Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 4 of 4

Full-Text Articles in Arts and Humanities

The Other Side Of The Tracks: Railroads, Race, And The Performance Of Unity In Nineteenth-Century American Entertainment, Elissa Sartwell Jan 2006

The Other Side Of The Tracks: Railroads, Race, And The Performance Of Unity In Nineteenth-Century American Entertainment, Elissa Sartwell

LSU Doctoral Dissertations

Nineteenth-century Americans took great pride in the completion of the first transcontinental railroad in 1869. This pride was not solely grounded in the knowledge that a grand, technological feat had been accomplished. When placed in its historical context, the celebration surrounding the completion of the railroad suggests a clear and visible statement of unity following a bitter and divisive civil war. The transcontinental railroad of 1869 undeniably unified the States. But any railroad simultaneously unites and divides, for while the tracks serve to link distant locations, they also produce a literal and metaphorical division in the communities through which they …


Performing Citizenship: Tensions In The Creation Of The Citizen Image On Stage And Screen, John William Wright Jan 2006

Performing Citizenship: Tensions In The Creation Of The Citizen Image On Stage And Screen, John William Wright

LSU Doctoral Dissertations

What does it mean to be a “citizen” of the United States? In the simplest of terms, citizenship is a limited position of identity, relegated to a narrow definition of legal and geographical position for an individual. But to be a “citizen” in America means far more than that – it becomes an accepted image of our collective identity which seeks an historical and political supremacy that allows America, and its citizens, to claim ideological status over anyone who is not a part of that nationalistic frame. The citizen has, for us, become a set of understood rights and privileges, …


Green Theatre: Proto-Environmental Drama And The Performance Of Ecological Values In Contemporary Western Theatre, Kurt Gerard Heinlein Jan 2006

Green Theatre: Proto-Environmental Drama And The Performance Of Ecological Values In Contemporary Western Theatre, Kurt Gerard Heinlein

LSU Doctoral Dissertations

The aim of this study is to illustrate the purpose and potential of theatre that promotes a proto-environmental agenda, or Green Theatre, in re-orienting Western behavior and mores in a direction that creates positive socio-environmental change. In correlation, this dissertation will examine the objectives and performance modes of several educational and professional theatre entities that house a distinctly unique Green agenda. The primary performances featured will include Peter Schumann’s Bread and Puppet Theatre, Blue Man Group’s Tubes, performances by Koko the signing lowland gorilla, and Playmakers of Baton Rouge’s production of Habitat Cats.


Stage(D) Mothers: Mother-Daughter Tropes In Twentieth-Century American Drama, Kristin Hanson Jan 2006

Stage(D) Mothers: Mother-Daughter Tropes In Twentieth-Century American Drama, Kristin Hanson

LSU Doctoral Dissertations

The relationship between mother and daughter is an important one for many women. In learning how to best become a successful member of society, daughters look to their mothers to demonstrate the behaviors and beliefs appropriate to a female. Such explicit and implicit instruction makes the mother-daughter relationship a central one in the socialization of women. Because it is such a powerful site, the mother-daughter relationship has received attention in the world of representation. Of particular import to this study is the representation of the mother-daughter relationship in Twentieth-Century American drama. Recent scholarship has shown that such representations can, however, …