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Full-Text Articles in Arts and Humanities

Part Of Their World: Gender Identity Found In Disney Princesses, Consumerism, And Performative Play, Emily Grider Ray Dec 2009

Part Of Their World: Gender Identity Found In Disney Princesses, Consumerism, And Performative Play, Emily Grider Ray

Theses and Dissertations

One way that children explore concepts of gender is through make-believe and performative play. One of the most prevalent presentations of gender that is packaged for children's play is the Disney Princess brand. In 2007 the Walt Disney Princess campaign profited over four billion dollars and expanded to include over 25,000 items for sale. Princess paraphernalia reflects a change in the way that young girls (ages 3-5) engage in imaginary play by creating a whole new paradigm of thought. As these girls project themselves into the role of a certain Princess, typical play transforms into a consumer based theatrical experience. …


One Generation Consuming The Next: The Racial Critique Of Consumerism In George Romero’S Zombie Films, Henry Powell Jan 2009

One Generation Consuming The Next: The Racial Critique Of Consumerism In George Romero’S Zombie Films, Henry Powell

Honors Theses

The racial and economic hierarchies in Romero’s films are complex. Each film shows a strong connection between wealthy and white, which rules over the poor and black or Hispanic. In each of his films, the Americans he shows us are so ingrained in their consumer or racist identities that they cannot look past them even in a time when the characters should only be doing what is important to survive. In Night, Harry dies because of his blind selfishness and bigotry against the African American man who attempts to look out for the group. Stephen and Roger both die because …


The Metaphysical Underpinnings Contemporary Attitudes In Consumerism: An Pontification?, Jason Stigliano Jan 2009

The Metaphysical Underpinnings Contemporary Attitudes In Consumerism: An Pontification?, Jason Stigliano

Honors Theses

Contemporary philosopher and activist, John Zerzan, critiques modern civilization, and then in hindsight the history of civilization, on two central grounds, which form the basis for the rest of his criticism and theory. Firstly, we are alienated from existence in as much as our experience is, in various ways, mediated rather than immediate. Through language (or symbolic thought), a sense of measured time, symbolic ritual, technology and all the other constituents of civilized culture, we become alienated. His ideal existence might be something like the state of animals as described by John Gardner in his novel Grendel, “he stares at …