Arts and Humanities Commons^™

Cinema In The Digital Age: A Rebuttal To Lev Manovich, Barbara Cail

Philosophy

In his book The Language of New Media, Lev Manovich claims the index is an ontological condition of cinema. Manovich asserts digital cinema can never be indexical and therefore has fundamentally altered the very nature of cinema, reducing it to a form of animation. This paper offers a refutation of Manovich’s redefinition of cinema, showing that digital cinema can be indexical, but indexicality is not an ontological condition of cinema.

Organic Interfaces; Or, How Human Beings Augment Their Digital Devices, John Hunter

Faculty Journal Articles

It is a central premise of the advertising campaigns for nearly all digital communication devices that buying them augments the user: they give us a larger, better memory; make us more “creative” and “productive”; and/or empower us to access whatever information we desire from wherever we happen to be. This study is about how recent popular cinema represents the failure of these technological devices to inspire the enchantment that they once did and opens the question of what is causing this failure.

Using examples from the James Bond films, the essay analyzes the ways in which human users are frequently …

A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This essay is an overview of the thematic and stylistic tendencies in Peruvian cinema starting with the work of Armando Robles Godoy. It also focuses on the effect of the Law 19327 of 1973 , which was responsible for the formation of a group of influential filmmakers led by Francisco Lombardi. At the beginning of the 21st century, female directors like Claudia Llosa and Rosario Garcia Montero achieved recognition for their cinematic visions of a traumatic Peruvian past. The Vega brothers and Gianfranco Quatrinni also contribute with their styles to an existential sntdy of the Peruvian identity. From the provinces …

‘There’S A Lot More To Ogres Than People Think’: Shrek As Ethical Fairy Tale, Eugene O'Brien

Journal of Franco-Irish Studies

No abstract provided.

On The Origins Of The Robert Beck Memorial Cinema, Brian L. Frye

Law Faculty Scholarly Articles

In this article, the Author explains the origins of The Robert Beck Memorial Cinema (RBMC), a microcinema located in New York City. The idea was to show movies that no one else could or would.

Going To The Movies The Origins Of The American Cultural Experience, Phoebe Cooper

Honors Theses

My thesis examines the cultural formation of the social experience of “going to the movies.” There is no doubt of a unique quality associated with going to the movies that holds a significant place in America’s cultural history. It is quite difficult to imagine life without movies. Their visually stimulating effects successfully captivate our minds and allow for a short period of solace from reality. Furthermore, there is something magical at work in the social tradition of going to the movies where the idea of sitting in a dark auditorium filled with strangers all sharing the same viewing experience. This …

Satanic But Not Satan: Signs Of The Devilish In Contemporary Cinema, Adam L. Porter

Journal of Religion & Film

Scholars have paid much attention to identifying and analyzing Jesus and Christ-type characters in film. The parallel cases for Satan and satanic characters have been less studied. Some attention has been paid to examining Satan/Lucifer/the Devil as a character (akin to movies about Jesus), but I could find no systematic typology of satanic traits, that would parallel the well-developed Christ-typologies. This article examines six films to begin the process of describing what makes a character "satanic" without being Satan.

Sport And Film (Routledge, 2013), Seán Crosson Dr.

Seán Crosson

The sports film has become one of commercial cinema's most recognizable genres. From classic boxing films such as Raging Bull (1980) to soccer-themed box-office successes like Bend it Like Beckham (2002), the sports film stands at the interface of two of our most important cultural forms. This book examines the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students and enthusiasts of sport, film, media and culture. Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction …

Literature And The Study Of Intermediality: A Book Review Article On New Work By Grishakova And Ryan And Carvalho Homem, Ioan-Flaviu Patrunjel, Asunción López-Varela

CLCWeb: Comparative Literature and Culture

No abstract provided.

Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim

Dr Brian Yecies

This article examines how the South Korean cinema has undergone a transformation from an ‘antiquated cottage industry’ in the 1980s into a thriving international cinema – albeit with a host of new challenges and tensions – in the ‘post-boom’ years of the 2000s right up to the present. Its analysis of film culture in the 1980s sets the stage for the Korean cinema’s transnational development over the last decade, and points to a longer historical continuum involving the ‘re-emergence’ in the 1980s of a ‘cinema of quality’ that was marked by widespread critical acclaim. Additionally, this article canvasses the key …

Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim

Dr Brian Yecies

This article examines how the South Korean cinema has undergone a transformation from an ‘antiquated cottage industry’ in the 1980s into a thriving international cinema – albeit with a host of new challenges and tensions – in the ‘post-boom’ years of the 2000s right up to the present. Its analysis of film culture in the 1980s sets the stage for the Korean cinema’s transnational development over the last decade, and points to a longer historical continuum involving the ‘re-emergence’ in the 1980s of a ‘cinema of quality’ that was marked by widespread critical acclaim. Additionally, this article canvasses the key …

Pembroke Circle: A Portrayal Of Social Themes Using Micro-Budget Cinema, Max Rousseau

Electronic Theses and Dissertations

Pembroke Circle is a feature-length, micro-budget, digital motion picture, written, produced and directed by Max Rousseau as a part of the University of Central Florida’s Masters in Fine Arts program in Digital Entrepreneurial Cinema. The filmmaker engaged some very difficult material in the micro-budget paradigm and grew personally and professionally in the process. This thesis documents the writing process, pre-production, fund-raising, production and post-production; all leading to the completion of a festival-ready feature film. It is the hope that this thesis will create an understanding of what it takes to make a micro-budget film and offer some help to future …

The Changed And Unchanged Situation In The Representation Of Women In Contemporary Cinema, Arif Rohman

Arif Rohman

The second feminist wave in the 1960s has influenced feminists to increase their campaign against patriarchy in almost all areas. One of the areas which has made women very vulnerable is the issue of women in cinema. This article analysed some changes in the representation of women in cinema by comparing four movies: Stepford Wifes (1975), Orlando (1992), When Night Is Falling (1995), and Stepford Wives (2004). This study was conducted by using modern hermeneutics method. From the analysis, these four films appear to contain three changed aspects regarding women, including the equality of work, the expression of sexual identity, …

Medium-Specificity And Sociality In Expanded Cinema Re-Enactment, Lucas M. Ihlein

Faculty of Law, Humanities and the Arts - Papers (Archive)

In this short paper, I introduce the work of the artist group Teaching and Learning Cinema, which reenacts Expanded Cinema artworks from the 1960s and 70s. I make a connection between sociality (which binds together artists in collectives and screening "clubs") and the issue of mediumspecificity. Re-enacting Expanded Cinema, I suggest, gently probes at the intersection of mediumspecificity and sociality. This practice asks questions about the material qualities of film, video and performance, and the particular relations these media carry across time and culture.

Less Lost: No Touchdown Dance, William Conner

Electronic Theses and Dissertations

Less Lost is a feature-length film by William Chase Conner, made as part of the requirements for earning a Master of Fine Arts in Film & Digital Media from the University of Central Florida.

Cinematic Jewish Women In Rural Argentina And The Representation Of Argentinidad, Mirna Vohnsen

Articles

From the outset, Argentine cinema has played a significant role in the question of argentinidad. The historical account of how Jewish immigrants from Eastern Europe settled in the Argentine interior and became Argentines rooted in the land has not escaped Argentine film. Although period films portray Jewish female characters as nation builders alongside their male counterparts, the study of Jewish women in Argentine cinema has received little scholarly attention. In an attempt to remedy that, this article shows that the examination of the Jewish female onscreen can shed light on the controversial question of argentinidad. It examines the representation of …

Profiles Of Selected Mormon Actors, J. Michael Hunter

Faculty Publications

“Profiles of Selected Mormon Actors” provides brief profiles of over 80 Mormon actors and actresses, including some biographical information and career highlights. This chapter appears in the first volume of Mormons and Popular Culture: The Global Influence of an American Phenomenon (Praeger 2013), a comprehensive treatment of Mormons and popular culture, providing an introduction and wide-ranging overview of the topic.

The Mormon Influence At Disney, J. Michael Hunter

Faculty Publications

“The Mormon Influence at Disney,” provides a history of Mormons—members of The Church of Jesus Christ of Latter-day Saints (LDS Church)— involved with the Walt Disney Company, including animators, composers, and administrators. Beginning with cartoonist Floyd Gottfredson’s influence on the development of Mickey Mouse, the history continues with the influence of animators like Eric Larson, Les Clark, Judge Whitaker, Scott Whitaker, Don Bluth, and Richard Rich. Beginning as an animator on Snow White and the Seven Dwarfs, Larson went on to become a member of the Disney Studio’s powerful board known as “the nine old men.” Mormon composers covered …

Crossover Cinema: A Conceptual And Genealogical Overview, Sukhmani Khorana

Faculty of Law, Humanities and the Arts - Papers (Archive)

In this collection, the term crossover cinema is used to encapsulate an emerging form of cinema that crosses cultural borders at the stage of conceptualization and production and hence manifests a hybrid cinematic grammar at the textual level, as well as crossing over in terms of its distribution and reception. It argues for the importance of distinguishing between crossover cinema and transnational cinema. While the latter label has been important in enabling the recognition and consideration of the impact of post–World War II migration and globalization on film practice and scholarship, and while it constituted a significant advance on the …

Notes On The Politics Of The Auteur: Stanley Kubrick, Wes Anderson, And The Spectator, Michael Perreault

Honors Theses

What is an author, and what does it matter? Questions about authority in the cinema have been the subject of debate since the late 1940s, when Alexandre Astruc posited the notion of the camera-stylo in France. A slightly reductive understanding of the term “auteur”—a term that Cahiers du Cinéma would later adopt—states that, with the shadow of the World War II era of censorship still looming in the 1950s, the many individual voices of the cinema needed to be both heard and promoted. Namely, the director should be regarded as (and should consider his or her primary objective to …

Powerful Veiled Visions In A Neo-Patriarchal Iranian Cinema: A Study Of Tahminemilani’S Fifth Reaction (2003), Esmaeil Zeiny

Esmaeil Zeiny

Films about ‘women’s issues’ and their importance in Iran have not been paid in-depth attention in scholarly works. These films are labeled as political as they challenge the institutions and values of patriarchy in Iranian society. In recent years, Iranian women filmmakers have produced an impressive body of work and they have won a number of international awards. These filmmakers carved a niche despite all the restrictions imposed by patriarchal strictures. However, these filmmakers are still facing difficulties in making their films as the political fortunes of the conservatives and reformers continue to ebb and flow. TahmineMilani is one of …