Arts and Humanities Commons^™

Oncolog, Volume 48, Number 04, April 2003, Katie Prout Matias, Karen Stuyck

OncoLog MD Anderson's Report to Physicians (All issues)

• Study of Epigenetic Changes Leads to Treatment Advances in Adult Leukemias
• Protocols: Studies Examine Treatment of Leukemia
• The Cost of Caring: Dealing with the Stress of Being an Oncologist
• Excerpts from Focus Groups Featured in Video to Help Oncologists Cope with Stress
• House Call: Chemoprevention: Preventing Cancer with a Pill

Oncolog, Volume 48, Number 01, January 2003, David Galloway, Stephanie Deming, Heather Russell

OncoLog MD Anderson's Report to Physicians (All issues)

• Putting an End to the Waiting: Diagnosis Clinic Finds Answers for Patients When Cancer Is Suspected
• The Center for Research on Minority Health: Working with the Community to End Health Disparities
• Collaboration Between M. D. Anderson, University of Puerto Rico to Address Cancer in Minority Populations
• House Call: Diagnostic Imaging Tests: How They Work and What to Expect

“Medallion Of Thekla Bound To Two Beasts,” “Cross With Prayer To Thekla,” “Oval Pendant With Thekla,” “Chalice Dedicated By Sarra”, “Chalice Dedicated By Anthousa And Ardabarios,” “Necklace With Tablet Cases And Pendant Cross,” And “Gold Tablet”, Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Between Narrative And Expressive, Fantasy And Melodrama In Bombay Film, Wendy Hsu

Wendy Hsu

Facing the hegemony of Bombay cinema, an intriguing irony lies in the intersecting point of film’s extreme popularity and its highly formulaic form. To understand this phenomenon, a discussion on the subjectivity of Bollywood1 film spectatorship, rather than the objectivity of cinema as the nation’s collective consciousness (Chakravarty, 1993; Kakar, 1983), is solicited. This paper first marks a fantasy space of differences in which cinematic elements are negotiated: narrative vs. expressive modes; fantasy vs. melodrama forms. Drawing from an Indian gothic classic Mahal (Amrohi, 1949), the paper then seeks to obscure the differentiation between the paradigmatic elements and, lastly, redefines …