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One Generation Consuming The Next: The Racial Critique Of Consumerism In George Romero’S Zombie Films, Henry Powell

Honors Theses

The racial and economic hierarchies in Romero’s films are complex. Each film shows a strong connection between wealthy and white, which rules over the poor and black or Hispanic. In each of his films, the Americans he shows us are so ingrained in their consumer or racist identities that they cannot look past them even in a time when the characters should only be doing what is important to survive. In Night, Harry dies because of his blind selfishness and bigotry against the African American man who attempts to look out for the group. Stephen and Roger both die because …