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Full-Text Articles in Arts and Humanities

Blue Skin, Yellow Flesh, Candace Wiley Aug 2009

Blue Skin, Yellow Flesh, Candace Wiley

All Theses

ABSTRACT
Set in November 2009 in the United States South, Blue Skin, Yellow Flesh will eventually cover eleven days and will be separated into two parts—before and after Thecla's funeral. It begins the Tuesday after Thecla dies and ends the day after Thanksgiving. The major conflict involves Thecla's death, how it affects her family, and how the family deals with the concept of family. Other important conflicts are Tam and Lynn's marriage, JoJo's sexual orientation, Lynn's affect on her children, and Julius's trek toward death. This novel excerpt consists of seven chapters, submitted in partial fulfillment of Clemson University's Master …


A Charitable Modernity: Milton And The Democratic Aesthetic, Jonathan Williams May 2009

A Charitable Modernity: Milton And The Democratic Aesthetic, Jonathan Williams

All Theses

This thesis traces a narrative of John Milton's modernity. My formulation of a
'charitable modernity' is a paradoxical one, and builds on Marshall Berman's theory of
modern life. Modernity is characterized by both disintegration and possibilities for
renewal. Charity, according to Milton, is the means by which different readers are
allowed to read different meanings into different texts. For Milton, a charitable modernity
is a promising thing, because it makes allowance for a democratic kind of government
where people are allowed to govern themselves in part by the way they each read texts
differently. Milton was not always a poet …


Ambiguity And Apocalypse: Metafictional Reading Strategies In The Crying Of Lot 49 And One Hundred Years Of Solitude, David Foltz May 2009

Ambiguity And Apocalypse: Metafictional Reading Strategies In The Crying Of Lot 49 And One Hundred Years Of Solitude, David Foltz

All Theses

Thomas Pynchon's The Crying of Lot 49 and Gabriel Garc’a M‡rquez's One Hundred Years of Solitude posit reading strategies linked by similar methodologies and complementary conclusions. The exposition in the following chapters examines the novels' methodologies on three levels--the utilization of historical background, the Principle of Uncertainty, and apocalyptic endings--to establish a basis for the novels' shared perspective on narrative and, by default, approaches to engaging narrative. This thesis argues that the novels demonstrate that as uncertainty increases within narrative the potential for meaning increases, and the converse--as uncertainty decreases, the potential for meaning decreases. The resultant apocalyptic endings of …


Psyche And History In Shelley And Freud, Brent Robida May 2009

Psyche And History In Shelley And Freud, Brent Robida

All Theses

The comfortable thought is over in our psychical relation to Percy Shelley and Sigmund Freud because the line of reasoning it invokes is chaotic, if only because trying to define psyche and history leads to chaotic conclusions, especially at the beginning of the twenty-first century. Shelley and Freud recognized this and were able to channel it into their art, myth, fable, allegory. The events of their lives, their History, produces itself from chaos (Freud writes across two World Wars, Shelley under the shadow of the French Revolution, Jacobin massacres and Napoleonic wars), which means its producer is chaotic, Divine Chaos, …


Some Apocalypse, David Hehn Jr. May 2009

Some Apocalypse, David Hehn Jr.

All Theses

This creative thesis is comprised of three pieces of traditional fiction, three pieces of flash fiction, and one work that is neither traditional nor flash but positioned somewhere beneath the wide umbrella of creative writing. As partial fulfillment for the degree Master of Arts in English literature, these selections display a solid understanding of the principles of creative fiction and English literature as well as a desire to experiment with form and push the parameters of creative writing. These selections seek to entertain and to become active in the general discourse of literature.


Living In (Im) Material Worlds: Modes Of Production And Consumption In Utopian Literature, Pauline Spangler May 2009

Living In (Im) Material Worlds: Modes Of Production And Consumption In Utopian Literature, Pauline Spangler

All Theses

My thesis examines and defines 'conditions of production' and 'conditions of consumption' as they apply to both Marxist economic theory and to the more culturally-oriented production and consumption of literary texts according to Pierre Bourdieu. I will establish the relationship between these conditions as cause and effect, complementary, and, finally, mutually necessary depending upon their context and manifestation. Alterations in the conditions of production and consumption affect our treatment of their corresponding, associative dichotomies in the literary tradition - the transcendent and the material, the spiritual and the corporal, the well-wrought art object and the commodity fetish, and, finally, male …