Arts and Humanities Commons^™

The Efficacy Of Comedy, Mark Anthony Castricone

USF Tampa Graduate Theses and Dissertations

The Efficacy of Comedy: Focusing on the efficacy of comedy as a genre, utilizing Aristotle, Nietzsche, and Heidegger’s philosophy. It begins with a historical analysis of the efficacy of comedy in Ancient 4th and 5th century Athens focusing on Aristotle’s conceptions of comedy. It analyses what Aristotle wrote about comedy and attempts a reconstruction of what his book on comedy from the poetics may have said. It then examines the shift to aesthetics rather than the Philosophy of Art with a focus on Kant and the Critique of Judgment. Comedy here is used as an interpretive tool in order to …

Greeks And Trojans On The Early Modern English Stage, Lisa Hopkins

Late Tudor and Stuart Drama

No story was more interesting to Shakespeare and his contemporaries than that of Troy, partly because the story of Troy was in a sense the story of England, since the Trojan prince Aeneas was supposedly the ancestor of the Tudors. This book explores the wide range of allusions to Greece and Troy in plays by Shakespeare and his contemporaries, looking not only at plays actually set in Greece or Troy but also those which draw on characters and motifs from Greek mythology and the Trojan War. Texts covered include Shakespeare’s Troilus and Cressida, Othello, Hamlet, The Winter’s …

Ch. 17 - Traditions And The End Of Music Education, William Perrine

The Road Goes Ever On: Estelle Jorgensen's Legacy in Music Education

This chapter considers the question of how music educators determine the musical ends towards which their teaching is directed. Musical traditions, both “great” and “little,” as Estelle Jorgensen describes them, are inseparable from the philosophical traditions through which music educators determine consider their pedagogical ends. This chapter presents a three-part framework to describe how music educators might approach understanding their work as a socially embodied enactment of contrasting traditions. The term tradition is first defined as a means of categorizing philosophical schools of thought from which various musical practices can be understood. The liberal philosophical tradition that grew out of …

Changes With University, Sarah Moss

The Voice

No abstract provided.

The Philosophy Of Dance, Aili W. Bresnahan

Philosophy Faculty Publications

This encyclopedia entry surveys the field of philosophy of dance both within and beyond Western philosophical aesthetics.

The Power Of Horror: Abject Art And Terrorism In Don Delillo’S Falling Man, Kelsie Donnelly

Contemporary Aesthetics (Journal Archive)

This paper argues that Don DeLillo’s 2007 novel, Falling Man, engages with abject art to disrupt the pre-existing systems of signification and dualistic rhetoric that characterized state and media responses to the terrorist attacks of September 11, 2001. The novel engages with one of the most controversial areas of 9/11 discourse: claims that the attacks were an artistic spectacle. Falling Man posits that if art is to continue to grapple with the meanings of 9/11, it must depart from familiar discourses of tragedy and triumph and embrace radical artistic responses. The novel fulfills this through its engagement with abject …

Introduction, Emmanouil Aretoulakis

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Aesthetics Of Terrorism And The Temporalities Of Representation, Robert Appelbaum

Contemporary Aesthetics (Journal Archive)

Representations of terrorism, in fiction and non-fiction, summon their readers and viewers to examine terrorism in any of at least four modes of temporality: the past, the past perfect, the continuous present, and the simple present. This essay explains those modalities and shows how they work with reference to novels, a film documentary, and contemporary American television, including the documentary Black September and the series NCIS. The modalities are ideological as well as narratological functions and are sometimes employed to occlude the historical and pragmatic dimensions of terrorist violence. Terrorism is always already aesthetic and “hyperreal,” in Jean Baudrillard’s …

Isis And Futurist Terrorism Versus Cyberpunk, Thorsten Botz-Bornstei

Contemporary Aesthetics (Journal Archive)

The origin of science fiction is twentieth-century Futurism. For the largest part of the twentieth century, science fiction maintained an optimistic attitude towards the future. At the end of the 1970s, the modern, optimistic, and futurist vision of the future, typical for avant-garde movements of the 1930s, took a negative turn and became dark, pessimistic, and cynical, in a postmodern sense; it became what would be called, in a word, ‘cyberpunk.’ In this article, I want to show that the terrorist organization generally known as ISIS (Islamic State) intends, or rather intended, to go back to futurism and modernism by …

Letters On The Aesthetic Deformation Of Man, Katya Mandoki

Contemporary Aesthetics (Journal Archive)

Friedrich Schiller wrote Letters on the Aesthetic Education of Man hoping to elevate human potential through the arts for the development of free citizens of the Republic, and also in reaction to the decline of the French Revolution into a Reign of Terror. Nowadays, with the prominent role social networks have acquired in human relations, aesthetics is an invaluable tool for capturing attention in marketing and political propaganda, no less than in recruitment and indoctrination by terrorist organizations. Adopting a pragmatics approach, we will examine Schiller’s relevance today regarding uses and abuses of aesthetics related to terrorism, focusing on the …

To See Again: Vision And Revelation In American Poetics, Emily C. Raabe

Dissertations, Theses, and Capstone Projects

With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”^[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …

The Ethics Of Perception In Transatlantic Romantic Poetry, Charles W. Rowe

Dissertations, Theses, and Capstone Projects

The Ethics of Perception in Transatlantic Romantic Poetry is a report on the ethical significance of British and American Romantic poetry composed between 1785 and 1865. This study focuses on the poems of William Cowper, William Wordsworth, Ralph Waldo Emerson, and Walt Whitman. Its central claim is that these poets composed a body of work that sought to show readers how their sustained attention to everyday perceptual experience could lead them towards a more empathic way of being.

The first chapter argues that the late-eighteenth century poet William Cowper is the initiator of the ethically-oriented poetry of perception that Wordsworth, …

Book Review: The Seduction Of Curves By Allan Mcrobie, Hans J. Rindisbacher

Journal of Humanistic Mathematics

This review emphasizes, as does the compelling and beautiful book, The Seduction of Curves by Allan McRobie, the “lines of beauty” that link art and mathematics. McRobie and his collaborator on the indispensable visuals of the volume, Helena Weightman, succeed admirably in connecting theoretically and visually the mathematical field of singularity or catastrophe theory and its graphical representations on the one hand and the seemingly intersecting lines around the volumes of the human body in the artistic representation of the nude. This book thus constitutes a creative and illuminating overlap of mathematics and art that lets the practitioners on both …

Plasticity In Animated Children’S Cartoons: The Neoliberal Transforming Bodies And Static Worlds Of Ok Ko And Gumball, Rachel E. Cox

USF Tampa Graduate Theses and Dissertations

Through the study of OK KO! Let’s Be Heroes! and The Amazing World of Gumball, I argue that children’s cartoons represent and recreate anxieties toward money’s plasticity in the plasticity of the cartoon bodies and worlds. I closely examine the ambivalence towards abstraction’s plasticity in contemporary children’s cartoons to trace the neoliberal ambivalence towards money’s plasticity. While much scholarship has grappled with what can be understood as animatic plasticity, very little of it takes on the questions raised about neoliberal culture by televised children’s cartoons. Cartoons are important to study in this respect because their form allows for unbridled plasticity. …

Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler

ABO: Interactive Journal for Women in the Arts, 1640-1830

A blend of the silly and the extravagant that puts the serious into conversation with the ridiculous, camp today is often signified by elements of eighteenth-century Europe with its elaborate hairstyles, exaggerated silhouettes, affected courtiers, and a rise in the consumption of exotic goods, candelabras, masks, and other markers of elite excess (often with a nod to the era’s demise in the form of either the French Revolution or subsequent Victorian strictures). Camp’s relation to queer modes of performance and its prioritization of style over (or in conjunction with) substance offers a queer aesthetic lens to re-evaluate the eighteenth century …

Queerness, Witchcraft, And Embodied Presence: Aesthetic Knowings Of What A Body Can Do, Megan Bigelow

Dissertations, Theses, and Capstone Projects

Taking as a point of entry the critique of representation and affirming the limitations of the cuts that language makes, this capstone project explores the imbrications and assemblages between Foucault’s concept of subjugated knowledges, witchcraft and other body-based ways of knowing and being, and the consciousness of non-human forms such as plants and through the framework of non-representational theory, process philosophies, aesthetics, queerness, and the concept of difference itself.

Since such theories themselves are living, breathing entities, this capstone project explores the ideological split that has occurred between sacred and secular beliefs, moving through different figures such as nuns and …

Who Are We?, Jale Erzen

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Course Syllabus (Sp19) Coli 214b--Literature & Society: "A.I. And Other Radical Humanisms In Cyberpunk And Science Fiction", Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

As that which we call “technology” continues to evolve as both concept and practice, we discover ever more inventive ways to answer its call, and science fiction seems to serve as a universal standpoint from which global societies manage to confront, question, and reimagine the nature of our shared humanity as a radically technical relation. While the growing social pervasiveness of artificial intelligence and the attendant encoded transformations of “the human” appear, together, to form a relatively absolute horizon of political thinking, social agency, and aesthetic experience, it seems certain that our current crisis also offers us …

Charting New Territory: The Aesthetic Value Of Artistic Visions That Emanate In The Aftermath Of Severe Trauma, Tania Love Abramson, Paul R. Abramson

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Duchamp And The Science Of Art, Miklos Legrady

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Cosmography Of Aesthetics, Yrjö Sepänmaa

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Sacred Objects: Julia Margaret Cameron, Romanticism, And The Aesthetics Of Photography, Laura Clarke

Publications and Research

No abstract provided.

Aesthetics And Imagining The Octopus’S Mind, André Krebber, Maike Riedinger, Yvette Watt

Animal Sentience

Several commentators on Mather’s target article discuss the challenges of finding adequate cognitive methods and concepts for accessing the mind and experience of octopuses. Building on Godfrey-Smith’s commentary, we propose aesthetics as a way. The arts provide means to perform what Godfrey-Smith calls an “imaginative leap” to access the experience of octopuses, especially mimesis. We are trying to do this in our current project Okto-Lab. Laboratory for Octopus Aesthetics.

Nature's Queer Negativity: Between Barad And Deleuze, Steven Swarbrick

Publications and Research

This essay offers a critique of the vitalist turn in queer and ecological theory, here represented by the work of Karen Barad. Whereas Barad advances an image of life geared towards meaningful connection with others, human and nonhuman, Deleuze advances an a-signifying ontology of self-dismissal. The point of this essay isn’t to separate their two views, but to draw out the consequences of their entanglement. Insofar as Barad’s work conceptualizes life (and art) as a vitalizing encounter, it cannot, this essay argues, account for the queer negativity at play in environmental politics, including the politics of climate change.

"The Great Pleasures Don't Come So Cheap:" Material Objects, Pragmatic Behavior And Aesthetic Commitments In Willa Cather's Fiction, Bari Taylor Bossis

Senior Projects Spring 2019

Senior Project submitted to The Division of Multidisciplinary Studies of Bard College.

The Aesthetics Of Disability, Jasmine E. Harris

All Faculty Scholarship

The foundational faith of disability law is the proposition that we can reduce disability discrimination if we can foster interactions between disabled and nondisabled people. This central faith, which is rooted in contact theory, has encouraged integration of people with and without disabilities, with the expectation that contact will reduce preju­dicial atti­tudes and shift societal norms. However, neither the scholarship nor disa­bility law sufficiently accounts for what this Article calls the “aesthetics of disability,” the proposition that our interaction with dis­ability is medi­ated by an affective process that inclines us to like, dislike, be attracted to, or be repulsed by …

Epic Stories: Sequence Fiction, Young Readers, And The Aesthetics Of World Building, Jordana Estelle Hall

Theses and Dissertations

This study theorizes the world building processes that sequence fiction engages within a framework of intratextual structuralism and cognitive aesthetic stage theory. The study begins with an interdisciplinary overview of fictional and possible worlds theory before proposing a structural adaptation of this lens that explains the developmental, aesthetic benefits of the genre for young readers. Chapter II is an application of the adapted lens to a canonical epic, the His Dark Materials sequence by Philip Pullman. I interpret the intentional structure of the story world across novels to discuss how these engage readers at different aesthetic milestones and encourage a …