects Fall 2019
No newspaper comic character enjoys a larger international audience than Garfield. While newspaper comics have been infiltrating the homes of readers in the United States since the 1880s, Garfield has made more of an impact than any other. Brought into existence by Jim Davis in Muncie, Indiana in 1978, Garfield has now gone world-wide. Breaking Guinness world records for most syndicated newspaper comic strip, Garfield has made over 800 million dollars in comic sales alone, making it the largest grossing newspaper comic strip to date. Recognized globally, Garfield is an international icon. Despite these laudations, there has never been an …
"And Nothing She Needs": Victoria's Secret And The Gaze Of "Post-Feminism", Marc Ouellette
"And Nothing She Needs": Victoria's Secret And The Gaze Of "Post-Feminism", Marc Ouellette
English Faculty Publications
A study of the Victoria’s Secret catalogues, which frames the period 1996-2006, reveals that the models’ poses and postures manipulate the formulaic gaze of objectification with seemingly empowering themes. Instead of the indeterminate, averted looks that Berger (1972) and Mulvey (1989) considered in their analyses, the more recent versions of Victoria’s Secret photographs confront viewers with pouts, glares, and stares of defiance. In this essay, I contribute to current conversations regarding mixed messages that concern post-feminism and third-wave feminism (Duffy, Hancock, & Tyler, 2017; Glapka, 2017; McAllister & DeCarvalho, 2014; McRobbie, 2009). In this regard, the Victoria’s Secret catalogues constitute …