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Full-Text Articles in Arts and Humanities

Against Them, Too: A Reply To Alward, Andrew Kania Oct 2007

Against Them, Too: A Reply To Alward, Andrew Kania

Philosophy Faculty Research

In his defense of a version of what I have called “the ubiquity thesis”—the idea that every narrative fiction contains an overarching fictional narrator—Peter Alward gives a helpful reconstruction of some of my arguments against that thesis and clearly lays out a part of the theoretical terrain on which this debate takes place. However, by the end of the piece he is offering solace to both me and those I was arguing against, which is about as close as philosophers come to fightin’ words.


Philosophy Of New Jazz: Reconstructing Adorno, Dustin Bradley Garlitz Jun 2007

Philosophy Of New Jazz: Reconstructing Adorno, Dustin Bradley Garlitz

USF Tampa Graduate Theses and Dissertations

Theodor W. Adorno, the towering twentieth century German intellectual figure and distinctive musical thinker, was legendary for being over-critical of jazz music. Through a consideration at his admiration for avant-garde chamber and symphonic music, I plan to develop a position that, surprisingly, points towards a theory of unacknowledged acceptance of jazz. The style of jazz that will be the newly constructed musical idiom of admiration for Adorno will be of the heterodox variety. My method of reconstruction will be to interrogate the inconsistencies in Adorno's critical musical writings, and negate such negations with factual evidence of affirmation found in the …


Rethinking Trümmerliteratur: The Aesthetics Of Destruction Ruins, Ruination, And Ruined Language In The Works Of Böll Grass, And Celan, Kurt R. Buhanan Mar 2007

Rethinking Trümmerliteratur: The Aesthetics Of Destruction Ruins, Ruination, And Ruined Language In The Works Of Böll Grass, And Celan, Kurt R. Buhanan

Theses and Dissertations

Trümmerliteratur - literally “rubble-literature" - is a brand of literature that became important after the Second World War, led by Heinrich Böll, whom I term the apologist of German Trümmerliteratur. Typically included under this classification are the writers who began to produce in the years immediately following the war, and in whose work the rubble and ruins of the landscape figure prominently. Böll provided the programmatic framework for the movement in his “Bekenntnis zur Trümmerliteratur" but his relationship to another type of ruin writing presents a point of friction when he appears to be working in a romantic mode to …


The Visual Image Of Chemistry: Perspectives From The History Of Art And Science, Joachim Schummer, Tami I. Spector Jan 2007

The Visual Image Of Chemistry: Perspectives From The History Of Art And Science, Joachim Schummer, Tami I. Spector

Chemistry Faculty Publications

In this paper we investigate the most important visual stereotypes of chemistry as they occur in current portraits of chemists, depictions of chemical plants, and images of chemical glassware and apparatus. By studying the historical origin and development of these stereotypes within the broader context of the history of art and science, and by applying aesthetic and cultural theories, we explore what these images implicitly communicate about the chemical profession to the public. We conclude that chemists, along with commercial artists, have unknowingly created a visual image of chemistry that frequently conveys negative historical associations, ranging from imposture to kitsch. …


Geoaesthetics: New Orleans, Landscape, And Eros, Robert Frodeman Jan 2007

Geoaesthetics: New Orleans, Landscape, And Eros, Robert Frodeman

Contemporary Aesthetics (Journal Archive)

The success of contemporary society in producing knowledge serves to highlight the breakdown between knowledge production and its use. New Orleans and Katrina offer one example of this breakdown. All the knowledge necessary for acting beforehand was available; the problem was not one of knowledge but of will. Geoaesthetics, appropriating the erotic nature of our relationship to the land, is offered as an inter- and transdisciplinary means for making disciplinary knowledge more pertinent.


Implied World Views In Pictures: Reflections From A Cognitive Psychological And Anthropological Point Of View, Michael Ranta Jan 2007

Implied World Views In Pictures: Reflections From A Cognitive Psychological And Anthropological Point Of View, Michael Ranta

Contemporary Aesthetics (Journal Archive)

In traditional art history, iconological attempts to analyze visual works of art by treating their formal and semantic features as symptoms of more general, implied world views or cultures have occurred rather frequently. Still, such attempts have been criticized for permitting subjective and non-verifiable interpretations. In this paper, however, I will argue that (i) pictorial works of art indeed imply wider world views or schemata, and (ii) that our comprehension of these schemata can be explained by taking into account recent research within cognitive psychology. More specifically, I will argue that intelligence partly consists of the storage and retrieval of …


Aesthetics Into The Twenty-First Century, Curtis Carter Jan 2007

Aesthetics Into The Twenty-First Century, Curtis Carter

Philosophy Faculty Research and Publications

The new concerns facing aestheticians in the twenty-first century require serious attention if the discipline is to maintain continued viability as an intellectual discipline. Just as art changes as cultures develop, so must aesthetics. In support of this view is a personal account of evolving engagement with aesthetics and the factors that led to embracing change and a plurality of practices as essential to the health of aesthetic today. A brief examination of the state of aesthetics as it has evolved in the American Society for Aesthetics since its inception in the 1940s will follow. These two lines of development, …


Artists And Designers As Collectors: The Aesthetics Of Digital Journaling, Aldegonda Bruekers, Joanne C. Law Jan 2007

Artists And Designers As Collectors: The Aesthetics Of Digital Journaling, Aldegonda Bruekers, Joanne C. Law

Faculty of Creative Arts - Papers (Archive)

The visual journal has been a constant companion to artists and designers. It fulfills the multiple functions of a scrapbook, a sketchpad, an observation notebook, a filing cabinet and an archive. Collecting ideas and artifacts using digital devices is an important process for artists and designers today. However, the accessibility provided by these tools also leads to problems in traditional visual journaling. The increasingly diverse formats (such as, audio, video, or digital codes) can pose difficulties when working in conjunction with tangible materials. The storage, access, and usage of materials also need to be reconsidered. The key question is not …


Nietzsche's Debt To Kant's Theory Of The Beautiful In 'Birth Of Tragedy', R. Kevin Hill Jan 2007

Nietzsche's Debt To Kant's Theory Of The Beautiful In 'Birth Of Tragedy', R. Kevin Hill

Philosophy Faculty Publications and Presentations

Nietzsche describes Birth of Tragedy as a contribution to “the science of aesthetics”. In this paper, I will argue that a crucial influence on his emerging views was Kant’s Critique of Judgment. Nietzsche’s early aesthetic views are often attributed to some combination of Schopenhauer’s analyses of the plastic arts (inspiring Nietzsche’s conception of the Apollinian) and his analysis of music (inspiring Nietzsche’s conception of the Dionysian) along with Nietzsche’s own original insights into how these combine to form the tragic. As we shall see, the resources of Schopenhauer’s aesthetics were unavailable to Nietzsche due to epistemological commitments he had …