Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Performance Practice (2)
- Performance practice (Music)-History-19th century (2)
- Piano-Performance (2)
- 19th century (1)
- 20th century music (1)
-
- Authenticity (Philosophy) (1)
- Beethoven Performance (1)
- Beethoven Sonatas for Keyboard (1)
- Beethoven, Ludwig van, 1770-1827 (1)
- Development of Percussion Performance (1)
- Edition (1)
- Electronic Percussion (1)
- Jean Philippe Rameau (1)
- Keyboard instrument music (1)
- Keyboard instrument music-Interpretation (Phrasing, dynamics, etc.) (1)
- Orchestra (1)
- Percussion Performance (1)
- Performance practice (Music)-History-17th century (1)
- Performance practice (Music)-History-20th century (1)
- Piano Concerto (1)
- Piano Sonatas (1)
- Piano technique (1)
- Pletnev (1)
- Rameau, Jean-Philippe, 1683-1764 (1)
- Score (1)
- Scriabin (1)
- Scriabin, Aleksandr Nikolayevich, 1872-1915 (1)
- Timpani (1)
- World Percussion (1)
Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
"The Cambridge Companion To Percussion," Edited By Russell Hartenberger, John Michael Cooper
"The Cambridge Companion To Percussion," Edited By Russell Hartenberger, John Michael Cooper
Performance Practice Review
Book Review: Hartenberger, Russell, ed. The Cambridge Companion to Percussion. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-09345-4.
John Michael Cooper discusses this 2016 work published by Cambridge University Press and edited by Russell Hartenberger.
Not Set In Stone: Mikhail Pletnev's Rewrite Of Scriabin's Piano Concerto, Anatole Leikin
Not Set In Stone: Mikhail Pletnev's Rewrite Of Scriabin's Piano Concerto, Anatole Leikin
Performance Practice Review
Not Set in Stone: Mikhail Pletnev’s Rewrite of Scriabin’s Piano Concerto
Scriabin’s Piano Concerto in F-sharp minor, Op. 20 (1897), was initially met with harsh criticisms. Then, in 1899, the critics’ and the public’s reaction suddenly changed from disparaging to admiring. Subsequently, Scriabin’s performances of the Concerto continued to consistently gather highest accolades throughout Russia, Western Europe, and the U.S.
The only credible explanation for such a remarkable metamorphosis is that Scriabin somehow modified (and improved) the piano part in his performances. No written corrections of the piano score exist, which is not at all surprising. Scriabin never revised his …
Score Review: Rameau, Jean-Philippe. "Les Indes Galantes" And "Daphnis Et Eglé.", Geoffrey Burgess
Score Review: Rameau, Jean-Philippe. "Les Indes Galantes" And "Daphnis Et Eglé.", Geoffrey Burgess
Performance Practice Review
Score review: Rameau, Jean-Philippe. Les Indes galantes: Symphonies, RCT 44 ed. Sylvie Bouissou, ed. no. BA 7568. Paris: Société Jean-Philippe Rameau; international distributor: Bärenreiter, 2017; Rameau, Jean-Philippe. Daphnis et Eglé, RCT 34, ed. Érik Kocevar, piano reduction François Saint-Yves. Paris: Société Jean-Philippe Rameau; international distributor: Bärenreiter, 2017.
Geoffrey Burgess discusses this 2017 edition of Jean-Philippe Rameau's works.
"Beethoven's Piano Sonatas: A Handbook For Performers," By Stewart Gordon, David Rowland
"Beethoven's Piano Sonatas: A Handbook For Performers," By Stewart Gordon, David Rowland
Performance Practice Review
Book review: Gordon, Stewart. Beethoven’s Piano Sonatas: a Handbook for Performers. Oxford: Oxford University Press, 2017. ISBN: 978-0-19-062917-5.
David Rowland discusses Stewart Gordon's 2017 work.